Category: Conversation

Fiction and Fundamental Humanity

We live in an age awash with words yet starved of understanding. Never have stories travelled so swiftly, nor people felt so profoundly unseen. Algorithms know our preferences before we do; screens mediate our encounters; attention has become a commodity. Amid this noise, fiction has a singular calling, not only to entertain or persuade, but to return us to ourselves. Its deepest task is to speak to that enduring place where love and grief, fear and hope, memory and longing have always resided.

In an increasingly fast-paced world, content is consumed and forgotten. But literature asks us to linger. The novels that remain etched in memory, survive because they uncover truths that outlast the moment. They remind us that every generation inherits the same fragile heart.

 

…literature asks us to linger…

 

As language becomes infinitely reproducible, authentic writing becomes more precious. No machine can replicate the weight of a sentence earned through lived experience, quiet observation, and moral imagination. The true value of fiction lies not in its efficiency but in its humanity.

Stories become universal by embracing the particular where a small town, a rocking chair, a single remembered kitchen table conversation, carry the potential to reveal more about our shared condition than sweeping declarations about humanity. It is through the unmistakable lives of particular people that readers recognise themselves. The local is forever mapped, speaking beyond the walls of time, and the intimate becomes infinite.

Such fiction understands that goodness may coexist with failure, courage with fear, tenderness with regret. Human beings are rarely consistent, and fiction falters whenever it pretends otherwise.

To write in this way requires a discipline of attention that allows silence its own eloquence and grief its own rhythm. To attend deeply to another’s inner life is a spiritual and ethical act. It declares that every ordinary existence cradles a universe worthy of witness. In a world inclined to measure people by visibility, usefulness or influence, such attention becomes a quiet form of grace.

 

To attend deeply to another’s inner life is a spiritual, and ethical act…a quiet form of grace

 

Fiction enlarges us. Long before science explained empathy, novelists understood that to inhabit another consciousness is to loosen the boundaries of our own. Every story invites us to become, however briefly, someone else; the child bewildered by loss, the ageing parent carrying invisible sorrow, the stranger whose choices we might once have condemned. Each imagined life broadens our capacity for compassion in the real one.

Our age, dominated by extraordinary technological change, cannot undo the essential human need in longing to belong, we continue to grieve those we love, we yearn to forgive and to be forgiven. Civilisations change; the human heart endures.

The finest stories remind us that while the world forever changes its language, the soul continues to speak through the timeless  diction of love, loss, hope, and wonder.

 

No machine can replicate the weight of a sentence earned through lived experience, quiet observation, and moral imagination

 

Create authentic stories, allow your unique voice to be heard across time.

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Seasons and Stories

There are stories that begin with a telephone call, a whispered secret, or the turning of a page. Then there are stories that begin much earlier when the first jasmine bloom of spring appears, in the relentless heat of summer, in the quiet surrender of autumn leaves, or in the long silence of winter. Before a character finds a voice, the earth has already begun telling its own story.

For me, the seasons have never been mere markers of time. They are living companions, carrying memory, hope, sorrow, and renewal. They move quietly through every landscape, touching every life, reminding us that no joy is permanent, no grief eternal, and no season remains unchanged. 

This is why the seasons continue to shape fiction across generations. They offer writers something beyond description as an emotional truth.

Spring arrives with extraordinary gentleness, asking us to believe once more in beginnings. In fiction, spring is more than renewal, it becomes courage. It is the mother who learns to smile again after unimaginable loss. It is forgiveness finding its way into hearts that believed themselves beyond healing.

The stories that stay with us rarely celebrate perfection. They showcase resilience  reflected in spring’s redefinition.

Summer follows with generous abundance. It is the season of laughter drifting through gardens, of long days filled with possibility, of dreams pursued with fearless conviction. Yet its fierce brilliance also illuminates hidden truths, revealing both love and conflict. Like the summers of our own lives, it shapes our choices and the paths we eventually follow.

Then autumn arrives, carrying wisdom in gentle hands. Leaves surrender without resistance, and the trees teach us that letting go is not failure but transformation. For writers, autumn offers one of literature’s greatest lessons that beauty often lives in endings. The most profound stories are not simply about holding on, but about recognising that release itself can become an act of grace.

Many of my fictional characters have walked through such autumns. They carry inherited memories, fractured relationships, and the quiet burdens passed from one generation to the next, poignantly evident in Plantation Shadows. However, with every farewell lies the possibility of reconciliation. 

Winter is perhaps the most misunderstood storyteller of all. Its silence is often mistaken for emptiness, yet beneath frozen ground, roots continue their unseen work. Winter asks for patience, faith, and endurance. It invites reflection rather than action, reminding both writer and reader that healing is seldom immediate. Some wounds require stillness before they become scars; some stories require silence before they discover their truest ending

The seasons mirror our own spiritual journeys. Birth, love, loss, forgiveness, remembrance, and hope unfold according to rhythms older than civilisation itself. It arrives from past lives. Whether we write historical fiction, family sagas, poetry, short-stories, or contemporary novels, we return again and again to these timeless cycles because they reflect something enduring about what it means to be human.

 

Life's Seasons

Today, however, the seasons speak with a different voice. Familiar rhythms are shifting. Rivers run dry where they once sustained generations. Storms arrive with unexpected fury. Winters shorten. Summers linger with exhausting intensity.

Climate change has altered landscapes and our emotional relationship with nature. Contemporary writers are witnessing more than environmental change; they are recording the changing heartbeat itself.

 

Perhaps this gives literature an even greater responsibility.

 

Stories remind future generations not simply of how the seasons looked, but of how they felt. Fiction and poetry become acts of remembrance, preserving both the beauty of the natural world and the resilience of the human spirit.

Every story is ultimately about hope.

Not naïve optimism, but hope forged through suffering, a hope that survives exile, grief, separation, and disappointment. Winter never argues with spring. Autumn never resists its falling leaves. Nature accepts change because it trusts renewal. So too, human lives are called to mimic this acceptance of the change that arrives.  

 

Therefore all seasons shall be sweet to thee ~ Samuel Taylor Coleridge, ‘Frost at Midnight’

 


As writers, we begin with scattered memories, forgotten photographs, inherited silences, and moments that refuse to leave us. We plant them carefully, trusting that in time they will bloom into stories offering comfort, challenge, or healing to someone we may never meet. If we listen closely, we discover the earth has been telling stories long before we picked up our pens—and long after our final words have been written, the seasons will continue the narrative, one blossom, one falling leaf, and one winter dawn at a time.

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Writing Across the Human Divide

There is a quiet revolution encoded in every act of reading. When we open a book written by a stranger from a distant land, we are doing something radical; we are choosing, however briefly, to inhabit another life. Literature, at its most essential, has never respected the borders that politics and history have so carefully drawn. Stories seep through walls. They cross oceans. They arrive, unbidden and transformative, into the minds of people who had no idea they were waiting for them. 

The most compelling reason to write for a global reader is the invitation itself to write across cultural lines to unlock a door and hold it open, to say, come in, take your shoes off, sit down at this table. The reader who has never walked through a particular village, never tasted a particular grief, never watched the sun set over a specific horizon, is suddenly there. The writer does not offer a peek into a tourist destination; the writer offers a heartbeat.

Yet we live in a world that has, in many ways, travelled backwards. The outsider mentality; the reflexive suspicion of the unfamiliar has reasserted itself across continents and generations. Against this retreat, literature mounts its quiet resistance in stories which reveal what fear obscures; beneath the veil of culture, language, and custom, human beings are startlingly similar. We love imperfectly, grieve beyond measure and hope in spite of evidence. A mother’s worry in Africa and a mother’s worry in Australia are not separated by an ocean; they are the same, expressed through the context of the specific concern.

 

Perfection in Imperfection

 

Ideas and life lessons, too, have no borders. The wisdom earned through suffering in one corner of the world does not diminish in translation. If anything, it deepens. When a reader thousands of miles away recognises a truth in another’s experience, that recognition is a kind of homecoming in the proof that the lesson was never confined to one place.

The distance itself that carries value asserts that we are not alone. A reader may not recognise the landscape, may not share the customs, but in sitting with that difference, awareness stirs. An appreciation for where one stands, for what one has inherited, for why the world is wide and various and worth knowing.

 

In Our Angst and Joy We are One Under the Sky of Humanity

 

To write for the global reader is, ultimately, to believe in that shared sky. It is an act of faith that the story you carry belongs, in part, to someone you will never meet, and that they have been waiting for it.

Have your say. Write your story. Shift the narrative to raise the human condition.

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Writing When Chaos Strikes

Writing matters in a world of chaos to reflect on the emotional, psychological, and social instability that arises from uncertain contexts, the chaotic context of the inhumane now we live in, globally. Writing becomes both a cognitive tool and a form of resilience. Writing is the salvation to preventing future generations from drowning in a well of hopelessness as writing creates meaningful connections asserting that our struggles unite us.

At a psychological level, writing externalises thought. When ideas, fears, or emotions remain internal, they are often fragmented and difficult to process. Writing forces organisation and coherence because it turns scattered impressions into ordered language. This enables the noise of the voices that perpetuate chaos to be represented in the language of the human heart of the struggling, suffering, starving, dying masses who cannot articulate their pain in fear of the horrific outcome emanating from speaking out, exposing, and resisting chaos. The written word captures the timeless documented memory on the historical unfolding of chaos and its impact on human survival.

