Category: Communicating - Mala Naidoo’s Book World

Apartheid to Post-Apartheid Narratives

What it means to write in the long shadow of a system that ended, but never fully left.

I grew up in a world where identity was assigned before it was understood.

Apartheid taught us, from childhood, that a person could be categorised, separated and judged according to the colour of their skin. It entered the ordinary rhythms of life, in where one could live, where one could go, which schools one could attend, whom one could know, and which futures seemed possible. Yet for a child, political systems are not initially understood as political systems. They are experienced as the boundaries of everyday life.

Behind every imposed identity there is an individual life teeming with hopes, contradictions, vulnerabilities, humour and dreams.

Looking back, I realise that those formative years taught me that history is not something that exists only in textbooks. History lives inside people. It enters families through stories, silences and memories. It shapes the way parents protect their children, the way grandparents remember another time, and the way a child learns to read what is said, and what is deliberately left unsaid.

South Africa’s transition in 1994 gave writers a new country to describe, but not a blank page. Apartheid had shaped language, land, family, and memory so thoroughly that no post-apartheid author could simply start fresh. Writing after apartheid has meant writing through it; inheriting its unfinished business even while trying to imagine something beyond it.

Much of the internationally known writing from the apartheid years followed a recognisable shape from oppression, resistance, and moral reckoning. Post-apartheid authors have had to decide whether to continue that tradition or break from it. Many chose to break from it, turning toward stories that apartheid-era literature had less room for, more particular to my fiction is where personal and family history fall both inside and outside the frame of political struggle.

To write as a post-apartheid author is to hold two things at once, freedom from a system that dictated so much of what could be said, and responsibility for describing what came after it honestly. The best of this writing doesn’t treat 1994 as an ending, but rather as the start of a much longer, more ambiguous story, one that is still being written.

My early years taught me to notice the spaces between people, the invisible boundaries, the things that remain unsaid, and the resilience beneath apparent ordinariness. The relationship between memory and identity remains complicated.

Most importantly, what remains is that stories matter because people matter.

Identity is layered. We inherit histories we did not choose, yet those histories become part of the way we see the world. We inherit languages, traditions, beliefs, family stories and memories of places. We also inherit the wounds and silences of previous generations.

But inheritance does not have to mean repetition.

To tell a story is to say, I saw this. I remember this. This life mattered.

And perhaps that is what my formative years under apartheid ultimately taught me, not simply how to remember, but why remembering carries a responsibility.

The past cannot be changed. But the stories we choose to tell about it can determine how it is understood by those who come after us.

That is one of the reasons I write.

Is there a narrative that you should write?

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Fiction and Fundamental Humanity

We live in an age awash with words yet starved of understanding. Never have stories travelled so swiftly, nor people felt so profoundly unseen. Algorithms know our preferences before we do; screens mediate our encounters; attention has become a commodity. Amid this noise, fiction has a singular calling, not only to entertain or persuade, but to return us to ourselves. Its deepest task is to speak to that enduring place where love and grief, fear and hope, memory and longing have always resided.

In an increasingly fast-paced world, content is consumed and forgotten. But literature asks us to linger. The novels that remain etched in memory, survive because they uncover truths that outlast the moment. They remind us that every generation inherits the same fragile heart.

…literature asks us to linger…

As language becomes infinitely reproducible, authentic writing becomes more precious. No machine can replicate the weight of a sentence earned through lived experience, quiet observation, and moral imagination. The true value of fiction lies not in its efficiency but in its humanity.

Stories become universal by embracing the particular where a small town, a rocking chair, a single remembered kitchen table conversation, carry the potential to reveal more about our shared condition than sweeping declarations about humanity. It is through the unmistakable lives of particular people that readers recognise themselves. The local is forever mapped, speaking beyond the walls of time, and the intimate becomes infinite.

Such fiction understands that goodness may coexist with failure, courage with fear, tenderness with regret. Human beings are rarely consistent, and fiction falters whenever it pretends otherwise.

To write in this way requires a discipline of attention that allows silence its own eloquence and grief its own rhythm. To attend deeply to another’s inner life is a spiritual and ethical act. It declares that every ordinary existence cradles a universe worthy of witness. In a world inclined to measure people by visibility, usefulness or influence, such attention becomes a quiet form of grace.

To attend deeply to another’s inner life is a spiritual, and ethical act…a quiet form of grace

Fiction enlarges us. Long before science explained empathy, novelists understood that to inhabit another consciousness is to loosen the boundaries of our own. Every story invites us to become, however briefly, someone else; the child bewildered by loss, the ageing parent carrying invisible sorrow, the stranger whose choices we might once have condemned. Each imagined life broadens our capacity for compassion in the real one.

Our age, dominated by extraordinary technological change, cannot undo the essential human need in longing to belong, we continue to grieve those we love, we yearn to forgive and to be forgiven. Civilisations change; the human heart endures.

The finest stories remind us that while the world forever changes its language, the soul continues to speak through the timeless diction of love, loss, hope, and wonder.

No machine can replicate the weight of a sentence earned through lived experience, quiet observation, and moral imagination

Create authentic stories, allow your unique voice to be heard across time.

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Seasons and Stories

There are stories that begin with a telephone call, a whispered secret, or the turning of a page. Then there are stories that begin much earlier when the first jasmine bloom of spring appears, in the relentless heat of summer, in the quiet surrender of autumn leaves, or in the long silence of winter. Before a character finds a voice, the earth has already begun telling its own story.

For me, the seasons have never been mere markers of time. They are living companions, carrying memory, hope, sorrow, and renewal. They move quietly through every landscape, touching every life, reminding us that no joy is permanent, no grief eternal, and no season remains unchanged.

This is why the seasons continue to shape fiction across generations. They offer writers something beyond description as an emotional truth.

Spring arrives with extraordinary gentleness, asking us to believe once more in beginnings. In fiction, spring is more than renewal, it becomes courage. It is the mother who learns to smile again after unimaginable loss. It is forgiveness finding its way into hearts that believed themselves beyond healing.

The stories that stay with us rarely celebrate perfection. They showcase resilience reflected in spring’s redefinition.

Summer follows with generous abundance. It is the season of laughter drifting through gardens, of long days filled with possibility, of dreams pursued with fearless conviction. Yet its fierce brilliance also illuminates hidden truths, revealing both love and conflict. Like the summers of our own lives, it shapes our choices and the paths we eventually follow.

Then autumn arrives, carrying wisdom in gentle hands. Leaves surrender without resistance, and the trees teach us that letting go is not failure but transformation. For writers, autumn offers one of literature’s greatest lessons that beauty often lives in endings. The most profound stories are not simply about holding on, but about recognising that release itself can become an act of grace.

Many of my fictional characters have walked through such autumns. They carry inherited memories, fractured relationships, and the quiet burdens passed from one generation to the next, poignantly evident in Plantation Shadows. However, with every farewell lies the possibility of reconciliation.

Winter is perhaps the most misunderstood storyteller of all. Its silence is often mistaken for emptiness, yet beneath frozen ground, roots continue their unseen work. Winter asks for patience, faith, and endurance. It invites reflection rather than action, reminding both writer and reader that healing is seldom immediate. Some wounds require stillness before they become scars; some stories require silence before they discover their truest ending

The seasons mirror our own spiritual journeys. Birth, love, loss, forgiveness, remembrance, and hope unfold according to rhythms older than civilisation itself. It arrives from past lives. Whether we write historical fiction, family sagas, poetry, short-stories, or contemporary novels, we return again and again to these timeless cycles because they reflect something enduring about what it means to be human.

Today, however, the seasons speak with a different voice. Familiar rhythms are shifting. Rivers run dry where they once sustained generations. Storms arrive with unexpected fury. Winters shorten. Summers linger with exhausting intensity.

