Category: Characters

Fiction and Fundamental Humanity

We live in an age awash with words yet starved of understanding. Never have stories travelled so swiftly, nor people felt so profoundly unseen. Algorithms know our preferences before we do; screens mediate our encounters; attention has become a commodity. Amid this noise, fiction has a singular calling, not only to entertain or persuade, but to return us to ourselves. Its deepest task is to speak to that enduring place where love and grief, fear and hope, memory and longing have always resided.

In an increasingly fast-paced world, content is consumed and forgotten. But literature asks us to linger. The novels that remain etched in memory, survive because they uncover truths that outlast the moment. They remind us that every generation inherits the same fragile heart.

 

…literature asks us to linger…

 

As language becomes infinitely reproducible, authentic writing becomes more precious. No machine can replicate the weight of a sentence earned through lived experience, quiet observation, and moral imagination. The true value of fiction lies not in its efficiency but in its humanity.

Stories become universal by embracing the particular where a small town, a rocking chair, a single remembered kitchen table conversation, carry the potential to reveal more about our shared condition than sweeping declarations about humanity. It is through the unmistakable lives of particular people that readers recognise themselves. The local is forever mapped, speaking beyond the walls of time, and the intimate becomes infinite.

Such fiction understands that goodness may coexist with failure, courage with fear, tenderness with regret. Human beings are rarely consistent, and fiction falters whenever it pretends otherwise.

To write in this way requires a discipline of attention that allows silence its own eloquence and grief its own rhythm. To attend deeply to another’s inner life is a spiritual and ethical act. It declares that every ordinary existence cradles a universe worthy of witness. In a world inclined to measure people by visibility, usefulness or influence, such attention becomes a quiet form of grace.

 

To attend deeply to another’s inner life is a spiritual, and ethical act…a quiet form of grace

 

Fiction enlarges us. Long before science explained empathy, novelists understood that to inhabit another consciousness is to loosen the boundaries of our own. Every story invites us to become, however briefly, someone else; the child bewildered by loss, the ageing parent carrying invisible sorrow, the stranger whose choices we might once have condemned. Each imagined life broadens our capacity for compassion in the real one.

Our age, dominated by extraordinary technological change, cannot undo the essential human need in longing to belong, we continue to grieve those we love, we yearn to forgive and to be forgiven. Civilisations change; the human heart endures.

The finest stories remind us that while the world forever changes its language, the soul continues to speak through the timeless  diction of love, loss, hope, and wonder.

 

No machine can replicate the weight of a sentence earned through lived experience, quiet observation, and moral imagination

 

Create authentic stories, allow your unique voice to be heard across time.

Please share your thoughts.

← Back

Thank you for your response. ✨

Perspectives on Truth and Conflict

Conflict casts a shadow on truth telling, giving rise to versions of the truth over time. 

Plantation Shadows unravels secrets through competing perspectives or on point revelations captured for posterity to convince the reader on a particular point of view.

 

The crafting of characters influences how the reader receives fictional truths. The proven trustworthy character holds the stronger sway in storytelling. Often, the social standing of a character influences following the ‘esteemed’ character, which might, unfortunately, lead the reader down the rabbit hole to a multiplicity of mistruths.

Who should the reader trust, the doctor, gardener, or domestic staff? Truth is not devoid of emotional strains, and memory creates versions of it, depending on who demands it, narrates it, and receives it.

Plantation Shadows unearths the inner and outer conflict spanning three generations in a family drowning in secrets. The women living in a patriarchal community on the canefields of Natal, South Africa, take the forefront in narrating the truths that unfold one perspective at a time. The only male perspective has no blood ties to the conflicted family he serves. Edgar is the all-knowing eyes and ears between the two plantation houses, embroiled in secrets withheld in the living years. What ancestral truths will the grave yield?

 

 

There was internal strife that I was privy to, but I kept my head down and my ears open… Part Three, Edgar, ‘Plantation Shadows’

 

In unraveling the truth in a land buckling under colonial domination and rising resistance, is the twisted patriarchal mindset genuflecting to colonial expectations by preventing women from being heard. It is not until the fourth generation breaks the cycle of control, by assuming the courage and conviction to address and accept the long-held secret of an imploding family—hope rises.