Socially, writing enables communication when direct expression may fail. In chaos, spoken communication can be reactive, emotional, or misunderstood. Writing introduces deliberation. It is the opportunity to refine ideas, choose precise language, and convey complex perspectives.

Writing also functions as a form of agency. When external circumstances feel uncontrollable, the act of writing restores a sense of authorship. It allows individuals to frame their own narrative on the chaos experienced, rather than being passively defined by events.  Writing personal stories during crisis times reclaims identity and empowerment.

 

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness…”  Charles Dickens. ‘A Tale of Two Cities’

 

 Through writing, private struggles during chaotic times become part of a broader human dialogue to hold onto our prized values that make the world a compassionate inhabitable place for all.

Essentially writing transforms disorder into meaning. It is not merely a method of communication, but a way of thinking, remembering, and asserting control as an intellectual and emotional anchor when everything else feels unstable.

Keep writing! We need the connection stories offer.

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A Compelling Sense of Place – Part 3

Writing a compelling sense of place means making the setting feel alive—not just where the story happens, but how it feels to be there in the moment during a significant event or situation, and why it matters. Here are some practical suggestions on ways to do it

  1. Engage more than sight

Strong settings use multiple senses.

  • Sound:distant traffic, buzzing insects, echoing halls
  • Smell:rain on a grassy patch after a hot day, old books, salt in the air
  • Touch:gritty sand, humid air sticking to skin, cold metal
  • Taste  (limit use) :dust in the mouth, bitterness of smoke

Example:

The fan creaked and groaned as if knowing it faced a losing battle against the summer heat.

  1. Filter the place through the character

The setting should reflect who is experiencing it. Two characters in the same place will notice different things.

Consider:

  • What would this character care about here?
  • What makes them edgy, angry, or nostalgic?

Example:

The summer heat made Moira faint, the infernal sun created a cremation site in their backyard. Her cousin, energetic and unaware of the rivers of sweat dripping off him, kicked the ball around the yard multiple times.

 

  1. Choose specific, concrete details

Make a place believable. Avoid generic words like nice, busy, or beautiful.

Food carts hissed with steam while cyclists threaded through stalled taxis, bells ringing in sharp bursts.

Rather than, ‘it was a busy street.’

  1. Let setting interact with action

Weave the story into what’s happening.

Example:

He shoved the door open, and warm bar air spilled onto the cold sidewalk, carrying laughter and the smell of fried onions.

  1. Use setting to support mood and theme

The place should reinforce the emotional tone of the scene.

  • Tension → narrow spaces, harsh light, noise
  • Calm → open spaces, steady rhythms, soft textures, natural romantic landscapes
  • Isolation → emptiness, distance, silence, derelict buildings

Example:

The field stretched empty in every direction, the sky so wide it made her feel smaller with every step.

  1. Don’t over describe

A few strong details are more powerful than a full inventory.

Rule of thumb:

  • 1–3 vivid details per paragraph is usually enough
  • Let the reader’s imagination do the rest
  1. Make place matter to the story

Ask yourself:

  • Would this scene work just as well somewhere else?
    If yes, the setting might not be pulling its weight.

Ways to make it matter:

  • The place creates obstacles
  • The place holds history or memories
  • The place mirrors change in the character

 

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Author Spotlight: Mel Goven

As creatives, news about a debut author from the land of one’s birth is received with great joy. The creative landscape is a connected, supportive space that celebrates newcomers to the publishing fold.

 

Meet Mel Goven, South African debut author of the crime novel, Unfinished, launched in July, 2022 on Amazon. Please join me in welcoming Mel Goven to the blog this month.

 

Get to know South African Author : Mel Goven

 

1. Biography : Mel Goven

Mel Goven

I hail from Johannesburg and have quite a demanding day job as a teacher in a primary school.

Unfinished is my first novel although I have written many short stories which have gained a place in short story competitions in local magazines and writing groups.

My short story, Scorned, a crime mystery,  was placed 3rd in Woman and Home, in 2014. Love Knots, another short story, was shortlisted in the annual short story competition run by The Writer’s Group. One of my favourite short stories, Lucky, featured on a few writing blogs and had quite a successful run in 2016. All these stories can be read on my blog site.

I have also published newspaper feature articles and opinion pieces during my stint as editor for the local newspapers: The Randburg Sun, Fourways Review and the Northcliff Melville Times.

My features were around education challenges in South Africa. Some of which were: Preparing for Future Career Opportunities, Effective use of Technology in the Classroom, Private versus Public Schools.

Having always been drawn to the romance genre, I imagined I would write romance novels, which I haven’t completely taken off the table yet. However, I found my voice in thrilling crime mysteries.

I have two more novels in the pipeline and have realised that with each new world I create, I am finding myself as a writer. I don’t like conforming to a specific trope and while I admire the writing styles of my favourite authors, I don’t think I am in the same league and so choose to write my way.

I have been blessed with four incredible children of whom I am super proud. In formally starting my writing career at this stage in my life, I hope to inspire them that dreams come true at any age, no matter what challenges and obstacles arise.

 

2.When did your passion for writing emerge?

I love reading. I believe you must be an avid reader to be a good writer. When I was a child, I would beg my parents to take me to the library.

I visited many libraries in the area I grew up in: from the little mobile libraries that would go around the community on Tuesdays and Thursdays; to the community libraries that were finally built when the demand increased, and then to the Durban City Hall library when I was old enough to travel to the city on my own.

I started writing after I read Anne of Green Gables. I felt such a deep connection to the main character, Anne. Although she was a lifetime removed from my world in terms of the era, race, and circumstances, she felt what I felt; messed up like I did; was the odd duckling — just like me.Anyway, the community library did not have the sequel to Anne of Green Gables and so I decided to continue the story in my imagination. Eventually, I wrote it at the back of a Maths book (I did not like Maths very much). That was how I began writing.

 

Every time I finished reading a book, and if I felt that I wanted more from it, I would continue the story to bring it to a satisfactory conclusion.

 

3. What inspired you to write your debut novel, Unfinished?

 

 

 

In 2012, I became fascinated by a story I heard from a patient in a doctor’s surgery.  The patient had undergone a heart transplant a few months before and she had been excited to meet the family of her donor.

I found myself researching it and was surprised to find that some heart recipients experienced major personality changes which are sometimes connected to their donor. The idea of the heart, which we consider the seat and symbol of emotion, sparked a story and this epic drama unfolded.

Unfinished is set in Hout Bay, Cape Town, because the first human heart transplant occurred successfully at the nearby Groote Schuur Hospital. But, it is more than just a story about a heart transplant. It revivifies an unsolved murder committed almost 40-years before the story begins; those affected by that crime and how their lives have interwoven until a heart transplant finally exposes the truth. I wanted my characters to come to life on the page, and each one needed to have a voice, so I opted to write in each main character’s POV.

 

 

 

 

4. Who are your favourite authors?

I have so many. I have great respect for the classics, so Jane Austen, Thomas Hardy, Emily Bronte, L.M. Alcott, Charles Dickens, Sir Arthur Conan Doyle and of course, L.M. Montgomery.

Contemporary authors: I would say, Khaled Hosseini, Kazuo Ishiguro and Eleanor Catton. But there are so many others. I have never restricted my reading to specific genres. I read all, except perhaps horror. Although I did spend a few sleepless nights reading Stephen King’s, The Dream Catcher.

I suppose I could say I have favourite books rather than authors. At present I am enjoying Barbara Kingsolver’s, The Lacuna. And, A Madness of Sunshine, by New Zealand author, Nalini Singh, and The Winter Garden by Kristen Hannah.

Oh, dear! There are so many more books I still have on my to-be-read list. My guilty pleasure is that I also enjoy a Harlequin romance novel now and again.

 

 

5. What advice would you offer to aspiring writers?

Write about what you experience. Write that story you wished could have had a different ending. Write about your dreams. Whatever takes seed in your imagination, write about it.

 

Grab your copy of Unfinished at these Amazon Book Links

  Paperback

 Kindle edition

 

Join Mel Goven on social media:

Facebook

Instagram

 

 

I extend my gratitude to Mel Goven for sharing her author journey and wonderful advice to aspiring authors. Unfinished has certainly grabbed my attention!

 

 

Happy Reading, Happy Writing.

 

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Creative Self-Care

A creative life brings much joy and excitement where it’s easy to forget that it is work. And as with all work, the mind and body tire when passion pushes on in a hedonistic surge, and more so when creating new worlds peopled with exciting characters doing extraordinary things or making the ordinary quite exciting.

Putting the foot on the brake when exhaustion sets in does not send the creative muse into permanent banishment—quite the opposite. A brief pause, a day or perhaps two, refuels the creative well with the elixir needed to push to the next level of creative intentions. It is only the physical act of doing that is on a temporary hiatus to clear the mind to absorb new inspiration, the sights, sounds, movements, to see the everyday and old with refreshed eyes.

The pause could be time spent to catch up on much needed relaxed reading, beach walks, feeling the outdoors, meandering in a museum, taking in a movie, going to the theatre, or out to breakfast or dinner with yourself. Me time invigorates the creative mind and spirit. Although most creatives work in solitude and might crave company, it is elected carefree time alone, whether in a crowd or on a private beach, that eases mental exhaustion generated by passionate overwork.