Climate change has altered landscapes and our emotional relationship with nature. Contemporary writers are witnessing more than environmental change; they are recording the changing heartbeat itself.

Perhaps this gives literature an even greater responsibility.

Stories remind future generations not simply of how the seasons looked, but of how they felt. Fiction and poetry become acts of remembrance, preserving both the beauty of the natural world and the resilience of the human spirit.

Every story is ultimately about hope.

Not naïve optimism, but hope forged through suffering, a hope that survives exile, grief, separation, and disappointment. Winter never argues with spring. Autumn never resists its falling leaves. Nature accepts change because it trusts renewal. So too, human lives are called to mimic this acceptance of the change that arrives.

Therefore all seasons shall be sweet to thee ~ Samuel Taylor Coleridge, ‘Frost at Midnight’

As writers, we begin with scattered memories, forgotten photographs, inherited silences, and moments that refuse to leave us. We plant them carefully, trusting that in time they will bloom into stories offering comfort, challenge, or healing to someone we may never meet. If we listen closely, we discover the earth has been telling stories long before we picked up our pens—and long after our final words have been written, the seasons will continue the narrative, one blossom, one falling leaf, and one winter dawn at a time.

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Writing Across the Human Divide

There is a quiet revolution encoded in every act of reading. When we open a book written by a stranger from a distant land, we are doing something radical; we are choosing, however briefly, to inhabit another life. Literature, at its most essential, has never respected the borders that politics and history have so carefully drawn. Stories seep through walls. They cross oceans. They arrive, unbidden and transformative, into the minds of people who had no idea they were waiting for them.

The most compelling reason to write for a global reader is the invitation itself to write across cultural lines to unlock a door and hold it open, to say, come in, take your shoes off, sit down at this table. The reader who has never walked through a particular village, never tasted a particular grief, never watched the sun set over a specific horizon, is suddenly there. The writer does not offer a peek into a tourist destination; the writer offers a heartbeat.

Yet we live in a world that has, in many ways, travelled backwards. The outsider mentality; the reflexive suspicion of the unfamiliar has reasserted itself across continents and generations. Against this retreat, literature mounts its quiet resistance in stories which reveal what fear obscures; beneath the veil of culture, language, and custom, human beings are startlingly similar. We love imperfectly, grieve beyond measure and hope in spite of evidence. A mother’s worry in Africa and a mother’s worry in Australia are not separated by an ocean; they are the same, expressed through the context of the specific concern.

Perfection in Imperfection

Ideas and life lessons, too, have no borders. The wisdom earned through suffering in one corner of the world does not diminish in translation. If anything, it deepens. When a reader thousands of miles away recognises a truth in another’s experience, that recognition is a kind of homecoming in the proof that the lesson was never confined to one place.

The distance itself that carries value asserts that we are not alone. A reader may not recognise the landscape, may not share the customs, but in sitting with that difference, awareness stirs. An appreciation for where one stands, for what one has inherited, for why the world is wide and various and worth knowing.

In Our Angst and Joy We are One Under the Sky of Humanity

To write for the global reader is, ultimately, to believe in that shared sky. It is an act of faith that the story you carry belongs, in part, to someone you will never meet, and that they have been waiting for it.

Have your say. Write your story. Shift the narrative to raise the human condition.

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Writing When Chaos Strikes

Writing matters in a world of chaos to reflect on the emotional, psychological, and social instability that arises from uncertain contexts, the chaotic context of the inhumane now we live in, globally. Writing becomes both a cognitive tool and a form of resilience. Writing is the salvation to preventing future generations from drowning in a well of hopelessness as writing creates meaningful connections asserting that our struggles unite us.

At a psychological level, writing externalises thought. When ideas, fears, or emotions remain internal, they are often fragmented and difficult to process. Writing forces organisation and coherence because it turns scattered impressions into ordered language. This enables the noise of the voices that perpetuate chaos to be represented in the language of the human heart of the struggling, suffering, starving, dying masses who cannot articulate their pain in fear of the horrific outcome emanating from speaking out, exposing, and resisting chaos. The written word captures the timeless documented memory on the historical unfolding of chaos and its impact on human survival.

Socially, writing enables communication when direct expression may fail. In chaos, spoken communication can be reactive, emotional, or misunderstood. Writing introduces deliberation. It is the opportunity to refine ideas, choose precise language, and convey complex perspectives.

Writing also functions as a form of agency. When external circumstances feel uncontrollable, the act of writing restores a sense of authorship. It allows individuals to frame their own narrative on the chaos experienced, rather than being passively defined by events. Writing personal stories during crisis times reclaims identity and empowerment.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness…” Charles Dickens. ‘A Tale of Two Cities’

Through writing, private struggles during chaotic times become part of a broader human dialogue to hold onto our prized values that make the world a compassionate inhabitable place for all.

Essentially writing transforms disorder into meaning. It is not merely a method of communication, but a way of thinking, remembering, and asserting control as an intellectual and emotional anchor when everything else feels unstable.

Keep writing! We need the connection stories offer.

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A Compelling Sense of Place – Part 3

Writing a compelling sense of place means making the setting feel alive—not just where the story happens, but how it feels to be there in the moment during a significant event or situation, and why it matters. Here are some practical suggestions on ways to do it

Engage more than sight

Strong settings use multiple senses.

Sound:distant traffic, buzzing insects, echoing halls
Smell:rain on a grassy patch after a hot day, old books, salt in the air
Touch:gritty sand, humid air sticking to skin, cold metal
Taste (limit use) :dust in the mouth, bitterness of smoke

Example:

The fan creaked and groaned as if knowing it faced a losing battle against the summer heat.

Filter the place through the character

The setting should reflect who is experiencing it. Two characters in the same place will notice different things.

Consider:

What would this character care about here?
What makes them edgy, angry, or nostalgic?

Example:

The summer heat made Moira faint, the infernal sun created a cremation site in their backyard. Her cousin, energetic and unaware of the rivers of sweat dripping off him, kicked the ball around the yard multiple times.

Choose specific, concrete details

Make a place believable. Avoid generic words like nice, busy, or beautiful.

Food carts hissed with steam while cyclists threaded through stalled taxis, bells ringing in sharp bursts.

Rather than, ‘it was a busy street.’

Let setting interact with action

Weave the story into what’s happening.

Example:

He shoved the door open, and warm bar air spilled onto the cold sidewalk, carrying laughter and the smell of fried onions.

Use setting to support mood and theme

The place should reinforce the emotional tone of the scene.

Tension → narrow spaces, harsh light, noise
Calm → open spaces, steady rhythms, soft textures, natural romantic landscapes
Isolation → emptiness, distance, silence, derelict buildings

Example:

The field stretched empty in every direction, the sky so wide it made her feel smaller with every step.

Don’t over describe

A few strong details are more powerful than a full inventory.

Rule of thumb:

1–3 vivid details per paragraph is usually enough
Let the reader’s imagination do the rest

Make place matter to the story

Ask yourself:

Would this scene work just as well somewhere else?
If yes, the setting might not be pulling its weight.

Ways to make it matter:

The place creates obstacles
The place holds history or memories
The place mirrors change in the character

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Complex Characters Who Feel Real – Part 2

Readers don’t fall in love with plots—they fall in love with people. That’s why complex characters are the lifeblood of compelling fiction. They’re the ones who linger in our minds, the ones we cheer for, cry over, or angrily debate with friends.

But what makes a character complex? And how do we write someone who feels less like a cardboard cutout and more like a fully formed human being?