Creating fictional women as untainted characters in a controlled society is to deny their right to break with convention in choosing the path they desire. Plantation Shadows is a closely held sisterhood of hidden truths among grandmothers, mothers and daughters.

Truth is a double-edged sword—it names and shames but creates understanding and gradual acceptance. Are generations of secrecy ever allowed to rest in peace?

Read Plantation Shadows, to feel and understand the secret hearts of the aging Milly and her dead mother.

 

 

Secrets diminish with death – Part 3, Edgar, ‘Plantation Shadows’

 

 

Please like, share and comment below:

← Back

Thank you for your response. ✨

Keeping Histories Alive

The world is teeming with the here and now, current stories in the making with the mounting flux of national and international events and situations that drown the past as voices evaporate into the mists of time. The danger is in relegating these voices to forgotten histories when they have much to teach this time on human kindness and compassion, to obliterate the self-centred I, me and my way of thinking and behaving.

Fiction writers have the skills at their finger-tips to animate these voices through fictional recreations, Many such esteemed writers, as Toni Morrison, Maya Angelou, Chimamanda Ngozi Adichie, Elif Shafak, et al, have done so to great effect over time.

 

Ignorant of history, we find it easy to accept our isolation from one another. We are more able to recognize differences than shared experiences and perspectives. History proclaims our common humanity. – Author: Linda Simon

 

South Africa’s apartheid history has a multitude of women’s voices, women of colour – some of whom have gone unnoticed under the radar of time.

 Souls of Her Daughters arrived to highlight the role that women of colour made to the contribution in dismantling apartheid’s constructed barriers of race, sex, culture and ethnicity.

In Souls of her Daughters, two mothers, Varuna and Elsie, the mothers of Grace and Patience unite as one family when their husbands are brutally killed during the darkest times in the land’s racist history. Their daughters, Grace and Patience, become the stoic women they reveal themselves to be while fighting their own demons on sexism and abuse. Kindness and compassion pave the way forward as the personal histories of Varuna and Elsie in demonstrating their resilience under the scrutiny and accusations of racist stereotypes.

 

 

From humble beginnings both Grace and Patience emerge as women of courage, serving humanity in an international arena. Before they achieved this level of confidence they found a space where they were valued, belonged, to reach out to those struggling a similar or worse fate.

These four forgotten voices were deep, and the reach expansive that it  opened the way for two more novels to follow, Chosen Lives, and, What Change May Come. These novels that followed, Souls of Her Daughters takes the reader on a journey from South Africa to Australia, Ireland and India. The novels showcase the kindness and compassion of two sisters born from different mothers into a segregated South African society with the potential to overcome the debilitating challenges of their birth country’s political history.

 

 

Fiction has a valuable role to play in the recreated telling of stories that did not make it into the history pages of its respective time, yet these stories carry the potential to educate the here and now for a future built on kindness and compassion. These human qualities dissolve the quagmire of the human condition.

 

Please like and share your thoughts and ideas on the recreated fictionalised histories you would like to read.

← Back

Thank you for your response. ✨

 

 

 

 

 

 

 

Fiction: Women and Culture

Every writer has a unique voice drawn from culture and values. Even when one opts to write a ‘different’ tale with ‘different’ people, the authentic self seeps into some aspects of the writing process.

Having been raised in South Africa my psyche is wired to the spirit of the people. I remember older women as the stalwarts in the home –  stalwarts with hearts of sheer gold. Writing this infuses me with warmth and tenderness. This is the reason for the crafting of Mama Elsie, in Souls of Her Daughters, Mama Thembu in Vindication Across Time and Grace’s mother Varuna whom Patience lovingly refers to as ‘Mama Varuna.’ Each of these women epitomises the significance of a mother in the home which accords them profound respect for the hardships they endure in a country that negates their existence.