 

 

 

It is the creative’s passion that invests extensive time, and intense hard work to produce a work of art, be it a manuscript, painting, a sculpture, or music. The ultimate piece, the artwork outside the physical form has its own story to tell as one of sheer commitment for the love and euphoria generated by creating—early mornings before the world wakes, late nights, and oftentimes all night, fobbing off distractions and knowing when to say no to external demands irrespective of who makes the demand.

Only the creative knows what matters most.   

Allow the self to enjoy one’s own company away from the work to fine tune the energy and inner wellness of the mind and body without the noise of mental chatter. The creative soul needs that one-on-one with the self.  Decide if this one-on-one with the self should be a weekly, fortnightly or monthly date. Go out for coffee with yourself. Take a walk on the beach alone. Human gregariousness is always there to pick up when the time is right.

 

 

Work and life…life and work are indistinguishable for the dedicated creative

 

Have you ever set a date with yourself? Go to your favourite place once a week, alone, for a month and journal your thoughts and feelings. Something that might surprise you is that you will return after each date teeming with ideas for a new project. Time out is beneficial for productivity—the energy and freshness ignite thinking outside the four walls of a writing/creative/workplace space.

 

Fill the creative well with some time out.

 

Never be afraid, or think it selfish to enjoy your own company—you are your own best friend, number one in your tribe.

 

 

Just as we free-write in our journals every day, that private time with intimate words on a page—quite a different energy to drafting a manuscript—in the same vein, getting out of a regular creative space be it in an office at home, or elsewhere, is a self-made retreat for the creative spirit. Going AWOL for a day is liberating for creative energy, for all energy! Try it!

 

Make a date with number one. Enjoy your own company and return blessed and refreshed.

 

 Happy Creative Rest!

 

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Author Spotlight: Keshni Washington

 

It is with great joy today that I travel on the blog from Sydney to Washington to feature the inspirational Keshni Washington who I met through an introduction from a respected and trusted mutual acquaintance. I have had the privilege of attending a virtual screening of ‘Immigrant Story Telling Night’ with Keshni Washington and speakers on the night who shared their honest, authentic, lived experiences as immigrants.

 

Regardless of where we reside in the world, the connection is palpable. 

 

 

Author – Keshni Washington

 My ten questions introduce Keshni’s life and work in Washington DC as a writer and compassionate person, living, working, and contributing to DC society with a strong connection to her South African roots.

 

 

1.What is your most vivid memory of South Africa?

I miss those perfect hot dry Joburg summer evenings, the smoke of a braai (bbq) with friends and the clear skies and stars. Along with this memory, I also miss the taste of Koo baked beans and South African mayo potato salad.

 

 

2. Did you move to Washington for work? 

Yes, I was recruited from South Africa to work for an international non-profit that is based in Washington DC. I had never been to the USA before coming through for the interviews. I worked there for 8 years but have been trying my hand at being an entrepreneur for the past year.

 

 

3. When did you realize you wanted to be a writer?

I can remember composing the opening to my first book when I was 11 on the walk to and from school in Chatsworth, Durban. But I was soon discouraged and advised to do something more financially rewarding that would secure my future – I grew up in an apartheid segregated neighborhood and so being able to support yourself and others financially was a natural priority. I put away the dream until decades later in life. Coming back to it about 5 years ago, reaffirmed the feeling inside me, that this is what I was meant to do, and I know I will be telling stories for the rest of my life. I have been learning and honing my skills and now have two draft novels.

 

4. Tell us about your ‘Signal Fire Series’ podcast and what motivated you to do it. 

I wanted to fuel my own fires of inspiration by talking to some of the people that inspire me about their journeys and glean some of their wisdom. I realized quickly that these conversations could do the same for others out there, whatever their passion. Since I have deep roots in South Africa, I decided to host conversations with both Americans and people from my first home. It has been an expansive experience, in which I have found a new admiration for every single person’s journey, whether they pursue their passion in their spare time or full time. It’s my offering, and I hope the person who needs it will find their connection and inspiration.

 

5. Please share your recent publishing success and writing motivation. 

Published in Yellow Arrow Literary Journal

I have recently had short pieces/essays published in American literary journals: Yellow Arrow Literary Journal, Mer Vox Quarterly and Pen-in-Hand Literary Journal. I have also been fortunate to attend two writing workshop intensives – VONA (Voices of Our Nations Arts Foundation) with author Daniel Jose Older and Tin House Writing Workshop with author   Alaya  Dawn Johnson.

 

Keshni Washington’s favorite writing spaces where a cup of South African Rooibos tea is served at the Jamaican Tea Shop in DC.

 

6. What genre do you enjoying reading the most? 

This is hard to narrow down as I read just about everything. When I was young, I was obsessed with science fiction. When I got older, I gravitated to literary fiction and poetry. Over the past year, I have been reading a lot of YA as my latest novel is a YA novel, which has been a ton of fun.

 

7. Tell us about Tin House, and the experience you have gained/are gaining.

Tin House is an American publisher of award-winning books of literary fiction, nonfiction, and poetry; home to a renowned workshop and seminar series; and partner of a critically acclaimed podcast, Tin House champions writing that is artful, dynamic, and original.

The writing workshop consists of a series of small classes of no more than eight writers per class, so spots are limited. I got to work with the amazing Alaya Dawn Johnson. As part of the selection process, I submitted the first three chapters of my book, and these chapters were critiqued during the workshop by both my classmates and my workshop leader. All my classmates were critiqued this way. It was an invaluable opportunity for feedback and discussion. I had one-on-one meetings with Alaya and a literary agent who gave me feedback on my query letter. There were many amazing craft lectures by the faculty, generative exercises, and discussions about the publishing industry. We had the opportunity to do a reading from our work and mingled with other amazing writers attending and teaching at the workshop. It was an intense but invaluable experience.

 

8. When did KAMA DC start and what is your role at KAMA DC? 

I first found Kama DC when I signed up to participate in their Immigrant Story-Telling Night. (where immigrants share a five-minute story from their experience on the theme of the night.) I have since stayed with Kama DC as a volunteer – part of the Storytelling team. Kama DC is a nonprofit in the DC area, run by volunteers, whose mission is to build community through immigrant-led experiences, providing a platform for immigrants to teach classes, share stories and their skills and passions to foster awareness, understanding and community. I also inaugurated and now run the @immigrantsOftheDMV Instagram feed, which is similar to Humans of New York in that we invite immigrants on the DC, Maryland, and Virginia area to do a takeover – hold the handle and share a bit about their story, home country, and experiences in the USA. It is a wonderful group of people and I am immensely proud to be a part of this mission.

 

9. What has been most inspirational about your semester of Creative Writing at GW? 

During this semester we get to learn from published author Cutter Wood. It is focused on creative non-fiction aka essays, and how to write our true stories. As my self-study has been focused on fiction and novel writing for many years it’s wonderful to develop this different writer muscle. It is a small class of 13 people. We write a new piece every week, so I have to dig around in my memories and experiences and create something on a schedule. And the best part is sharing in class and getting to grow through the experiences and creations of the wonderful writers in my class.

 

10. If there is one piece of advice that you would share with young aspiring writers, what would it be?

To just start. Just write. Whether you think it’s imperfect or feel you are not ready. Just write. Put your fingers to the keyboard, or your pen to paper today, start journaling today. You are not too young nor too old. Just write. You will get better by doing, I guarantee this. But you must start, the world needs your stories.

 

With gratitude and best wishes to the inspirational Keshni Washington  for sharing her creative journey, life and work in Washington DC.

 

Connect with Keshni here:

Website

The Signal First Series Podcast

Instagram

 

 

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2020 and Beyond – Voices in Literature

 

Diverse voices exist in literature but are under-represented in traditional publishing

The tragedy of George Floyd’s death in the United States has sparked a resurgence for the recognition of black writers. Read the rumble in the UK here on what the newly found Black Writer’s Guild has initiated.

It is shocking to note that black writers are offered a lower advance to that of their white contemporaries, and editors ask for white characters to be added to books. At some universities, students are asked to write for a maninstream audience denying  rich cultural voices that confirm that we are indeed, …one under the sky of humanity.

As an author of colour, in Australia, I faced the dilemma of whether I should create a neutral ‘non-black’ pen name to get publishing recognition. But my writing mission is, In our angst and joy, we are ONE under the sky of humanity, which does not support using a pen name and so authenticity prevailed.

My apartheid past in South Africa had stolen the right to feel comfortable in my skin or to dare to speak out against racism. Hence my debut novel Across Time and Space and the sequel Vindication Across Time, present the bald face of racism as a universal disease through my eyes. My third novel, Souls of Her Daughters exposes injustice on multiple levels.

 

Fear makes one believe that a name that hints at race would be bypassed by publishers and readers. Listen to the words of author Michael La Ronn who articulates the issues black writer’s face in writing and publishing. Note what he says about gaslighting 

 

Racism – Inequality – Injustice – Prejudice – by any name must be caught and called in the books we read, movies we watch and conversations we have

 

The Zulu word Ubuntu refers to the human spirit as it should be:

 

  • I am because we are
  • humanity towards others
  • the belief in a universal bond of sharing that connects all humanity

 

In my writing of multicultural stories – the spirit of Ubuntu prevails.