Give Characters True to Life Contradictions

Humans are walking contradictions. We want love but push people away. We crave success but sabotage ourselves. We believe in honesty but harbour secrets (Plantation Shadows –what is Milly’s secret?). These contradictions make characters interesting in their imperfections. Characters must grow from hardship, struggles, loss, etc to become the best versions of themselves. Readers need to identify with real life situations to connect with characters who echo aspects of their own lives.

Consider the following when crafting a complex characer

What do they think they want vs. what do they need?
What are their competing internal desires?
Where does their behaviour conflict with their beliefs, morals, or values?

Create a Backstory on Key Points that Advance the Character’s complexity

Build their history for yourself so you understand:

What shaped their worldview
Why they react emotionally the way they do
What they fear, avoid, or chase

Be selective about what is revealed in the backstory, offer teasers to your reader instead of telling it all. (Plantation Shadows)

Give The Complex Character Agency-Don’t Describe their Personality

Actions speak louder than a long list of adjectives.

Show the reader the inner persona through:

Their choices
The risks they take
What they refuse to do—even when pressured

The character does not have to be aggressive, A passive character can be intriguing if their passivity is a choice, not a default.

Flaws can Hurt the Complex Character and Others

Give characters real, consequential flaws. Flaws are the engine of character-driven storytelling.

Ask:

What is their most harmful belief about themselves or the world?
How does this flaw sabotage their goals?
How does it hurt the people around them?

Flaws that create conflict are flaws that matter— they are signposts to something deeper/larger.

Let The Complex Character Grow, Regress, or Transform

Complex characters are restless. They might outwardly hide their intentions. Slow feed how they react to events, change their perspectives, and sometimes take a back step before a point of growth.

Explore:

Positive arcs(cynical → hopeful)
Negative arcs(idealistic → corrupted)
Flat arcs(unchanged internally but influential to others)

The character’s internal evolution when shaped by their experiences makes them believable and endearing because the reader has been drawn into their inner world.

Make Relationships Challenge The Character

A character’s interactions with others reveals more about them than any internal monologue.

Mull over:

Who pushes their buttons?
Who brings out the softness they try to hide?
Who forces them to confront truths they’d avoid alone?

Dynamic relationships create dynamic characters.

Mystery, Ambiguity, and Private Thoughts

You don’t have to reveal everything about a character immediately. People hold secrets—from others and from themselves. Let readers uncover the layers gradually. (Plantation Shadows – who holds a generational secret?)

A character is compelling when some of the interpretation is left to the reader.

Empathy

Complex characters when discovered, come alive through empathy. When a character is crafted as a person with their own desires, wounds, contradictions, and agency, the story deepens naturally. Allow them to surprise you, frustrate you, and challenge your drafting of their lives.

Look at the world around you, it abounds in complexities, and contradictions that carry the potential for growth, transformation, or regression—that makes characters human.

Make your complex character, live.

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Nurturing The Inner Creative

As emotional beings, the creative has a deep well of available resources to draw from in storytelling, writing poetry, and creating artwork.

The continual dipping and diving into emotional resources while working on a project drains energy for the capacity to be fully immersed while competing with life’s cacophony. The stretching of energy resources generated from deep creative work are challenged by personal situations that demand a share of the energy pumped into creativity.

Death, divorce, illness, moving house, or reframing work life, are but a few of life’s situations that test human stamina.

What is the way forward when passion projects and life’s necessities demand attention?

The first would be to step back from the writing desk, or the canvas to consciously acknowledge change such as loss or medical impediments, and the compelling need to pack up the Ute and head off into the wilderness. Creatives write these situations into characters’ lives. The lived reality poses a different scenario. Just as characters require strength to overcome the imagined challenge, creatives need renewed energy to move forward.

A hiatus while weathering life’s challenges, recharges one for what lies ahead, replenishes creativity by momentarily allowing grief, illness, etc; to hold space, or frees time to toss out unnecessary materialistic aspects of life to invite the fresh, and embrace the new.

Nurturing the creative within allows one to go on with what makes the heart sing

Creative nurturing, heals, elicits joy and and ignites the imagination with a nudge from a benevolent muse eager to fan the fires of creativity. Grab the nudge, save it in the in-tray for when the time is right.

How long should this hiatus be?

As long as it is necessary to refuel the tank for the gigantic leap ahead.

Nurturing the creative within benefits from gentle physical activity: A walk in a park, beach, a weekend getaway, meditation, meeting old friends, helping at a soup kitchen, volunteering at the RSPCA, or randomly doing something such as taking in a morning movie for one—a few examples of how one could nurture the creative within.

Never let doubters make one feel that being a creative on a break is a cardinal sin. While it might seem to be so to those who secretly hate their day jobs, the creative alone knows how to manage the emotional energy required to create timeless works of art.

Take a creative break when the need arises, not when one of life’s demands needs fixing. Then, watch productivity soar.

A source of inspiration:

“I saw that my image was changing or fading. One of the reasons for taking a break from clubs was to be missed—not forgotten.” ~Sammy Davis

Hakuna Matata!

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Fiction – AI or the Human Touch

Whether we accept it, remain neutral, or deny it, it’s here!

When it comes to creativity, the writing of fiction–how do you balance AI and the human touch?

Ernest Hemingway said, There’s nothing to writing. All you do is sit down at the typewriter and bleed. If this is so, why is AI necessary when the writing process is innately, humanely natural?

For centuries, storytelling has been a cultural tradition in every corner of the world. Who is the best at sharing their personal experiences through storytelling?

Is it possible for AI to display raw emotions?

Some argue that it’s authentic, while others contend that it’s programmed and thus not genuine.

The subjectivity of creativity begs the question: can it be programmed?

The dilemma is that some mask truths to create a fake identity. The theme of appearance vs reality in Shakespeare’s plays exposes how easily humans can be deceived. Will AI be yet another mask for machine-generated creativity? Who receives credit for the positive reception of AI-generated work? Another door to truth and ethics is unlocked.

Be curious and informed before leaping.

Artists create. They can express themselves through art in a multitude of ways — painting, writing, music, fashion, architecture, machinery, transportation, and beyond.

Charles Dickens, Jane Austen, Leonardo da Vinci, Picasso, Mozart, and other masters of their crafts possessed scintillating minds and remarkable imaginations before AI.

How does AI affect the human brain and heart when it takes over our inherent rights to uniqueness, growth, and creativity? When AI ‘generates’ creativity, do artists’ voices and works lose their uniqueness that only the human touch can produce?

The books and authors that writers admire, inspire them. Their mentors, past and present, guide them in honing their skills and style to create unique storylines. Imagination and voice make up a writer’s unique human fingerprint. It captures the reader’s attention. Have we reached a technological level where AI can imitate a writer’s style and imagination?

Imagination is the beginning of creation. You imagine what you desire, you will what you imagine, and at last, you create what you will. – George Bernard Shaw

AI is a part of our daily lives, but we often overlook it. Bots have butted into our lives before we had a name for them. Just whisper ‘Hey Google,’ or ‘Alexa’ and they are ready to provide us with the answers we seek. Does this make the human mind lazy if we don’t physically do the research?

The uniqueness of a writer’s voice lies in the manner in which they tell the story. AI can mimic the tone and intonation of the human voice, but can it replicate the character and personality of the human soul to articulate life experiences?

Creativity is seeing what others see and thinking what no one else ever thought. – Albert Einstein.

As an artist, you live your passion, share your talents and skills, and develop with every piece of art created.

The ways and reasons for entering this brave new world of creativity are widely debated.

The worst enemy to creativity is self-doubt — Sylvia Plath

Be curious and cautious to guide your choices in a rapidly evolving creative sphere. What’s your choice?

Please share your views in the comments below.

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Author Spotlight: Mel Goven

As creatives, news about a debut author from the land of one’s birth is received with great joy. The creative landscape is a connected, supportive space that celebrates newcomers to the publishing fold.