 

The character Marcia Ntuli has the strength of character that her mother, an activist for women’s rights, exudes. Yet in seeking a new life, in a new country, she is subjected to professional racism until she is forced to give up her passion with a rapidly declining sense of self-worth. It’s only when Michael Morrissey, a human rights lawyer helps her through her dark days of self-doubt is she able to pick up the pieces of her shattered life. It is not the act of racism that is showcased but rather the resilience of the women and men who help victims find their way through inhuman situations.

In offering a lesson on how to uplift the human condition, it is men like Michael, Andrei, Brad, Keefe, Petros and Andrew who cherish the broken souls of my African women characters. A multicultural cast adds colour to the worlds of these women as the way of the world  – as it should be.

I learned to appreciate this after having lived in segregation under apartheid. My premise will always remain that in our angst and joy we are one under the sky of humanity. Idealistic, perhaps,  but hope has to be pursued to make a difference in how people perceive and engage with each other.

In The Rain – A Collection of Short Stories Thuli in the title story is a young, strong village woman who will do anything to keep her family together.

The song she sings to her children, a lullaby, Thula Thula Baba as she waits for the storm to end, is one I remember hearing from the cradle. It moves me to this day in its sweet, yet haunting sounds and meaning.

I give you Thula Thula Baba– a lullaby sung by mothers to calm their fretful babies while their husbands went into the cities to find work.

What Change May Come presents the coping strategies of sisters Grace and Patience in their struggle with irreversible change. Here the notion of perfection is challenged when one woman has motivations that clash with Patience’s perception of what it means to be human.

If stories open vistas of understanding and bring a lesson while entertaining – that is the footprint needed for a better today and even better tomorrow.

Go in peace.

← Back

Thank you for your response. ✨

Food and Fiction

A good story, like good food, is an unforgettable experience.

In the creation of fictional worlds, the protagonist comes to life through his or her foibles, eccentricities, habits, relationships, hobbies, voice, mannerisms etc. While sensory details include the sounds, we hear and the images we see, through the words on the page, the degustation in a fictional novel brings the reader to the table, heightening the sensual effect in a shared meal with characters.

In my debut novel, Across Time and Space, the aging Ben loves kippers and poached eggs for breakfast. In the sequel, Vindication Across Time, while breakfast is important, especially when Ben and Meryl overhear a conversation in a tiny restaurant, on the dark history of the mysterious Professor Andrei Malakov – it’s the journey through South Africa’s gustatory delights that bring drooling joy as barbecued corn on the cob – braaied mielies, to locals, on the breathtaking beaches of the Cape, chilli pineapple in, Sweet, salty, hot and pungent collided, tantalising Michael’s tastebuds. And then who can forget the delectable Kaapse snoek! In contrast, back in Florence, Meryl consumes endless cups of coffee as the trial drains her emotional and physical strength. Her favourite chicken pasta and prawn linguini meals are left untouched as her mind swims with horrific thoughts on where her life was heading.

In the trilogy, Souls of Her Daughters, Chosen Lives, and the third book, out this April, What Change May Come, Thai Delight, a fictional place, is Patience’s favourite restaurant, but both sisters, Grace and Patience find great joy and comfort in cooking and eating their mother’s signature chicken curry – their memory of her is alive in love and food. Grilled salmon, thoughtfully prepared for an elderly neighbour is pushed aside as she perspires through, and relishes Grace’s fish curry, saying, You have your mother’s touch with the delicate spicing, what a scrumptious meal... There are wonderful Mediterranean breakfasts, turmeric lattes and cardamom chai for a full international array of gustatory heaven!

 

I need chillies to warm my soul’ ~ Patience says in Souls of Her Daughters

 

 

From the spicy to the crisp – ham and cheese croissants, in the April release of What Change May Come, complements the racy change and quick food that others bring to Grace and Patience.

 

Food and fiction are a formidable combination, setting the mood of the moment, letting the reader into a part of the character’s life that we all enjoy – eating as a necessity, or social activity, regardless of what we eat, or where we eat it.

Food will always feature in my fictional tales as comfort food, memory food, and soulful food.

 

Cheers to more, tasty, thrilling tales!

Share your thoughts in the comment box below.

 

← Back

Thank you for your response. ✨

How do you name them?