 

 

 

What will you be reading and watching in the renaissance of Black Lives Matter in literature?

The movies, In My Country poignantly depicts the Truth and Reconciliation Commission (TRC) in South Africa, and Rabbit-Proof Fence, a gut-wrenching  revelation on Australia’s Stolen Generation are reminders of human atrocities that should never be allowed to recur…

From  Uncle Tom’s Cabin and beyond, voices have raised the alarm but sadly the call to end racism fell on deaf ears. Now it must be made history, an unforgotten one to remind us that prejudice is heinous and should be obliterated from the stage of life. Diverse voices that are in the main ignored, share why the human condition needs a radical shake-up.

 

Feel the angst, walk a mile in the shoes of the racially downtrodden – only then will you know the corrosive impact of racism.

 

The wound of prejudice cuts deep to the soul leaving indelible scars.

 

But you pick your head up, as you do, to face another day no longer silent especially to subtle bias…

 

 

In the wake of the change in 2020 and beyond, walk a mile through these suggestions to know and feel that in our diversity the common factor is that we are emotional beings with the capacity to rectify prejudice by the stories we tell and read.

 

 

Here are ten suggestions where diverse voices rip out your heart to sensitise your soul.

 

  1. Long Walk to Freedom – Nelson Mandela
  2. . My Place -Sally Morgan
  3. Talking to My Country – Stan Grant
  4. To Kill a Mockingbird – Harper Lee
  5. The Underground Railroad – Colson Whitehead
  6. Between the World and Me – Ta-Nehisi Coates
  7. Cry the Beloved Country – Alan Paton
  8. The Power of One – Bryce Courtney
  9. The Bluest Eye – Toni Morrison
  10. Race Talk and the Conspiracy of Silence – Derald Wing Sue

 

May you write and read stories that share histories to sensitise our souls to dismantle racial bias.

 

 

 

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May I tell you?

Growing up in apartheid South Africa as a non-white person, living under the Group Areas Act where you only saw people like you with the same coloured skin, living with the knowledge that your people had to be hidden from view — white view — left scarred for life and needing immense strength to shelve the hurt and pain in memory’s hinterland.

 

This divisive system invites shame — why am I not good enough? Why can’t I eat at that wonderful seaside restaurant? Why can’t I go to a school with its English countryside setting and Victorian buildings? Why am I afraid every time I see a police officer or paddy wagon? Why can’t I lift my eyes above the ground? What have I done to be born black?

Here is why…

Racism is hatred that unleashes a plethora of negativity both ways: Unchecked power that intensifies with acts of brutality that crucifies an already broken self-concept. Systemic injustice — physical, emotional, and psychological feeds the depraved hands of power. How does the victim deal with an enforced erosion of who they are?

Let me tell you…

There are only two ways: head down — mind their manners or take to the streets to protest. Stop! When power strikes up against protest it is obvious that human survival instinct kicks in and violence erupts. Nobody wants violence — justice is all the victim wants — a fair go — it starts out as a peaceful protest, and if left to do just that, no force is necessary. Let the voices crying out for change be heard or it speaks of intolerance to change.

Then somebody cries ‘looters!’

This is why this happens…

The downtrodden are as the words say it, the ‘have-nots’— denied, deprived, shamed, and blamed for all the ills of the land. Human instinct kicks in again and necessity guides reaction/behaviour. Before we cry ‘looting’ investigate what underpins it. Where there’s social inequity the ‘haves’ have ‘looted’ the country for a very long time taking more than they needed — perpetuating inequity.

History tells us that peaceful protests become violent when the hand of power strikes. Decades before Nelson Mandela sat at the helm of government in South Africa, the country was on the brink of civil war and the Sharpeville massacre of 1960 like the Soweto riots of 1976 started out as a call for justice but led to police taking up arms against protesting civilians who wanted their voices heard.

#BlackLivesMatter is a timeless cry for justice from the time of Rudyard Kipling who referred to the people of the African continent as ‘half-devil and half-child, ’ in his 1899 poem, White Man’s Burden.
Colonialism stole the right to justice — a fair go, for original inhabitants of the land. Assimilation — one way or no way denies culture, heritage and the right of recognition.
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Remember those fallen at the hands of racial prejudice — countless — the loved ones of grieving families — too many still dying at the hands of what can be changed…if they are heard.

 

 

 

 

Listen to this Ted Talk by Amy Thunig: Disruption is not a dirty word that pulls no punches on racism endured by Indigenous Australians in a country I call home.

It’s 2020, and some in the misguided grip of power swim in the quagmire of the barbarism of racial prejudice — educated by book not humane moral code — sure-fire intellect — no emotional intelligence. Silence widens and deepens the stain of prejudice. Speaking out against racism does not always win friends and influence people, but the few who join black brothers and sisters in the fight for justice at the risk of losing their tribe — those are the gems that make #AllLivesMatter, for they will pull together to create liberty, equality and we all need fraternity.

 

What is your choice to be on #BlackLivesMatter?

Stay safe, speak up against injustice but as John Proctor cried in The Crucible – ‘Because it is my name! Because I cannot have another in my life! … leave me my name!’

What do you want to be remembered for?

 

 

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Writing For Success

In my first post on the prolific and inspirational Trinidadian author and poet Brenda Mohammed, we got a glimpse into her writing journey.  Brenda has written twenty-five publications — her passion and dedication to literature is phenomenal.

Today we chat to Brenda Mohammed to catch up on her rapidly growing and expanding writing life and the scoop on her latest writing venture!

 

Tell us a little bit about yourself?

I am a former Bank Manager of a leading bank in Trinidad and Tobago. Later in life, I moved into the Insurance field and excelled there also. I always loved dealing with finance, and never dreamed that I would fall in love with Literature.

 

When did you start writing?

Actually, I was always a very good writer in my school days and won the top English Language prize when I graduated from High school at sixteen years of age.

When I joined the bank my superiors at the bank were always impressed with my ability to learn quickly, my efficiency in every department I was assigned, and also my writing skills.

When I was promoted to the job of Assistant Manager Credit I had to prepare detailed financial proposals for the Manager’s signature to be sent to the bank’s Head Office for approval. The Manager rarely changed a word, and the Bank’s Head Office always approved the proposals without any questions.

The Banking term for that was “clean sanctions,” something other Managers wished they could achieve. Later on, when I was appointed as Manager I continued with that skill and moved on to Senior Managerial positions. Yet, writing books never crossed my mind and I moved into Insurance where I also excelled, qualifying for membership in the Million Dollar Round Table, The Premier Association for Financial Professionals, {the name pertains to sales achieved and not earnings}, until I was struck by cancer and told by my doctor in Trinidad that she could do nothing for me.

To make a long story short, I survived and wrote the book, I am Cancer Free, which became a bestseller, and gave me the encouragement to write twenty-four more books.

 

You wrote twenty-five books. Can you tell us the genre of those books?

I write both fiction and non-fiction. The genres include Memoirs, Romance, Mystery, Poetry, Children, Science Fiction and Self Help.

 

 

Tell us something about your multi-award-winning book Zeeka Chronicles.

 

Zeeka Chronicles is about a vengeful man who misuses science in the year 2036 to create havoc in a small exotic island named Gosh. He is angry for two reasons. After his former lover jilted him, he married another on the rebound. His wife contracted the zika virus when she was pregnant. His child was born deformed as a result, and she died. He blamed the hospital for her death and his deformed child. This vengeful man kidnapped the son of his former lover and the story evolves thereafter.

The story is set in the year 2036 when there is great advancement in medical and information technology. It is a high-tech world.

Skillful robots are used as home helpers, and police use high tech weaponry, electric cars, and smartphones. The hospitals are well equipped with state of the art equipment and doctors and scientists are making significant breakthroughs and inventing cures for patients with critical illnesses.

Yet, in this high-tech world, the minds of some human beings remain evil.

Can Mankind ever achieve a sinless state? Will human beings forever continue to foster greed, malice, anger, jealousy, and the desire to control and take revenge?

I wrote this book to highlight the fact that material things can never improve the minds of some individuals.

Today, in spite of all the new and advanced developments, crime has increased to unstoppable levels. What will change humanity?

The benefits to readers are the underlying lessons to be learnt from the content, especially in light of the situation the world is experiencing today with COVID 19.

 

Who are the primary readers of your books?

My books are for both mature audiences and young adults and the children books are, of course for children.

 

What are you working on now?

I am working on the third story in a Mystery series – Barry Holmes Mysteries

What happened to Mary Loo has elements of romance, mystery and suspense. It will be a short story and should be ready for publishing by the end of May.

The book cover was designed by Mary L Schmidt.

 

 

Can you leave us with a valuable quote on Writing?

Writing is a mysterious journey of thoughts that can unravel the strangest imaginary plots.

Writing for me was exploring a new milestone.

 

What are your social accounts if people want to connect with you?

I am on Linked In, Twitter, Instagram, Pinterest, and Facebook, where I have nine author pages for each genre in which I write, and a personal page.

They are – Poetry to Enlighten, Zeeka Stories, Banker turns Writer, Romance Stories, Children’s Corner, Barry Holmes Mysteries, Brenda’s Video trailers, Fascinating Memoirs and Brenda’s Publications.