Meet Mel Goven, South African debut author of the crime novel, Unfinished, launched in July, 2022 on Amazon. Please join me in welcoming Mel Goven to the blog this month.

Get to know South African Author : Mel Goven

1. Biography : Mel Goven

I hail from Johannesburg and have quite a demanding day job as a teacher in a primary school.

Unfinished is my first novel although I have written many short stories which have gained a place in short story competitions in local magazines and writing groups.

My short story, Scorned, a crime mystery, was placed 3^rd in Woman and Home, in 2014. Love Knots, another short story, was shortlisted in the annual short story competition run by The Writer’s Group. One of my favourite short stories, Lucky, featured on a few writing blogs and had quite a successful run in 2016. All these stories can be read on my blog site.

I have also published newspaper feature articles and opinion pieces during my stint as editor for the local newspapers: The Randburg Sun, Fourways Review and the Northcliff Melville Times.

My features were around education challenges in South Africa. Some of which were: Preparing for Future Career Opportunities, Effective use of Technology in the Classroom, Private versus Public Schools.

Having always been drawn to the romance genre, I imagined I would write romance novels, which I haven’t completely taken off the table yet. However, I found my voice in thrilling crime mysteries.

I have two more novels in the pipeline and have realised that with each new world I create, I am finding myself as a writer. I don’t like conforming to a specific trope and while I admire the writing styles of my favourite authors, I don’t think I am in the same league and so choose to write my way.

I have been blessed with four incredible children of whom I am super proud. In formally starting my writing career at this stage in my life, I hope to inspire them that dreams come true at any age, no matter what challenges and obstacles arise.

2.When did your passion for writing emerge?

I love reading. I believe you must be an avid reader to be a good writer. When I was a child, I would beg my parents to take me to the library.

I visited many libraries in the area I grew up in: from the little mobile libraries that would go around the community on Tuesdays and Thursdays; to the community libraries that were finally built when the demand increased, and then to the Durban City Hall library when I was old enough to travel to the city on my own.

I started writing after I read Anne of Green Gables. I felt such a deep connection to the main character, Anne. Although she was a lifetime removed from my world in terms of the era, race, and circumstances, she felt what I felt; messed up like I did; was the odd duckling — just like me.Anyway, the community library did not have the sequel to Anne of Green Gables and so I decided to continue the story in my imagination. Eventually, I wrote it at the back of a Maths book (I did not like Maths very much). That was how I began writing.

Every time I finished reading a book, and if I felt that I wanted more from it, I would continue the story to bring it to a satisfactory conclusion.

3. What inspired you to write your debut novel, Unfinished?

In 2012, I became fascinated by a story I heard from a patient in a doctor’s surgery. The patient had undergone a heart transplant a few months before and she had been excited to meet the family of her donor.

I found myself researching it and was surprised to find that some heart recipients experienced major personality changes which are sometimes connected to their donor. The idea of the heart, which we consider the seat and symbol of emotion, sparked a story and this epic drama unfolded.

Unfinished is set in Hout Bay, Cape Town, because the first human heart transplant occurred successfully at the nearby Groote Schuur Hospital. But, it is more than just a story about a heart transplant. It revivifies an unsolved murder committed almost 40-years before the story begins; those affected by that crime and how their lives have interwoven until a heart transplant finally exposes the truth. I wanted my characters to come to life on the page, and each one needed to have a voice, so I opted to write in each main character’s POV.

4. Who are your favourite authors?

I have so many. I have great respect for the classics, so Jane Austen, Thomas Hardy, Emily Bronte, L.M. Alcott, Charles Dickens, Sir Arthur Conan Doyle and of course, L.M. Montgomery.

Contemporary authors: I would say, Khaled Hosseini, Kazuo Ishiguro and Eleanor Catton. But there are so many others. I have never restricted my reading to specific genres. I read all, except perhaps horror. Although I did spend a few sleepless nights reading Stephen King’s, The Dream Catcher.

I suppose I could say I have favourite books rather than authors. At present I am enjoying Barbara Kingsolver’s, The Lacuna. And, A Madness of Sunshine, by New Zealand author, Nalini Singh, and The Winter Garden by Kristen Hannah.

Oh, dear! There are so many more books I still have on my to-be-read list. My guilty pleasure is that I also enjoy a Harlequin romance novel now and again.

5. What advice would you offer to aspiring writers?

Write about what you experience. Write that story you wished could have had a different ending. Write about your dreams. Whatever takes seed in your imagination, write about it.

Grab your copy of Unfinished at these Amazon Book Links

Paperback

Kindle edition

Join Mel Goven on social media:

Facebook

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I extend my gratitude to Mel Goven for sharing her author journey and wonderful advice to aspiring authors. Unfinished has certainly grabbed my attention!

Happy Reading, Happy Writing.

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Creative Time and Space

You work full time but have a raging desire to write that book buried deep inside you.

If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.’ ~ Toni Morrison

How can I make it happen?

Time and space are necessary, negotiation with your after work, home tribe is mandatory — your loved ones under the same roof need to know the rules of the ring-fence around your creative time. Tell them, the adults and children alike, that this is your scared time after dinner, and family time. It will be a stretch on your energy levels, it will erode your sleep time… but if you seriously want to, not hope to achieve your hidden dream, then lost sleep is a small sacrifice.

The space is as sacred as the time and needs a physical barrier around it to avoid little ones from tottering in to play.

Say you choose nine-thirty to eleven thirty each night, stick to it unless there is something serious that requires your attention. A no-phones-space or noise cancelling headset is all the additional equipment you need to lock in the time and space for your burst of creativity each day.

Let me live, love, and say it well in good sentences ~ Sylvia Plath

Quality, rather than quantity, counts during this spiritual time to achieve what you have set out to do. Adherence to this time space includes weekends. Be prepared for a dent in your social life. Exceptions are granted for extra special occasions—birthdays, wedding anniversaries, graduation night, etc. These are outside the prohibited norm, and you might have a special occasion not included here. Limit these to those dearest to you. Dwindling social circles are inevitable if your social tribe doesn’t appreciate what you’re doing.

That’s all it takes, but regularity, commitment and determination are the way forward to having your book in hand. And what an exhilarating moment that is!

A word after a word after a word is power ~ Margaret Atwood

As progress happens, negotiate a reduced day job working hours with your manager as you create more time and space for your creativity to flourish.

The writer also needs time and space to read, read, read, all the poetry, craft books, and novels one can fit into a busy day to enhance the craft of writing. Shorten an office lunch break, stroll outdoors and add to the daily scribblings.

And there’s connecting with creative peers for inspiration. It could be a master class or a writer’s association. This tribe is essential to avoid total isolation and to validate your passion.

Soon you will spend more time in your creative space and limited time on your day job.

Go tell that story you have harboured for so long. The world is waiting!

You never have to change anything you got up in the middle of the night to write! ~ Saul Bellow

Happy writing as you create the time and space for holy writing hours!

Please add your thoughts, and inspiration in the comment box below.

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The Way We Were

The question asked as the year winds up is where are we now? What have we done?

As we slow pedal to year-end, as opposed to manically motoring towards the shenanigans of the period, take time to reflect.

Lessons from the lockdowns we endured include pondering the way we were.

When freedom is aborted by the rapid onslaught of an unseen enemy, the subsequent mandated exodus from office spaces, a retreating from global, is a new way.

Home is the place to work, play, and rest. If graced with wide open spaces and human company, the retreat might be bearable.

The creative advantage is possible when the shutters are down, streets are emptied, and parks and beaches are deserted.

The creative muse tunes into stillness—if the eye and mind turn more deeply inward, away from the repetitive media message that induced fear and guilt every morning at 11.