An interesting question recently from a reader prompted this post on whether the names of my characters were people I knew. As a writer I could say, yes, I do know my characters between the pages of my books, and fiction mirrors life as the angst, joy and foibles of individuals.

 

Meanings behind names have always intrigued me.

 

I  choose names for some characters that befit their personalities and behaviour or represent the opposite of what they are. In Souls of Her Daughters, Grace and Patience are indomitable women in the face of the catastrophes that befall them. Grace’s mother,  Varuna, has her name taken from the Sanskrit equivalent that attests to her strength as one who embraces all, hence she is the embodiment of the god of water and the celestial ocean surrounding the world.  Her inner strength and capacity in how she copes with the murder of her devoted, humble husband, and subsequent chastisement and ostracisation by her extended family does not alter her essential goodness. Grace, Varuna’s biological daughter, and Patience, her adopted daughter endure horrific persecution, of a cultural and tribal nature – Varuna will stop at nothing to ensure her family is reunited, while she continues being a person for others in her neighbourhood. 

In the sequel to Souls of Her Daughters, Chosen Lives sees the introduction of new characters, who are named in a similar vein, sometimes with demographic relevance, or drawn from Greek mythology – Xandria, defender of humankind, much the same as Alexis – helper or defender. Zuri, a Swahili derivative, means inspirational, beautiful, truth-seeker, and more. The head of the mission in  Chosen Lives, an underground movement for a new world of women leaders, is named Masuyo, which means to profit or benefit the world. A mission recruit, running a school for women in India is Akanya, meaning peace and humility which she exemplifies in her interactions with others. 

On the other hand, the character, Felicity, family friend and colleague to Patience, is far from what her name suggests, given her difficult childhood – her razor-sharp mind is admirable. The Arabic name, Azmil, means light, given to a young man who lost both his parents at the hands of rebel forces in Pakistan. The work he does, at the Well Study Centre,  makes him the light to many orphaned young women.  The snatched memory of his mother fosters his commitment to young women in his community.

The character, Audra, has a childhood of neglect by affluent parents, her name as explained in her testimony, is a celebration of the beauty of Audrey Hepburn. As she says, ‘to my Ramon,  I was Audra.’

 

A multi-cultural cast of characters representing diversity in harmony 

 

The third part of this trilogy, being written, will follow through with similar thought for new characters that emerge. Each of the three novels is a standalone read, too.

 

In my debut novel, Across Time and Space, and the sequel Vindication Across Time,  Keres Bathory is a name drawn from a combination of Greek mythology and a historical character – a combination of one who disturbs the universe.

 

Aspects of a character’s behaviour might be drawn from observation which is married with imagination to serve the role they play in novels.

What’s your fascination with names in stories or the people you meet?

 

Add your comment in the box below.

 

Happy reading, Happy writing!

← Back

Thank you for your response. ✨

Persistence – Dog with a Bone?

Being a dog with a bone is sometimes needed to get the job done.

 

Persistence pays.

 

By the same token, I am aware how utterly annoying the person who is always a dog with a bone can be … gnawing at issues or situations for self-aggrandisement. They gnaw at the issue or situation with dogged intent. Is it with a power-laden agenda to prove a point and claim a hubristic victory?

 

An ego trip might well motivate a dog with a bone syndrome (my definition) hence such characters are quick at the ready to prove a point, make a statement or perhaps just want to be heard. A sad dog with a bone.

This excessive gnawing suggests self-obsession, the ‘look at me’ need.

 

determined puppy

 

You will find this character type in my novel, Vindication Across Time, or can you identify characters in literature you’ve read, where such attributes are identifiable?

 

How about some of these characters?

-Shakespeare’s Duke Orsino in Twelfth Night – hankering after love:

 

If music be the food of love, play on/ Give me excess of it, that, surfeiting/The appetite may sicken and so die.

 

Shakespeare’s King Lear in the play by the same name, desirous of hearing how his daughters love him:

 

… which of you shall we say doth love us most. That we our bounty may extend. 

 

A vain ploy, albeit by an aging king and father, to ‘buy’ profanations of love.

 

Note the positions of power in each of the above, male, duke, king, etc.