I am also available as the Founder of How to Write for Success Literary Forum.

 

 

Brenda Mohammed a former Bank Manager from Trinidad is a multi-award-winning author of 25 books, and Founder of the Literary Forums How to Write for Success, Poems for Suicide Prevention, Library of How to Write for Success, and Poems against Domestic Violence. Her award-winning book HOW TO WRITE FOR SUCCESS is popular amongst writers and University students.

 

She recently published three best-selling Anthologies – A Spark of Hope Volumes I and II, co-authored by 49 and 64 authors respectively, and Break the Silence: An Anthology against Domestic Violence by 87 authors. All three topped the charts on Amazon as Bestsellers No 1.

In November 2018 Brenda received two awards from Readers Favorite International at an award ceremony at the Regency Hotel in Miami for two of her books, ZEEKA CHRONICLES and I AM CANCER FREE.

She was inducted into the Indie Author’s Wall of Fame in January 2020.

Brenda was also honoured on 22nd February 2020 by the Peru Government for Excellence in Literature, and in August 2019 by the Seychelles Government for her Literary skills. 

 

 

You can connect with Brenda Mohammed through the links above.

I wish Brenda everything of the very best in her writing success.

Please like, share and comment.

 

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Women Who Inspire

 

Often the women around us, those we interact with, those who do not ask for acknowledgement and serve their life’s calling with unstinting passion, must be noted to celebrate them and say thank you for who they are and what they have shared and continue to share.

 

Today amid the chaos in the world, from social isolation to global issues that divide nations,  let us not forget the women who leave a timeless legacy of fortitude, forbearance, and selfless service to humankind. 

 

Quietening the mind away from the noise of life has heightened my appreciation for the women who inspire and have inspired many lives. As a writer of thriller fiction, historical fiction and contemporary women’s fiction, it is befitting that I pay homage to the women who have impacted my world.

From the justice department and corporate world, health care, writing and publishing. Here are three women I salute today.

 

Kalyani Pillay (Entrepreneur) (1962-2026)

Former CEO, of SABRIC, (South African Banking Risk Information Centre) Kalyani Pillay resides in Sandton, South Africa. Kalyani has inspired many in her passion for instituting protocols for the elimination of bank fraud. A job that entailed being a globetrotter spreading innovative ideas on how to protect ourselves from financial scams, and as an advisor to large corporations, particularly banks. Kalyani Pillay has been head-hunted for presentations at international conferences in her relentless fight against fraud. She has worked as a lawyer, State Attorney for Gauteng, and Special Advisor to the Head of the National Prosecuting Authority in South Africa before she joined the ranks of SABRIC as CEO. Her resilience, dedication, optimism, and integrity are qualities that inspire for as long as I can remember.

Here is Kalyani Pillay’s inspiring interview with, Dudu Msomi on her show, ‘WisdomPersonified’ to illustrate the passion, courage, determination, and humility of a woman of note.

 

Queenie Naidoo (Health Care Professional) – (1936-2024) 

Retired South African nurse, residing in Australia, Queenie Naidoo, in her eighties today, is passionate about healing as she ever was. She served the poor and destitute, the ill and dying with devotion. She was fondly known to many as, ‘Sister Queenie.’ She garnered the support of local doctors in the town of Pietermaritzburg, South Africa, to donate medication which she dispensed at the free medical community clinic she steadfastly ran, for many years, on Sunday mornings, to serve those who were unable to access medical treatment. Her home was a haven to the ill, depressed, and ailing hearts. Her sense of humour and maternal warmth drew many to her. Her lifetime commitment to healing and supporting the physical and mental health of her patients resonates today with the selfless and potentially dangerous work of health care professionals during this global pandemic we currently face. Added to Queenie Naidoo’s inspirational credit is her creative talent in having produced a theatrical performance, God the Last Refuge, staged at the King Street Theatre in Newtown, Sydney, in 2014 as part of the Vedanta Society of NSW, initiative. Queenie has inspired me from the cradle as my loving, caring, mother and continues to do so to this day. 

 

Forbearance is a great virtue; there is no other like it

                        ~Holy Mother, Sri Sarada Devi

 

 

 

 

 

Brenda Mohammed (Author/Poet)

Trinidadian author and Founder of the How to Write for Success Group, a rapidly growing literary group. Brenda Mohammed promotes rising stars in literature, and assists in expanding the repertoire of existing, established authors with selfless commitment through collaborative writing of anthologies in the prevention of suicide and against domestic abuse. She is a noteworthy multi-award-winning novelist and poet. As a former banker and seasoned traveller she exudes a resilient spirit as a cancer survivor, depicted in her memoir I am Cancer Free, and one who has the Midas touch in creating bestsellers. These attributes make Brenda Mohammed an inspirational woman as my peer and mentor in the role I occupied as an administrator in the HTWFS group. Brenda’s book How to Write for Success offers nuggets of wisdom on writing and publishing, serving as a handbook for writers of any genre. Her warmth and generous nature in promoting the love for reading in children is evident in her contributions and interactions with schools in Trinidad. Brenda Mohammed is highly respected and valued by her administrators and followers in the How to Write for Success group.

 

It isn’t where you came from. It’s where you’re going that counts.

~Ella Fitzgerald

 

 

We never stop learning and growing with each passing day, hence inspirational individuals are the heartbeat of the societies we inhabit.

 

I have handpicked three inspirational women, there are countless more who inspire us every day. Please share the valued lives and messages of inspirational women in your world in the comment box below.

 

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Publishing During a Global Crisis

Every corner of the world has been hit by Covid19 — life for millions has come to a grinding halt. Businesses have shut down left, right and centre. Bookstores have closed their doors. Libraries are no longer a sanctuary as silent voices are in lockdown.

 

The question tossed around is: do we go ahead with the launch of a new book?

My heart says yes but my mind says, should I? Then a voice whispers an answer: yes, launch it online, reach people who need to move out of the mental space of the current crisis we all face. We need the sanctity of books. Bookshops continue to take orders online if a digital book is not a preference.

 

In the face of a global crisis, publishing is vital now more than ever before — it says we are here, later it will speak confirming that we were here, and this is what we did. It is akin to writing historical fiction. The Great Books of the world brought us knowledge of people, cultures, religions, events, aspirations, challenges and celebrations from eras long before our current existence. Without those esteemed scribes, the artists of the past, we would be as ignorant of the world as the occupants in Plato’s cave.

 

Literature is the light into now, the glow of the past and spotlight into our dreams of the future. Books imprint memory

 

Writers have the acute ability to sense mood and observe human behaviour down to minuscule details. So, why wait? It is time to pick up the pen of prose or poetry. Each will speak of this time and of our dreams and visions. Leave the messages that say we are indeed one.

 

In our angst and joy, we are ONE under the sky of humanity

 

Forthcoming Title This April

 

 

To ignite compassion, we must walk in the shoes of angst, or suffering, to extend love and care to others because we know it—we feel it. Stories elicit compassion and bring meaning more particularly as we sit in self-isolation to protect our loved ones and communities.

 

Writing and publishing must go on, as must, soft digital launches of news titles and relaunching of backlists. Lower prices, offer free titles, reach the masses by bringing meaning to the lives of those living in fear of what the next news bulletin or press conference will announce. Our uncertainty unites us in our desire for a renewed tomorrow. We inhabit the same house under a global sky.

Now we speak with the same human voice in our sans streets, sans parks, sans beaches… but we should never be reduced to fearing each other.

Keep literature flowing for generations to come—it is within our control, thanks to the digital platforms that serve us.

 

 

Keep Writing, Keep Reading.

Stay Safe.

 

This time too shall  pass. Keeping hope alive through poetry and stories.

 

 

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From Sydney to Seychelles

Today we travel across the Indian Ocean to meet Magie Faure-Vidot. Magie is a French-language poet from beautiful Seychelles. She has published work in English and Seychelles Creole. She is the Chief Editor/Director of the Publication SIPAY and is an inspirational supporter of rising poets and writers. She is tireless in her dedication to upholding international close connections between writers of all genres and forms.

Recently she has travelled to India for the World Thinkers’ and Writer’s Peace Meet attending two international events in December 2019 in Vijayawada and Kolkata.

 

 

Meet the Poet

Magie Faure-Vidot was born in Victoria. She is a member of the Institut Académique de Paris and the Académie Internationale de Lutèce. She has won numerous prizes over the course of her career, including the Coupe de la Ville de Paris, a Lyre d’honneur, and six silver and numerous bronze medals in various international literary competitions, and she has represented her home country at many international poetry festivals and other initiatives. Her work has been discussed in critical studies of Seychellois literature. She has also achieved some fame as an oral performer.

After living for some time in Lebanon, England, Italy, and France, Faure-Vidot returned to Seychelles. There she co-founded and continues to codirect, both the online literary review Vents Alizés and the online publishing house Edisyon Losean Endyen, both of which she runs in conjunction with Hungarian poet Károly Sándor Pallai. Her work is regularly published in Seychelles Nation and The People, and she is the Chief Editor/Director of  SIPAY,  the only Seychellois international literary magazine. Her poems were published in the international poetry anthology Amaravati Poetic Prism in India. In 2017, she received the prestigious Seychelles Arts Award in literature for her outstanding literary work and achievements. She writes for Spirit of Nature where she features amongst the 60 poets published in 2019.Opa Anthology of Poetry.