When emotions are raw, thoughts tumble out in reaction to the siege on the way we were. Social interactions are prohibited and replaced by a hermit lifestyle, or heaven forbid, succumbing to the doom of extinction.

Global and national disasters, past and present—world wars, financial crises, bushfires, floods, earthquakes, tsunamis, hurricanes, and pandemics, shake up the world to stir the creative soul.

The documenting of histories during global upheavals through fiction and poetry, painting, or musical compositions captures the heartfelt angst of the moment. Creative works emerge from such a time to reverberate into the future. This has the potential to educate and strengthen the action of future generations.

We can never rewrite history’s truth.

Fiction and poetry fearlessly tell the naked truth. Stories created now, in any medium, hold the key to spreading awareness overtime on the traits, pitfalls, and reactions to disasters.

truth and despair – the creative gateway

Capturing today through visual images is vital. A history through words, however, is the ageless wisdom of the soul of our current human condition—life as we feel it, and breathe it in the now.

As we roll up the year, not a long way off socially and politically to where we were back on day one of 2021, let us reflect.

Reflect on the stories we should tell of this time. A time when the world faced a common threat, an enemy that morphs and attacks just when we hope we might return to the way we were.

Time moves forward, and the past is only a backward, behind-the-shoulder lingering glance at how we were.

Change is grain for an undulating creative harvest…

The way to make sense of the world is to read a good book or write one on the story of the world as you live it. There will never be enough stories told of a torrid era.

As you shed the skin of 2021, brace yourself with hope. Arm yourself with a good book, and share love, truth, and joy.

Go forth today in good cheer, the world’s voices shake and threaten doom, but you, my friend, keep the spring in your step, the light in your heart and a smile upon your lips

~life~

Stay safe this season.

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Creative Self-Care

A creative life brings much joy and excitement where it’s easy to forget that it is work. And as with all work, the mind and body tire when passion pushes on in a hedonistic surge, and more so when creating new worlds peopled with exciting characters doing extraordinary things or making the ordinary quite exciting.

Putting the foot on the brake when exhaustion sets in does not send the creative muse into permanent banishment—quite the opposite. A brief pause, a day or perhaps two, refuels the creative well with the elixir needed to push to the next level of creative intentions. It is only the physical act of doing that is on a temporary hiatus to clear the mind to absorb new inspiration, the sights, sounds, movements, to see the everyday and old with refreshed eyes.

The pause could be time spent to catch up on much needed relaxed reading, beach walks, feeling the outdoors, meandering in a museum, taking in a movie, going to the theatre, or out to breakfast or dinner with yourself. Me time invigorates the creative mind and spirit. Although most creatives work in solitude and might crave company, it is elected carefree time alone, whether in a crowd or on a private beach, that eases mental exhaustion generated by passionate overwork.

It is the creative’s passion that invests extensive time, and intense hard work to produce a work of art, be it a manuscript, painting, a sculpture, or music. The ultimate piece, the artwork outside the physical form has its own story to tell as one of sheer commitment for the love and euphoria generated by creating—early mornings before the world wakes, late nights, and oftentimes all night, fobbing off distractions and knowing when to say no to external demands irrespective of who makes the demand.

Only the creative knows what matters most.

Allow the self to enjoy one’s own company away from the work to fine tune the energy and inner wellness of the mind and body without the noise of mental chatter. The creative soul needs that one-on-one with the self. Decide if this one-on-one with the self should be a weekly, fortnightly or monthly date. Go out for coffee with yourself. Take a walk on the beach alone. Human gregariousness is always there to pick up when the time is right.

Work and life…life and work are indistinguishable for the dedicated creative

Have you ever set a date with yourself? Go to your favourite place once a week, alone, for a month and journal your thoughts and feelings. Something that might surprise you is that you will return after each date teeming with ideas for a new project. Time out is beneficial for productivity—the energy and freshness ignite thinking outside the four walls of a writing/creative/workplace space.

Fill the creative well with some time out.

Never be afraid, or think it selfish to enjoy your own company—you are your own best friend, number one in your tribe.

Just as we free-write in our journals every day, that private time with intimate words on a page—quite a different energy to drafting a manuscript—in the same vein, getting out of a regular creative space be it in an office at home, or elsewhere, is a self-made retreat for the creative spirit. Going AWOL for a day is liberating for creative energy, for all energy! Try it!

Make a date with number one. Enjoy your own company and return blessed and refreshed.

Happy Creative Rest!

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Author Spotlight: Keshni Washington

It is with great joy today that I travel on the blog from Sydney to Washington to feature the inspirational Keshni Washington who I met through an introduction from a respected and trusted mutual acquaintance. I have had the privilege of attending a virtual screening of ‘Immigrant Story Telling Night’ with Keshni Washington and speakers on the night who shared their honest, authentic, lived experiences as immigrants.

Regardless of where we reside in the world, the connection is palpable.

Author – Keshni Washington

My ten questions introduce Keshni’s life and work in Washington DC as a writer and compassionate person, living, working, and contributing to DC society with a strong connection to her South African roots.

1.What is your most vivid memory of South Africa?

I miss those perfect hot dry Joburg summer evenings, the smoke of a braai (bbq) with friends and the clear skies and stars. Along with this memory, I also miss the taste of Koo baked beans and South African mayo potato salad.

2. Did you move to Washington for work?

Yes, I was recruited from South Africa to work for an international non-profit that is based in Washington DC. I had never been to the USA before coming through for the interviews. I worked there for 8 years but have been trying my hand at being an entrepreneur for the past year.

3. When did you realize you wanted to be a writer?

I can remember composing the opening to my first book when I was 11 on the walk to and from school in Chatsworth, Durban. But I was soon discouraged and advised to do something more financially rewarding that would secure my future – I grew up in an apartheid segregated neighborhood and so being able to support yourself and others financially was a natural priority. I put away the dream until decades later in life. Coming back to it about 5 years ago, reaffirmed the feeling inside me, that this is what I was meant to do, and I know I will be telling stories for the rest of my life. I have been learning and honing my skills and now have two draft novels.

4. Tell us about your ‘Signal Fire Series’ podcast and what motivated you to do it.

I wanted to fuel my own fires of inspiration by talking to some of the people that inspire me about their journeys and glean some of their wisdom. I realized quickly that these conversations could do the same for others out there, whatever their passion. Since I have deep roots in South Africa, I decided to host conversations with both Americans and people from my first home. It has been an expansive experience, in which I have found a new admiration for every single person’s journey, whether they pursue their passion in their spare time or full time. It’s my offering, and I hope the person who needs it will find their connection and inspiration.

5. Please share your recent publishing success and writing motivation.

Published in Yellow Arrow Literary Journal

I have recently had short pieces/essays published in American literary journals: Yellow Arrow Literary Journal, Mer Vox Quarterly and Pen-in-Hand Literary Journal. I have also been fortunate to attend two writing workshop intensives – VONA (Voices of Our Nations Arts Foundation) with author Daniel Jose Older and Tin House Writing Workshop with author Alaya Dawn Johnson.

Keshni Washington’s favorite writing spaces where a cup of South African Rooibos tea is served at the Jamaican Tea Shop in DC.

6. What genre do you enjoying reading the most?

This is hard to narrow down as I read just about everything. When I was young, I was obsessed with science fiction. When I got older, I gravitated to literary fiction and poetry. Over the past year, I have been reading a lot of YA as my latest novel is a YA novel, which has been a ton of fun.

7. Tell us about Tin House, and the experience you have gained/are gaining.

Tin House is an American publisher of award-winning books of literary fiction, nonfiction, and poetry; home to a renowned workshop and seminar series; and partner of a critically acclaimed podcast, Tin House champions writing that is artful, dynamic, and original.