 

But what about the humanitarian goal-focused dog with a bone? What defines this person?

  • courage
  • resilience
  •  hope, authenticity, and determination
  •  achievement
  • embraces challenges
  •  wants the best things in life for self and others

Shakespeare’s Cordelia, King Lear’s daughter, says:

  • I love your majesty according to my bond, no more no less.

This girl tells it like it is! She speaks from the heart in her truth. She stands by her truth like a saintly puppy with a bone, she is prepared to forgo her part of her inheritance from her father’s kingly estate in:

  • Nothing will come of nothing. 

 

This is an admirable quality which has been included in my novel, Across Time and Space. Who is it?

  • Meryl?
  • Marcia?
  • Ben?
  • Andrei?
  • Michael?
  • I leave you to decide.

But while pursuing these noble intentions, individuals/characters might walk all over those who support and promote them by becoming consumed by their goals, to the point of frustrating others with their exuberance, self-centred, and misfired passion.

 

So how does one or one’s crafted character become a pleasant goal-focused dog with a bone?

  •  have a purpose that will also benefit others
  • know when to take a break from the bone of self-promotion – in other words, give the jaw a break.
  •  consult with peers and others and share by being an active listener.

 

Where are these characters in literature?

How about Friar Laurence in Romeo and Juliet? He knew he could no longer prevent Romeo from wanting to marry Juliet, so he dutifully got them married.

And the upright, Atticus Finch,  in Harper Lee’s To Kill a Mockingbird who was relentless in proving the African American, Tom Robinson, innocent of the allegation by Mayella Ewell and her father Bob.

The dog-with-a-bone fictional characters make interesting case studies and create engaging plots with perhaps a  moral lesson.

A valuable, and historic determination from Martin Luther King is:

 

I refuse to accept the view that mankind is so tragically bound to the starless midnight of racism and war that the bright daybreak of peace and brotherhood can never become a reality… I believe that unarmed truth and unconditional love will have the final word. ~ Martin Luther King

 

Be a dog with a bone or craft such characters but know when to give the gnawing a rest. Craft characters who echo tireless values that promote change for a better world, or expose the dark side through characters who invert goodness.

 

 

Please comment and share your views on characters who have had an impact on you.

 

← Back

Thank you for your response. ✨

 

Villainous Characters

The most memorable characters in literature are often those who remain indelible for their villainous acts, making them timeless scoundrels of literature!

Shakespeare has shaped villainous characters that resonate through time. In creating a dark and dangerous character, turn to some of his notable characters to consider why you loathe them enough to remember their ruthless antics with lucidity.

Are you writing a thriller?

How far will you go? How evil will your characters be? What atrocities will they commit? Will they be politicians? Leaders of some institution, a religious organisation perhaps. Is there a peculiarity other than the evil nature of this character? What positions of power do they occupy or are they aspiring to claim power? Who will they prey on – successful people, kind individuals or the weak and vulnerable? What do they want from life? Will they learn a lesson? Will they become kind and compassionate – perhaps by some ingenious stroke of luck, fate?

 

Remember Iago? 

‘The Moor is of a free and open nature.’

Artful manipulator, toying with the insecurities of Othello, the magnificent military man in a white world, loved by the beautiful Desdemona, his prized possession –  Iago’s manipulation leads to a brutal and bloody end. The characterisation of Iago is powerfully portrayed to make the audience despise him.

 And what about the evil sisters and the wicked and dissatisfied bastard?


Goneril and Regan in King Lear are the evil sisters, corrupt daughters of the king who manipulate the need in their father when he divides his kingdom based on how much his daughters love him.

‘Sir, I love you more than words can wield the matter; Dearer than eyesight, space…’

Edmund, the illegitimate son of Gloucester, half-brother of Edgar is out to be acknowledged, to claim that which he was denied. He, too, manipulates Gloucester, in his bitterness against the world, to turn his father against his son Edgar, his half-brother.

 

‘A credulous father and a brother noble,…

‘My father compounded with my mother under the Dragon’s tail, and my nativity was under Ursa major, so that follows, I am rough and lecherous,’


Two fathers so terribly wronged by their children. Look at daily media reports on domestic violence, incest, and murder at the hands of family members.