She is a member of the World Nations Writers Union Kazakhstan. She is the Regional Director – East Africa and Central Asia and on the Administration Council of  MS.

Additional information on Magie Faure-Vidot is available on Wikipedia.

 

 

Getting to know  Magie

 

 When did your love for poetry begin?

The love for literature began when I was a kid. My parents worked on a vast agricultural property and had many animals. I loved them so much that I used to tell them small stories. We lived close to the beach and I had my private beach where I used to enjoy the sea, the birds, coconut trees, swimming with small fish, and playing with crabs. Being a loner, I had to keep myself busy. The sea carried me to faraway imaginary places. And I would always be asking my parents to buy me pencils and exercise-books.

 

 

 What do you enjoy the most about living in Seychelles?

The island life, friendliness of the inhabitants, no snow but the sand.

 

 

The View From Magie Faure-Vidot’s  Home in the Beautiful Island of Seychelles  ~ A Creative  Haven

 

 

Tell us about the International Literary Journal, SIPAY. When did it begin? What is its aim?

SIPAY saw birth in 2008 but registered in June 2009. At first, the aim was to promote the  French language at 60% and 40% shared between our two other national languages, English and Creole. But now it has taken another turn. It is affiliated to Motivational Strips, and  Spanish has been added to the three languages. SIPAY is now an International Literary Magazine and opportunities are given to various writers all over the globe. SIPAY is a non-political, non-religious magazine. SIPAY is distributed to the Ministry of Education for all the schools, Ministry of Culture, Creole Institute, the National Library, the National Journal (NISA), and some private individuals. One copy is posted to all contributors at no charge. SIPAY is a non-profit making publication. Money generated from the sale is reinvested in the next edition.

 

 

Describe your typical writing day.

I write when the urge tickles me. First, however, I take care of my home, family and animals  – three dogs, and I feed some fifty birds every day. I then take to writing, attending to posts in  MS, Lasosyasyon Lar san Frontyer, Congo Ecrit etc.

 

 

 

What are your future goals for literature both within Seychelles and internationally? 

I’m planning my 7th book, assisting the Lasosyasyon Lar San Frontyer as a Chief Consultant and Congo Ecrit. I  attended two international events in December 2019 in Vijayawada and Kolkata.

 

***

I extend my gratitude to Magie Faure-Vidot for sharing her illustrious writing journey. You can connect with Magie Faure-Vidot for more information on her recent literary travels and works:

Email

Website

Facebook

 

 

Please leave your thoughts in the box below:

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Writer’s Connect: Spotlight: Author Vash Karuppa

Today I turn the spotlight on South African Author Vash Karuppa whose debut novel DESTINY FOR LOVE ARRANGED is a favourite among readers in South Africa and abroad. Her novel captures the cultural significance of life, and the command and necessity of love in a voice that connects the reader to place and culture and the understanding that the heart is not entirely self-directed.

 

 

 

 Synopsis: Destiny for Love Arranged:

 Destiny for Love Arranged is a contemporary, gripping and angsty, second chance Indian romance that reveals the love of family and friendship bonds during trying times. All protagonists are of South African Indian origin.

The story revolves around Aariyan Ranjan, a highly successful CEO of a Hotel Empire and Varini Iyengar, an Oncologist, both are forced into a temporary marriage of convenience to help them resolve personal dilemmas.

 

Not because it had anything to do with his heart he thought stoically…, but because it suited his purposes…

 

While Aariyan is determined to treat their marriage as he would any other business deal, love rarely listens to logic, and what follows is anything but business. On the other hand, Varini soon finds herself gravitating toward and rejoicing in the love she thought lost forever with a hidden hope that their marriage of convenience will end in a union of everlasting love. The story is embedded with cultural anecdotes familiar to any family of Indian origin. It takes their family, friends and a life-threatening situation to show them the love they lost is worth fighting for.

 

In short, this is a story about family, friendship, and starting over, as Aariyan and Varini embark on a journey toward a second chance at love. You will get to share in their moments as they discover that vulnerability can be their strength and the most perplexing problems can be overcome with the support and resourcefulness of a loving family and faithful friends. This is Book 1 of a trilogy.

 

 

About the Author 

 

 

Vash is a South African author of Indian origin who has been a bookaholic from about the age of five. Her addiction for books grows exponentially daily, so after spending years concentrating on her role as a corporate executive and a short stint as an entrepreneur, she decided to unleash her number one desire i.e. a passion for writing. Whilst books of most genres interest her, it was romance that captured her soul. Her writing portrays the lives and drama of ordinary people who readers can easily relate to. The crux of her stories celebrates the power of true love coupled with the timeless bonds that exist between family and friends while capturing the true essence of diverse cultures.

Vash Karuppa is a member of the Romance Writers Organisation of South Africa (ROSA)

 

What inspired you to write Destiny for Love Arranged?

For many years I have read articles around the call for diverse romance novels that incorporate multi-cultural aspects into a traditional romance plot. In addition, I’m a hopeless romantic myself and always had a plot in my head around a story that integrates family and friendship bonds (which I have been blessed to have throughout my life) together with a typical romance story.

When I eventually decided to put pen to paper, it all just naturally came together, giving birth to Destiny for Love Arranged. Finally, I am aware there aren’t many novels written which share intricacies of the South Indian culture and I was determined to write about it. Looking at the feedback received thus far from readers, it was well-received.

 

Have you always wanted to be a writer? How long did it take you to write your novel?

Being a passionate romantic and voracious bookaholic, reading was a drug to which I had an instant addiction, one that only grew with time. While books in all genres interest me, it was romance that I was drawn to. From as early as my pre-teen years, I loved the ‘happily ever after (HEA)’ syndrome hence my love with any book in the romance genre, and later as a teenager with a dream of writing my own HEA story.

Writing a novel has always been part of my bucket list, so, after spending years concentrating on my role as a corporate executive, I eventually unleashed my number one desire and passion for writing with Destiny for Love Arranged

I didn’t really plan on publishing my work though, because I started writing for my own fulfilment. However, when a few of my friends read the script, they encouraged me to consider publication and so it happened….

The hardest part of completing the story was not knowing how to stop. I had so much more to tell but owing to publishing rules on limited word count and reader expectation of the length of books I had to cut out a lot from the original script.

 

What’s your typical writing day like?

Owing to a “day job”, I tend to confine my writing to nights for at least 2 hours a day in the week and whatever time I can hijack on the weekend.

My best writing is done in a quiet space in my little apartment directly next to a window where I can have the warmth of the sun and sounds of chirping birds to keep me company while writing.

 

Who is your greatest source of inspiration?

My 92-year-old maternal grandfather has undoubtedly been the inspiration behind my love for writing. He taught me how to read and then introduced me to the word of writing through the books he wrote and is still writing might I add.

 

What are your future writing plans?

Books 2 and 3 of the Keshavam Industries trilogy is almost complete and will be released between December 2019 and February 2020.

I have a new series planned for the rest of 2020.

Destiny for Love Arranged is on Amazon for your reading pleasure.

Connect with Vash Karuppa on:

 

Facebook

Instagram

Twitter

Goodreads

 

Happy Reading! Happy Writing! Happy Publishing!

 

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Word Rhythm – some time… somehow

 

People ask, ‘so how does one complete a novel?’ The simple response is, ‘write every day.’

Fifty words on a page are better than a blank page.

Consistency is key and if for whatever reason writing is impossible on a day, double up the output in the next writing session. Perhaps not all in one go, divide the writing time to two sessions if possible, on a given day that fits in with what is already on your plate.

 

 

Carpe Diem!

Writing more is by showing up, at a regular time, bottom on the seat, minimal distractions or no distractions at all. Commit to a solid ninety-minutes, then change the activity, but if the juice is still flowing go back for another session.

Blocks of time, free of distractions is essential to see a creative project to completion.

 

Ways in which to maximise creative time is to have a notepad/journal at the ready wherever you are. I have A5 journals in my handbag, workbag and pencils stashed in every pocket. Sitting in the doctor’s or dentist’s waiting room, or with colour in your hair at the hairdresser, or as I do, while sitting in the car at the car wash, scribble a few lines to keep the momentum of your story going. Watching soap suds gyrate in a splash of colour stirs the imagination! Back at your desk, if that’s where you prefer to write, draw those mini journal creative thoughts into your WIP manuscript.

Having word count goals helps to hold one accountable. My target is to finish a chapter at each writing session,  if possible, or to leave a trigger sentence for the next writing session, to pick up the pace, action and momentum.

Caught in a roadblock? Pull out a notepad and write, if you can’t take your eyes off the road, audio record your verbal musings — now traffic cops, I dare to say, have not come up with traffic fines for the some time… somehow writer at a standstill in a roadblock, NOT in moving traffic, I must add – that is a massive NO-NO! Anything that will hinder the imagination is a blaring siren and flashing lights… although a fictional high-speed chase adds adrenaline to a thriller… let me add that… to my…

Like we need our zzzz’s,  we need our number of words down on the page each day.

Some like holding themselves accountable through a writing group and others prefer to create their own deadlines. Either way, commitment matters to take your draft from a manuscript to an actual book.