The writing workshop consists of a series of small classes of no more than eight writers per class, so spots are limited. I got to work with the amazing Alaya Dawn Johnson. As part of the selection process, I submitted the first three chapters of my book, and these chapters were critiqued during the workshop by both my classmates and my workshop leader. All my classmates were critiqued this way. It was an invaluable opportunity for feedback and discussion. I had one-on-one meetings with Alaya and a literary agent who gave me feedback on my query letter. There were many amazing craft lectures by the faculty, generative exercises, and discussions about the publishing industry. We had the opportunity to do a reading from our work and mingled with other amazing writers attending and teaching at the workshop. It was an intense but invaluable experience.

8. When did KAMA DC start and what is your role at KAMA DC?

I first found Kama DC when I signed up to participate in their Immigrant Story-Telling Night. (where immigrants share a five-minute story from their experience on the theme of the night.) I have since stayed with Kama DC as a volunteer – part of the Storytelling team. Kama DC is a nonprofit in the DC area, run by volunteers, whose mission is to build community through immigrant-led experiences, providing a platform for immigrants to teach classes, share stories and their skills and passions to foster awareness, understanding and community. I also inaugurated and now run the @immigrantsOftheDMV Instagram feed, which is similar to Humans of New York in that we invite immigrants on the DC, Maryland, and Virginia area to do a takeover – hold the handle and share a bit about their story, home country, and experiences in the USA. It is a wonderful group of people and I am immensely proud to be a part of this mission.

9. What has been most inspirational about your semester of Creative Writing at GW?

During this semester we get to learn from published author Cutter Wood. It is focused on creative non-fiction aka essays, and how to write our true stories. As my self-study has been focused on fiction and novel writing for many years it’s wonderful to develop this different writer muscle. It is a small class of 13 people. We write a new piece every week, so I have to dig around in my memories and experiences and create something on a schedule. And the best part is sharing in class and getting to grow through the experiences and creations of the wonderful writers in my class.

10. If there is one piece of advice that you would share with young aspiring writers, what would it be?

To just start. Just write. Whether you think it’s imperfect or feel you are not ready. Just write. Put your fingers to the keyboard, or your pen to paper today, start journaling today. You are not too young nor too old. Just write. You will get better by doing, I guarantee this. But you must start, the world needs your stories.

With gratitude and best wishes to the inspirational Keshni Washington for sharing her creative journey, life and work in Washington DC.

Connect with Keshni here:

Website

The Signal First Series Podcast

Instagram

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Vanity Pride and Ego

Vanity, Pride and Ego – same family, different personalities, different agendas.

All three will have a negative impact if riding this wave is all that matters. It drains creative energy.

Vanity exudes a hollowness in its overindulgence on self, achievements, and appearance, etc. It is external.

Where does the artist sit on the pedestal of vanity?

One voice says, nowhere. Another asks, how will a receptive audience to the art be found if vanity is tossed aside? Vanity needs an audience. But, should it be at the cost of dominating one’s passion and purpose?

The muse, divine grace, or however inspiration is perceived, is not invited by vanity. Mother Muse is not needed when narcissistic vanity believes it knows it all, and celebrates personal achievements, with no filter—in every waking moment— in multiple ways. I and me overshadow growth by ignoring the voices that have much to teach and share in learning new ways. The achievement has a use-by-date if not allowed to grow and expand in new and varied ways.

Then pride prods, ‘I have published my book, or sold my artwork! I’m so excited!’ This has a ring, different to vanity. It’s internal, it is joy over what the artist has created. Children are invited to take pride in their work, push themselves to achieve their personal best. This level and definition of pride is a healthy option. Pride reflects reality—a joyous reaction to having produced a quality work of art. There’s a dignity in the self-esteem and self-respect that comes with this type of pride. Because pride is internal, when injured, it could create feelings of worthlessness. Which do we prefer? Known for vanity or having a sense of pride? Pride may breed feelings of superiority if unchecked, and released often outside the inner glow of accomplishment.

Then there’s ego, ‘Oi! look at me and all I have achieved. I am the best in my game.’ Remember the id, ego, and superego in a Psychology 101 class? It might be necessary if marketing one’s wares, but with ego comes the threat of overzealous self-importance – conceit. Not a favourite in any working, social, or home environment.

To succeed in what we do, we need balance. The ability to know and understand who we are, and how we are received is vital to acceptance for a sense of belonging to promote mental and emotional wellness.

When acceptance and belonging thrive, productivity increases.

Balance in everything is vital to how social perceptions are influenced

Is ego overblown pride? And what of vanity? Is it a wild show-pony craving an adoring audience, or the unrestrained expression of pride and ego?

Now, there lies the dilemma.

Be proud of your creative work, yes? Avoid ego and vanity? Over-inflated expressions of self, run the risk of sitting on the precipice of love and revulsion. What is the artist’s choice to be?

Shakespeare’s timeless tales tell us that hubris and hamartia lead to a character’s downfall. Lear’s, ‘Which of you shall we say doth love us most’, albeit being an aging man, he might be perceived as vain in wanting to hear his three daughters’ competitive utterances of undying adoration before he divides his kingdom among them.

What are your thoughts? Vanity? Pride, or Ego? Much the same, or different?

Happy Writing and Successful Publishing!

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2020 and Beyond – Voices in Literature

Diverse voices exist in literature but are under-represented in traditional publishing

The tragedy of George Floyd’s death in the United States has sparked a resurgence for the recognition of black writers. Read the rumble in the UK here on what the newly found Black Writer’s Guild has initiated.

It is shocking to note that black writers are offered a lower advance to that of their white contemporaries, and editors ask for white characters to be added to books. At some universities, students are asked to write for a maninstream audience denying rich cultural voices that confirm that we are indeed, …one under the sky of humanity.

As an author of colour, in Australia, I faced the dilemma of whether I should create a neutral ‘non-black’ pen name to get publishing recognition. But my writing mission is, In our angst and joy, we are ONE under the sky of humanity, which does not support using a pen name and so authenticity prevailed.

My apartheid past in South Africa had stolen the right to feel comfortable in my skin or to dare to speak out against racism. Hence my debut novel Across Time and Space and the sequel Vindication Across Time, present the bald face of racism as a universal disease through my eyes. My third novel, Souls of Her Daughters exposes injustice on multiple levels.

Fear makes one believe that a name that hints at race would be bypassed by publishers and readers. Listen to the words of author Michael La Ronn who articulates the issues black writer’s face in writing and publishing. Note what he says about gaslighting

Racism – Inequality – Injustice – Prejudice – by any name must be caught and called in the books we read, movies we watch and conversations we have

The Zulu word Ubuntu refers to the human spirit as it should be:

I am because we are
humanity towards others
the belief in a universal bond of sharing that connects all humanity

In my writing of multicultural stories – the spirit of Ubuntu prevails.

What will you be reading and watching in the renaissance of Black Lives Matter in literature?

The movies, In My Country poignantly depicts the Truth and Reconciliation Commission (TRC) in South Africa, and Rabbit-Proof Fence, a gut-wrenching revelation on Australia’s Stolen Generation are reminders of human atrocities that should never be allowed to recur…

From Uncle Tom’s Cabin and beyond, voices have raised the alarm but sadly the call to end racism fell on deaf ears. Now it must be made history, an unforgotten one to remind us that prejudice is heinous and should be obliterated from the stage of life. Diverse voices that are in the main ignored, share why the human condition needs a radical shake-up.

Feel the angst, walk a mile in the shoes of the racially downtrodden – only then will you know the corrosive impact of racism.

The wound of prejudice cuts deep to the soul leaving indelible scars.

But you pick your head up, as you do, to face another day no longer silent especially to subtle bias…

In the wake of the change in 2020 and beyond, walk a mile through these suggestions to know and feel that in our diversity the common factor is that we are emotional beings with the capacity to rectify prejudice by the stories we tell and read.