And then the desire for the crown and the position of first Lady?
Lady Macbeth and Macbeth, not to mention the conniving witches – ruthless and bloody endings in the quest for power and position.

Lady Macbeth’s power of persuasion is evident in her manipulation of her husband,

‘That I may pour my spirits in thine ear’

Local politics? International politics? Domestic politics? Timeless indeed!

A friend turning on a friend- is this the ‘fault in our stars’ or peer pressure? Really?
Julius Caesar – Brutus, noble friend to Caesar is at first two-thirds sold by the conspirators and then they have him all.

‘I kiss thy hand, but not in flattery, Caesar.’

He, too, plants a knife-wielding blow, mortally wounding his once respected friend.

Shakespeare created characters that are timeless representations of human foibles and the plight of the human condition.

In creating your villainous characters, think about what loathsome qualities will make them timeless, the bard certainly got it right. And there are many more examples, what about  Hamlet?  Mother and uncle behaving badly!

Here’s a memorable line on villainous, scoundrels from The Tempest. Ariel quotes Ferdinand to Prospero,

 ‘Hell is empty and all the devils are here!’

Who are the notorious scoundrels in literature that are memorable for you?

 

 

Add your comment below, subscribe for email notifications for  future postings.

← Back

Thank you for your response. ✨

Imagine Being There

 

Place in a story is vital to ground where and why characters react to or create situations which drive the plot of a story. Within identified locations, characters become loved or despised for the actions and reactions they indulge in.

People connect to a place for an array of reasons because it holds the memory of:

  • a brilliant childhood/not so brilliant childhood
  • first love/first break-up
  • marriage/honeymoon/divorce
  • travelling to landscapes or geographic locations where culture, cuisine, architecture, history or local people either inspire or horrify
  • favourite authors/celebrities who lived in those settings
  • the stories heard or read about  places making them part of one’s experience
  • loss and grief
  • spirituality
  • the devastation of war and politics
  • personal heritage associated with a place
  • the comfort of home, a bedroom, a garden, study

The reasons are endless making it necessary when writing a story to anchor it in a specific place or a few places to create a sense of physical reality for the reader. Place, in fiction, does not have to be grounded in a real geographic location, the sights, sounds and smells –  odours or aromas of a place will bring it to life for the reader based on how effective the sensory imagery is in connecting the reader to the context of the action.

 

 

The lines below portray an inescapable landscape that confines and stifles. The narration indicates familiarity with a place which makes it experiential for the reader through the author’s specific framing of location. Here, the place is named creating the reality the reader craves, when a place remains unnamed, evocative sensory imagery creates a link in the reader’s imagination.

The heat in the street was terrible, and dust was all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer –Author, Fyodor Dostoyevsky, Crime and Punishment.

 

 In the creation of a fictional place the writer is the creative camera lens, beginning with a wide view, then zooming into backstreets before giving close up consideration to:

  • Demography – who will be created in this terrain- will it be a multicultural environment? What morals and values might come to light,  is there an alternate way of thinking endorsed by a group?
  • What is the socio-economic dynamic of this place?
  • What’s the weather like?
  • What sounds are heard in this place?
  • Is this a city or rural setting- what other aspects will you include to define this landscape?
  • Is it a busy or laid back place?
  • Is this a contemporary world or a lost and forgotten world?

Let the reader reach his or her own conclusion but be sure to add drama to most scenes and emotions that characters go through- this will allow the reader to speculate why particular locations elicit human reactions the way they do.

I leave you with these lines that reveal the human condition through the words of Alan Paton in his  novel, Cry the Beloved Country:

The great red hills stand desolate, and the earth has torn away like flesh. The lightning flashes over them, the clouds pour down upon them, the dead streams come to life, full of the red blood of the earth. Down in the valleys, women scratch the soil that is left, and the maize hardly reaches the height of a man. They are valleys of old men and old women, of mothers and children. The men are away, the young men and the girls are away. The soil cannot keep them anymore.

 

Please Like, Share and Comment

← Back

Thank you for your response. ✨

error: Content is protected !!