 

Courage is the commitment to begin without any guarantee of success ~ Wolfgang Von Goethe

 

Some have a few writing days set aside in the week and commit like it’s a job they go to for five or six hours a day. If these are the only days available, the habit is cultivated and creative productivity soars on those days.
Roads trips, as long as you’re not doing the driving, is another great way to nab some writing hours, the imagination will be stimulated as you travel through various locations.

My next some time… somehow is to jump on a train and go to the furthest end of the line and back while writing. I am a desk-bound writer so this is an adventure that might or might not yield a new result. Let’s hope nobody throws me off the train for wearing heavily shaded sunglasses, a cap and seen to be furtively writing some secretive lines, perhaps on the comings and goings on each platform?

Get on that train, write at the car wash, whatever you do, do create space for your book!

Happy Writing, Happy Musing!

Carpe Diem!

Please share your some time… somehow to help others maximise writing outcomes.

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Australian Voices

So many voices, so many stories in a country as diverse as Australia, each sharing a connection to people and place.

Today on the blog we have Rhonda Forrest, a high school teacher, from beautiful, sunny Queensland. Rhonda began writing under the pen name ‘Lea Davey’. Her first two novels, Silkworm Secrets and The Shack by the Bay were published under the pen name, Lea Davey, however her latest novel, Two Heartbeats, published October 2018 has been published under her real name, Rhonda Forrest. Having always lived in Queensland, the vast Australian Outback and the pristine Whitsundays feature strongly in her stories. Rhonda Forrest shares her story and tells us more about her writing journey.

 

Meet the Author 

 

Rhonda Forrest/Lea Davey

 

 

Biography – I was born in Brisbane and grew up in Rochedale, which at the time was a rural farming area. It was a fabulous place to grow up and as kids, we spent our time playing in the bush, riding horses and living in a community where everyone knew each other. I married at the age of 21 and my husband and I moved to acreage at Bannockburn where we lived for thirty years. Along with a menagerie of animals it was here that we brought up our three daughters and made life-long friends with many of our neighbours. At the age of 40, after a multitude of different jobs and running my own business, I decided to study. After 4 years of full-time study, I graduated as a high school teacher of History and English. Recently we have moved to Tamborine Mountain and live between the mountain and a 100-year-old cottage with a rambling garden up in the Whitsundays. Both places are quiet and idyllic places to live and write.

 

Writing Journey – As a child, I loved reading and was surrounded by books. My mother who is 90, still to this day reads every day and as a teenager, she always handed me her books after she had finished them. Nothing was off-limits and I vividly remember being enthralled by books written by Harold Robbins, James Michener, Wilbur Smith and Jackie Collins. I used to always think that one day I would write a book, however, it wasn’t until about five years ago that I had time to seriously think about pursuing my writing. Long hours spent out on a tinnie in the middle of the ocean fishing, allowed plenty of time for daydreaming and the story of, The Shack by the Bay began rolling around in my head. Once I started writing the words flowed easily and I knew that I had found a new passion in my life – writing!

 

Genre – All of my books are different. The Shack by the Bay is contemporary historical fiction, Silkworm Secrets is contemporary fiction and Two Heartbeats is Romance. My favourite genre is historical fiction although I also love to read true-life stories.

 

Motivation – If you want to do something you should just have a go at it. I don’t think I ever considered failing, actually I don’t think about the end result that much, I just go for it. Really you have nothing to lose and once I start writing it’s hard to stop until the story is finished. The editing and parts that come after the actual writing for me are the hardest parts and I would love just to be able to write and to have someone else do the rest for me. But when this is not possible I stay motivated, buoyed along by the lovely reviews and comments I get from readers. With writing, it is not about the money that you make (because that is limited) but rather the motivation that comes from readers who love your books. One of the most exciting things is to look on the Brisbane library website and see that all 5 copies of your book are being borrowed!

 

Influencers – Probably the biggest influence for me in relation to my writing was the Australian author Coleen McCulloch. It was after I read her book, The Thorn Birds, in 1977, that I decided I would write a book. It took 40 years to have time to do that, but eventually, it happened.

 

Favourite Books – Just recently I read Boy Swallows Universe which is set in Brisbane so lots of familiar places and just a fabulous entertaining read. My Instagram page has a countdown of my top 50 books and these range from Mao’s Last Dancer to All the Light We Cannot See as well as, The Old Man and the Sea and Australian classics, The Cattle King and My Place. I have so many favourite books, but I do love historical fiction. The Garden of Evening Mists, A Good Muslim Boy and The Space Between Us are also some of my favourites.

 

If you want to do something you should just have a go at it 

 

 

Favourite part of the Australian Landscape
That’s a difficult question as there are so many parts I love. I have travelled throughout Australia and it is often the coastlines that take my breath away. Crashing waves on rugged cliffs in South Australia, white sandy beaches with turquoise waters in Western Australia, red boulders with soaring waves in Tassie and of course the familiar pristine waters of the Whitsundays, rich with turtles, whales and dolphins. Equally beautiful though is the scrubby bush with the sun searing down on it and soaring gum trees, the bark dappled and ghostly against our vivid blue sky. We really do live in the most beautiful country and I always appreciate the beauty that surrounds me, be it the rolling hills around Tamborine Mountain, the thick rainforests just down the road from my house or the hazy valley views from the lookouts up here on the mountain. I love it all and much of that love of the landscape comes through in my books.

 

Book Covers – Designing book covers has been a journey in itself. The cover for The Shack by the Bay comes from part of a photo that I took of a shack down in Tasmania while Silkworm Secrets cover was a painting a friend did for me. For Two Heartbeats I engaged the help of a graphic artist, Ethel Beckett, also from Brisbane, who did a fabulous job giving me exactly what I wanted.

 

 

Rhonda Forrest’s/Lea Davey’s Books Are Available on Amazon
The Shack by the Bay (2016) – by Lea Davey
Silkworm Secrets (2017) – by Lea Davey
Two Heartbeats (2018) – by Rhonda Forrest

 

 

 

 

Book Descriptions

The Shack by the Bay (Lea Davey) An isolated fishing shack on a beautiful bay in the Whitsundays provides Luke with a retreat where he can find peace and solitude. However, the discovery of family war relics and a developing relationship with the beautiful Lily connects family histories and reveals a story that threatens to destroy his chance at real happiness.
Will the wartime secrets prove to be the breaking point for a beautiful romance? Or can two families put the deeds of the past behind them?
Romantic and purely Australian, The Shack by the Bay captures the pristine beauty of the Whitsundays and the wartime memories of older Australians while introducing an eclectic blend of friends and family.
Silkworm Secrets (Lea Davey) Ruby and Bobby are best friends who spend their spare time together in a tree house where they retreat from the adult world and share their secrets. To Ruby’s dismay, Bobby’s family life is far different from her own and when he is forced to leave home at a young age it seems that the two may never see each other again. But after many years the events of the past resurface, and as an adult, Ruby is unexpectedly faced with the gravity of their secrets and the seeking of justice. A court case forces her to search for Bobby who has not been seen since he left home as a child. Will she find him amidst the vastness of the Australian outback and if she does, will he want to return to what he has spent his entire life running away from.
This is a story about the secrets that children keep, the strength that comes from a childhood friendship and a special family love that overcomes the hardships of the past.

 

Two Heartbeats (Rhonda Forrest)
When Jess heads west for a fresh start in a small mining town, the dusty outback is a far cry from her former life in the city. Despite having no knowledge of country life, she finds herself loving the isolation and local people. All she has to do is keep her head down and work hard to create a better life for herself and Johnno, the only person she has ever truly cared about.
The caring warmth of a new circle of friends allows Jess to feel that maybe, for once, her life is heading in the right direction. However, problems arise when her temper and stubborn nature collide with her new boss, Daniel, who is suspicious of her background story. Has Jess been honest, or is there a hidden secret to justify his distrust of her?
Set amidst the rugged outback of Australia, with a cast of eclectic characters, Two Heartbeats is a story of friendship, resilience and the hope that ultimately loving relationships may triumph over obstacles defined by the past.

With gratitude to Rhonda for sharing her writing journey, and books with us today. Please add your thoughts in the box below:

Connect with Rhonda Forrest/Lea Davey here:

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Happy Writing, Happy Reading!

 

 

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Whose Voice is it?

Voice is the defining feature of any book we read. It is unique to the author and is often what draws readers to pick up a particular book, by a particular author.

Turning to influencers is a significant aspect of the writer’s professional development, but mimicking the voice of another, as in tone, values, the nuance of language, etc, minimises the authenticity and value that a unique voice offers. Just as our personalities differ, so too does voice –  it has character, personality, and it becomes the signature of the writer/speaker/narrator.

Readers find comfort, delight, and excitement in the voice they read, in being entertained or informed, or perhaps both. The rush to ‘be like others,’ comes with the risk of losing purpose or creating a voice that is inconsistent with the message. Voice is a significant part of connecting with readers. It communicates values and visions drawn from life experience, culture, lifestyle, education, angst, joy, and more, as part of early, and ongoing socialisation. We are after all, beautifully unique.