Here are ten suggestions where diverse voices rip out your heart to sensitise your soul.

Long Walk to Freedom – Nelson Mandela
. My Place -Sally Morgan
Talking to My Country – Stan Grant
To Kill a Mockingbird – Harper Lee
The Underground Railroad – Colson Whitehead
Between the World and Me – Ta-Nehisi Coates
Cry the Beloved Country – Alan Paton
The Power of One – Bryce Courtney
The Bluest Eye – Toni Morrison
Race Talk and the Conspiracy of Silence – Derald Wing Sue

May you write and read stories that share histories to sensitise our souls to dismantle racial bias.

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May I tell you?

Growing up in apartheid South Africa as a non-white person, living under the Group Areas Act where you only saw people like you with the same coloured skin, living with the knowledge that your people had to be hidden from view — white view — left scarred for life and needing immense strength to shelve the hurt and pain in memory’s hinterland.

This divisive system invites shame — why am I not good enough? Why can’t I eat at that wonderful seaside restaurant? Why can’t I go to a school with its English countryside setting and Victorian buildings? Why am I afraid every time I see a police officer or paddy wagon? Why can’t I lift my eyes above the ground? What have I done to be born black?

Here is why…

Racism is hatred that unleashes a plethora of negativity both ways: Unchecked power that intensifies with acts of brutality that crucifies an already broken self-concept. Systemic injustice — physical, emotional, and psychological feeds the depraved hands of power. How does the victim deal with an enforced erosion of who they are?

Let me tell you…

There are only two ways: head down — mind their manners or take to the streets to protest. Stop! When power strikes up against protest it is obvious that human survival instinct kicks in and violence erupts. Nobody wants violence — justice is all the victim wants — a fair go — it starts out as a peaceful protest, and if left to do just that, no force is necessary. Let the voices crying out for change be heard or it speaks of intolerance to change.

Then somebody cries ‘looters!’

This is why this happens…

The downtrodden are as the words say it, the ‘have-nots’— denied, deprived, shamed, and blamed for all the ills of the land. Human instinct kicks in again and necessity guides reaction/behaviour. Before we cry ‘looting’ investigate what underpins it. Where there’s social inequity the ‘haves’ have ‘looted’ the country for a very long time taking more than they needed — perpetuating inequity.

History tells us that peaceful protests become violent when the hand of power strikes. Decades before Nelson Mandela sat at the helm of government in South Africa, the country was on the brink of civil war and the Sharpeville massacre of 1960 like the Soweto riots of 1976 started out as a call for justice but led to police taking up arms against protesting civilians who wanted their voices heard.

#BlackLivesMatter is a timeless cry for justice from the time of Rudyard Kipling who referred to the people of the African continent as ‘half-devil and half-child, ’ in his 1899 poem, White Man’s Burden.
Colonialism stole the right to justice — a fair go, for original inhabitants of the land. Assimilation — one way or no way denies culture, heritage and the right of recognition.
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Remember those fallen at the hands of racial prejudice — countless — the loved ones of grieving families — too many still dying at the hands of what can be changed…if they are heard.

Listen to this Ted Talk by Amy Thunig: Disruption is not a dirty word that pulls no punches on racism endured by Indigenous Australians in a country I call home.

It’s 2020, and some in the misguided grip of power swim in the quagmire of the barbarism of racial prejudice — educated by book not humane moral code — sure-fire intellect — no emotional intelligence. Silence widens and deepens the stain of prejudice. Speaking out against racism does not always win friends and influence people, but the few who join black brothers and sisters in the fight for justice at the risk of losing their tribe — those are the gems that make #AllLivesMatter, for they will pull together to create liberty, equality and we all need fraternity.

What is your choice to be on #BlackLivesMatter?

Stay safe, speak up against injustice but as John Proctor cried in The Crucible – ‘Because it is my name! Because I cannot have another in my life! … leave me my name!’

What do you want to be remembered for?

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Writing For Success

In my first post on the prolific and inspirational Trinidadian author and poet Brenda Mohammed, we got a glimpse into her writing journey. Brenda has written twenty-five publications — her passion and dedication to literature is phenomenal.

Today we chat to Brenda Mohammed to catch up on her rapidly growing and expanding writing life and the scoop on her latest writing venture!

Tell us a little bit about yourself?

I am a former Bank Manager of a leading bank in Trinidad and Tobago. Later in life, I moved into the Insurance field and excelled there also. I always loved dealing with finance, and never dreamed that I would fall in love with Literature.

When did you start writing?

Actually, I was always a very good writer in my school days and won the top English Language prize when I graduated from High school at sixteen years of age.

When I joined the bank my superiors at the bank were always impressed with my ability to learn quickly, my efficiency in every department I was assigned, and also my writing skills.

When I was promoted to the job of Assistant Manager Credit I had to prepare detailed financial proposals for the Manager’s signature to be sent to the bank’s Head Office for approval. The Manager rarely changed a word, and the Bank’s Head Office always approved the proposals without any questions.

The Banking term for that was “clean sanctions,” something other Managers wished they could achieve. Later on, when I was appointed as Manager I continued with that skill and moved on to Senior Managerial positions. Yet, writing books never crossed my mind and I moved into Insurance where I also excelled, qualifying for membership in the Million Dollar Round Table, The Premier Association for Financial Professionals, {the name pertains to sales achieved and not earnings}, until I was struck by cancer and told by my doctor in Trinidad that she could do nothing for me.

To make a long story short, I survived and wrote the book, I am Cancer Free, which became a bestseller, and gave me the encouragement to write twenty-four more books.

You wrote twenty-five books. Can you tell us the genre of those books?

I write both fiction and non-fiction. The genres include Memoirs, Romance, Mystery, Poetry, Children, Science Fiction and Self Help.

Tell us something about your multi-award-winning book Zeeka Chronicles.

Zeeka Chronicles is about a vengeful man who misuses science in the year 2036 to create havoc in a small exotic island named Gosh. He is angry for two reasons. After his former lover jilted him, he married another on the rebound. His wife contracted the zika virus when she was pregnant. His child was born deformed as a result, and she died. He blamed the hospital for her death and his deformed child. This vengeful man kidnapped the son of his former lover and the story evolves thereafter.

The story is set in the year 2036 when there is great advancement in medical and information technology. It is a high-tech world.

Skillful robots are used as home helpers, and police use high tech weaponry, electric cars, and smartphones. The hospitals are well equipped with state of the art equipment and doctors and scientists are making significant breakthroughs and inventing cures for patients with critical illnesses.

Yet, in this high-tech world, the minds of some human beings remain evil.

Can Mankind ever achieve a sinless state? Will human beings forever continue to foster greed, malice, anger, jealousy, and the desire to control and take revenge?

I wrote this book to highlight the fact that material things can never improve the minds of some individuals.

Today, in spite of all the new and advanced developments, crime has increased to unstoppable levels. What will change humanity?

The benefits to readers are the underlying lessons to be learnt from the content, especially in light of the situation the world is experiencing today with COVID 19.

Who are the primary readers of your books?

My books are for both mature audiences and young adults and the children books are, of course for children.

What are you working on now?

I am working on the third story in a Mystery series – Barry Holmes Mysteries

What happened to Mary Loo has elements of romance, mystery and suspense. It will be a short story and should be ready for publishing by the end of May.

The book cover was designed by Mary L Schmidt.

Can you leave us with a valuable quote on Writing?

Writing is a mysterious journey of thoughts that can unravel the strangest imaginary plots.

Writing for me was exploring a new milestone.

What are your social accounts if people want to connect with you?

I am on Linked In, Twitter, Instagram, Pinterest, and Facebook, where I have nine author pages for each genre in which I write, and a personal page.

They are – Poetry to Enlighten, Zeeka Stories, Banker turns Writer, Romance Stories, Children’s Corner, Barry Holmes Mysteries, Brenda’s Video trailers, Fascinating Memoirs and Brenda’s Publications.

I am also available as the Founder of How to Write for Success Literary Forum.

Brenda Mohammed a former Bank Manager from Trinidad is a multi-award-winning author of 25 books, and Founder of the Literary Forums How to Write for Success, Poems for Suicide Prevention, Library of How to Write for Success, and Poems against Domestic Violence. Her award-winning book HOW TO WRITE FOR SUCCESS is popular amongst writers and University students.

She recently published three best-selling Anthologies – A Spark of Hope Volumes I and II, co-authored by 49 and 64 authors respectively, and Break the Silence: An Anthology against Domestic Violence by 87 authors. All three topped the charts on Amazon as Bestsellers No 1.

In November 2018 Brenda received two awards from Readers Favorite International at an award ceremony at the Regency Hotel in Miami for two of her books, ZEEKA CHRONICLES and I AM CANCER FREE.

She was inducted into the Indie Author’s Wall of Fame in January 2020.

Brenda was also honoured on 22nd February 2020 by the Peru Government for Excellence in Literature, and in August 2019 by the Seychelles Government for her Literary skills.

You can connect with Brenda Mohammed through the links above.

I wish Brenda everything of the very best in her writing success.

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Women Who Inspire

Often the women around us, those we interact with, those who do not ask for acknowledgement and serve their life’s calling with unstinting passion, must be noted to celebrate them and say thank you for who they are and what they have shared and continue to share.

Today amid the chaos in the world, from social isolation to global issues that divide nations, let us not forget the women who leave a timeless legacy of fortitude, forbearance, and selfless service to humankind.

Quietening the mind away from the noise of life has heightened my appreciation for the women who inspire and have inspired many lives. As a writer of thriller fiction, historical fiction and contemporary women’s fiction, it is befitting that I pay homage to the women who have impacted my world.

From the justice department and corporate world, health care, writing and publishing. Here are three women I salute today.

Kalyani Pillay (Entrepreneur) (1962-2026)

Former CEO, of SABRIC, (South African Banking Risk Information Centre) Kalyani Pillay resides in Sandton, South Africa. Kalyani has inspired many in her passion for instituting protocols for the elimination of bank fraud. A job that entailed being a globetrotter spreading innovative ideas on how to protect ourselves from financial scams, and as an advisor to large corporations, particularly banks. Kalyani Pillay has been head-hunted for presentations at international conferences in her relentless fight against fraud. She has worked as a lawyer, State Attorney for Gauteng, and Special Advisor to the Head of the National Prosecuting Authority in South Africa before she joined the ranks of SABRIC as CEO. Her resilience, dedication, optimism, and integrity are qualities that inspire for as long as I can remember.

Here is Kalyani Pillay’s inspiring interview with, Dudu Msomi on her show, ‘WisdomPersonified’ to illustrate the passion, courage, determination, and humility of a woman of note.

Queenie Naidoo (Health Care Professional) – (1936-2024)

Retired South African nurse, residing in Australia, Queenie Naidoo, in her eighties today, is passionate about healing as she ever was. She served the poor and destitute, the ill and dying with devotion. She was fondly known to many as, ‘Sister Queenie.’ She garnered the support of local doctors in the town of Pietermaritzburg, South Africa, to donate medication which she dispensed at the free medical community clinic she steadfastly ran, for many years, on Sunday mornings, to serve those who were unable to access medical treatment. Her home was a haven to the ill, depressed, and ailing hearts. Her sense of humour and maternal warmth drew many to her. Her lifetime commitment to healing and supporting the physical and mental health of her patients resonates today with the selfless and potentially dangerous work of health care professionals during this global pandemic we currently face. Added to Queenie Naidoo’s inspirational credit is her creative talent in having produced a theatrical performance, God the Last Refuge, staged at the King Street Theatre in Newtown, Sydney, in 2014 as part of the Vedanta Society of NSW, initiative. Queenie has inspired me from the cradle as my loving, caring, mother and continues to do so to this day.

Forbearance is a great virtue; there is no other like it

~Holy Mother, Sri Sarada Devi

Brenda Mohammed (Author/Poet)

Trinidadian author and Founder of the How to Write for Success Group, a rapidly growing literary group. Brenda Mohammed promotes rising stars in literature, and assists in expanding the repertoire of existing, established authors with selfless commitment through collaborative writing of anthologies in the prevention of suicide and against domestic abuse. She is a noteworthy multi-award-winning novelist and poet. As a former banker and seasoned traveller she exudes a resilient spirit as a cancer survivor, depicted in her memoir I am Cancer Free, and one who has the Midas touch in creating bestsellers. These attributes make Brenda Mohammed an inspirational woman as my peer and mentor in the role I occupied as an administrator in the HTWFS group. Brenda’s book How to Write for Success offers nuggets of wisdom on writing and publishing, serving as a handbook for writers of any genre. Her warmth and generous nature in promoting the love for reading in children is evident in her contributions and interactions with schools in Trinidad. Brenda Mohammed is highly respected and valued by her administrators and followers in the How to Write for Success group.

It isn’t where you came from. It’s where you’re going that counts.

~Ella Fitzgerald

We never stop learning and growing with each passing day, hence inspirational individuals are the heartbeat of the societies we inhabit.

I have handpicked three inspirational women, there are countless more who inspire us every day. Please share the valued lives and messages of inspirational women in your world in the comment box below.

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Thank you for your response. ✨

Publishing During a Global Crisis

Every corner of the world has been hit by Covid19 — life for millions has come to a grinding halt. Businesses have shut down left, right and centre. Bookstores have closed their doors. Libraries are no longer a sanctuary as silent voices are in lockdown.

The question tossed around is: do we go ahead with the launch of a new book?

My heart says yes but my mind says, should I? Then a voice whispers an answer: yes, launch it online, reach people who need to move out of the mental space of the current crisis we all face. We need the sanctity of books. Bookshops continue to take orders online if a digital book is not a preference.

In the face of a global crisis, publishing is vital now more than ever before — it says we are here, later it will speak confirming that we were here, and this is what we did. It is akin to writing historical fiction. The Great Books of the world brought us knowledge of people, cultures, religions, events, aspirations, challenges and celebrations from eras long before our current existence. Without those esteemed scribes, the artists of the past, we would be as ignorant of the world as the occupants in Plato’s cave.

Literature is the light into now, the glow of the past and spotlight into our dreams of the future. Books imprint memory

Writers have the acute ability to sense mood and observe human behaviour down to minuscule details. So, why wait? It is time to pick up the pen of prose or poetry. Each will speak of this time and of our dreams and visions. Leave the messages that say we are indeed one.

In our angst and joy, we are ONE under the sky of humanity

To ignite compassion, we must walk in the shoes of angst, or suffering, to extend love and care to others because we know it—we feel it. Stories elicit compassion and bring meaning more particularly as we sit in self-isolation to protect our loved ones and communities.

Writing and publishing must go on, as must, soft digital launches of news titles and relaunching of backlists. Lower prices, offer free titles, reach the masses by bringing meaning to the lives of those living in fear of what the next news bulletin or press conference will announce. Our uncertainty unites us in our desire for a renewed tomorrow. We inhabit the same house under a global sky.

Now we speak with the same human voice in our sans streets, sans parks, sans beaches… but we should never be reduced to fearing each other.

Keep literature flowing for generations to come—it is within our control, thanks to the digital platforms that serve us.

Keep Writing, Keep Reading.

Stay Safe.

This time too shall pass. Keeping hope alive through poetry and stories.

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