The writer’s voice is delivered through narration, characterisation, description etc. In characterisation, the writer’s voice is distinct, based either on personal experience, research conducted, and observations of human patterns of behaviour and communicating. Tension or suspense through voice is also drawn from the writer’s observed, or experienced fears, to capture the moment with accuracy and evocative creative design. This should move the excitement/thrill to the next level, for the reader. Emotional aspects of a novel are effective in holding the reader’s attention when it comes through from an authentic/believable/unadorned voice.

We often say, ‘seeing’ is believing, but, ‘feeling’ is living the moment in a book – it might well be remembered long after the book has been put down. Now, Shakespeare’s Othello craved, ‘ocular’ proof, of his wife’s alleged infidelity, yet if he cautioned his doubting mind by embracing his deep love for her, he might have lived his happily ever after. Well, one can surmise and hope, it’s to the writer’s credit when readers are overjoyed or disappointed when the character/s either meet up to or deviate from their expectations.

 

The accolade is huge when readers say, I could hear your voice while reading.

 

 

 One Voice, Many Voices 

 

Voice in graceful narration is as important as the ‘voices’ that diverse characters are given in stories. Narration, description, and dialogue are the pillars of a novel with plot guiding the platform through the author’s voice as the vehicle that intersects with the reader’s experience.

Listen to an excerpt from  Morgan Freeman’s narration in The Shawshank Redemption, based on the novella written by Stephen King- reading a story, or excerpt out aloud after it has been written or during the process of writing is of tremendous value to shift and polish how meaning is created through voice. The flow, tone, and authenticity of voice become transparent when reading aloud. Record an excerpt and play it back to catch if ‘voice’ is represented as imagined during the writing phase.

Honesty or truth should ring through the writer’s voice to establish a valued connection to the reader, creating an expectation that makes the reader continue to turn the page. Voice can be frivolous, serious, angry, calm etc. depending on the type of tale being told. Hence consistency of voice, dependent on the genre/scene/story etc. is imperative to hold the reader’s attention. It makes the reader return for more. A relationship is formed between the reader and ‘voice’ for a fulfilling engagement with the book.

 

Whose voice is it anyway?

 

The writer’s unique voice does not have to be written in Jane Austen’s, Charles Dickens,’  or any favourite writer’s style, it is about reaching readers with an authentic voice regardless of the niche appeal the story might have. A writer’s voice is the ‘heard’ presence of the writer. 

Listen here to Pat Schneider, author, on how nuances of voice emerge.

 

More food for thought:

“For last year’s words belong to last year’s language
And next year’s words await another voice.”
~ T.S. Eliot

“Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” ~ Meg Rosoff

“My aim is to put down on paper what I see and what I feel in the best and simplest way.” ~ Ernest Hemingway

 

 

Happy reading and writing in your unique voice!

 

Please  share your ideas on the significance of ‘voice’ in stories in the comment box below.

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Want to be a Writer?


Why not?

You will enjoy the process of creating the story you have always wanted to write.

What’s holding you back?

Fear and Time?

Counteract fear by writing the best story you can.  Temper your inner critic, the belief that you’re an imposter in the craft – avoid this or you become your own worst enemy. Trust your desire to write and turn to the supportive person in your life who will allow your light to shine.

Find time in your day to get down as many words as you can. Do it consistently to keep yourself inspired to go on to complete your novel. Fifteen minutes a day is better than not writing at all.

 

Will you be a pantser or plotter?

Would you meticulously plan scenes, with graphs and maps etc or let your creative energy lead you with just the basics planned out for your novel? There are various schools of thought on being a pantser or plotter. I’m somewhat hybrid on that. Mental planning with a few scribbled thoughts here and there make me more a pantser than a plotter.

 

Pantser or Plotter

 

 

 

 

Challenges that could occur

Shut the door as you write, as Stephen King advises in, On Writing: A Memoir of the Craft, ( I gained the courage to finish and publish my books drawing from the advice in this book), until you are ready to tell the world.

Once you begin to tell others, be prepared for either cynicism or support. The cynics are not worth your time – leave them to their cynical worlds and do what you have to do – write the best story you can!

Writing is an emotional process that often dives into a point of long-held pain or passion. When dubious eyes, lopsided smiles, and tongues that doubt,  disturb your orbit, it’s time to turn them down or off.

Consistent writing, turning to influencers of the trade and reading books on how to write well or listening to podcasts on writing and signing up for webinars on the craft is the way to pay your way forward in your growth as a writer.

No story is not worth telling if your aim is to enlighten or connect with your reader or you know what you have to say will make a difference- write that story.

And there’s more…

Writing the story is not all you have to consider, you should then research traditional and self-publishing options and find your best fit. Know your genre, research writers in the genre you want to write in and carve your approach, your own style. Once the final product, the actual book, with a professional cover, professional editing,  blurb, author biography, ISBN, date, publisher, and place of publication etc are in place, the marketing of your book begins. Whether you opt for traditional or self-publishing, the onus is squarely on your shoulders to market your book.

 

Don’t put off writing your book. Now is the best time.

 

It took me several years to finally master the fear to turn to my beta reader to have a look at my work.

We need more stories, stories that speak of angst and optimism and stories that make us laugh out loud, hold us in suspense, evoke disbelief or leave us in meditative contemplation.

 

We need stories that remind us of our essential humanity.

 

Write your book today. Publish it…

Don’t you know yet? It is Your Light that lights the worlds – Rumi

Does this resonate with you? Please share your thoughts in the message box below.

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Why We Need Migrant Literature

The world is a melting pot,  an ever-increasing paradise of voices that need to be heard if tolerance and understanding are to reign for peaceful coexistence.

Migrant literature, while evident through powerful voices, needs new sounds to add to the colourful history that should be shared if we are to live side by side.

Knowledge is necessary to foster understanding and compassion to move us closer to our innate humanity. Living in international communities in the 21st Century is a goldmine of multiculturalism that offers rich insights on culture and values.

What better way than to extend understanding through the literature we read and write. This could be a work of fiction, a non-fiction book, or a blog that creates connections to our neighbours near and far.

 

Literature is and should continue to be a vehicle that dispels ‘otherness’ or the ‘outsider’

 

 

Samantha Govender

I have for you today a reader’s perspective on what she enjoys about migrant literature in Australia. Samantha Govender, author of the blog site, Currychick – Spice it Up, covers everything from culture, history, education, lifestyle, glorious food, expat tales and more. She graciously agreed to answer my questions on migrant literature.

 

 

 

What is your home country?

‘I hail from the striking, picturesque country of South Africa nestled in the southern hemisphere.’

 

Why did you choose to migrate to Australia?

‘My LIFE AS AN EXPAT series on my blog charts that moving away from one’s country of birth is truly one of the most daunting life-changing experiences anybody can undergo. The crime and general political climate in South Africa were unnerving so the opportunity to move was an enticing prospect.  Many of my colleagues were seeking greener pastures and Australia seemed to be offering that.   When my husband finally agreed, I grabbed the bull by the horns and took the leap to leave my motherland.  In a nutshell, we sought a better life and future for our two children.’

 

What do you enjoy about Australia?

‘Beautiful one day perfect the next.’  Truly, I do not exaggerate when I call this country ‘heaven on earth.’  I love the people, the food, and the freedom. The safety and abundant, carefree living that comes with first world living, is supreme.  Australia has enveloped my family and made our move worthwhile. I feel blessed to call this magnificent place home.’

 

Name the three things you miss about South Africa?

‘The food ‘Bunny Chow’ (yum! read about it on my blog); the feeling of belonging and not having to constantly prove yourself; the culture in addition to friends and family that gives you a deep sense of belonging. I think only a migrant will cognize the profound need to belong.’

 

What is your genre of choice today? Has it changed in the last ten years?

‘My job is intensive so reading is my ‘go to’ place.  As much as I prefer print books, I am steering along with modern technology.  Thus, I use my iPad and Kindle a fair bit to download genres such as politics, health, well-being, and romance. Currently, I am reading Shashi Tharoor’s Inglorious Empire while hankering to read Mala Naidoo’s sequel Vindication Across Time. Finally, to answer the last part of the question, I would say yes. As I have grown older my taste for more thoughtful, serious reading has increased somewhat.’

 

What role does migrant literature play in Australia for you?

‘Migrant literature is necessary for establishing connections, to feel you are not alone in fears, hopes, joy, cultural expressions etc. Recently I listened to acclaimed novelist Salmon Rushdie whose perspective that some literature is timeless, mirrors mine.  Accordingly, I agree that migrant literature is vital in our current ever-changing society.’

 

Do you believe migrants should give voice to their culture and values through literature and other art forms?

‘Absolutely!  I think it’s the best channel and a means of expressing our story to others.  Be it a humble blog like mine or a letter to the editor; voicing our opinions as well as sharing our experiences are paramount to us being noticed and valued.  The trials and tribulations in addition to the magnificent experiences migrants undergo must be heard by all.  Literature and art open this communiqué giving us the ability to speak and more importantly to be heard.’

 

What other migrant voices would you like to read about?

‘I am always keen to try out new authors and meet people who have made life-changing choices in their migratory or other journeys in life.  I recently had an insightful conversation with a co-worker from South Korea who has made Australia home.  No doubt listening to and embracing migrants and their perspectives is an evolving, unending education.’

Continue reading “Why We Need Migrant Literature”

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