Writing a compelling sense of place means making the setting feel alive—not just where the story happens, but how it feels to be there in the moment during a significant event or situation, and why it matters. Here are some practical suggestions on ways to do it
- Engage more than sight
Strong settings use multiple senses.
- Sound:distant traffic, buzzing insects, echoing halls
- Smell:rain on a grassy patch after a hot day, old books, salt in the air
- Touch:gritty sand, humid air sticking to skin, cold metal
- Taste (limit use) :dust in the mouth, bitterness of smoke
Example:
The fan creaked and groaned as if knowing it faced a losing battle against the summer heat.
- Filter the place through the character
The setting should reflect who is experiencing it. Two characters in the same place will notice different things.
Consider:
- What would thischaracter care about here?
- What makes them edgy, angry, or nostalgic?
Example:
The summer heat made Moira faint, the infernal sun created a cremation site in their backyard. Her cousin, energetic and unaware of the rivers of sweat dripping off him, kicked the ball around the yard multiple times.
- Choose specific, concrete details
Make a place believable. Avoid generic words like nice, busy, or beautiful.
Food carts hissed with steam while cyclists threaded through stalled taxis, bells ringing in sharp bursts.
Rather than, ‘it was a busy street.’
- Let setting interact with action
Weave the story into what’s happening.
Example:
He shoved the door open, and warm bar air spilled onto the cold sidewalk, carrying laughter and the smell of fried onions.
- Use setting to support mood and theme
The place should reinforce the emotional tone of the scene.
- Tension → narrow spaces, harsh light, noise
- Calm → open spaces, steady rhythms, soft textures, natural romantic landscapes
- Isolation → emptiness, distance, silence, derelict buildings
Example:
The field stretched empty in every direction, the sky so wide it made her feel smaller with every step.
- Don’t over describe
A few strong details are more powerful than a full inventory.
Rule of thumb:
- 1–3 vivid details per paragraph is usually enough
- Let the reader’s imagination do the rest
- Make place matter to the story
Ask yourself:
- Would this scene work just as well somewhere else?
If yes, the setting might not be pulling its weight.
Ways to make it matter:
- The place creates obstacles
- The place holds history or memories
- The place mirrors change in the character
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Retired South African nurse, residing in Australia, Queenie Naidoo, in her eighties today, is passionate about healing as she ever was. She served the poor and destitute, the ill and dying with devotion. She was fondly known to many as, ‘Sister Queenie.’ She garnered the support of local doctors in the town of Pietermaritzburg, South Africa, to donate medication which she dispensed at the free medical community clinic she steadfastly ran, for many years, on Sunday mornings, to serve those who were unable to access medical treatment. Her home was a haven to the ill, depressed, and ailing hearts. Her sense of humour and maternal warmth drew many to her. Her lifetime commitment to healing and supporting the physical and mental health of her patients resonates today with the selfless and potentially dangerous work of health care professionals during this global pandemic we currently face. Added to Queenie Naidoo’s inspirational credit is her creative talent in having produced a theatrical performance, God the Last Refuge, staged at the King Street Theatre in Newtown, Sydney, in 2014. Queenie has inspired me from the cradle as my loving, caring, mother and continues to do so to this day.




After an evening at the amazing Headlong, Nottingham and Almeida Theatre production of 1984, the timeless warning of the danger of unchecked power and the futility of resistance invited thoughts about the state of society in other areas of power, control and fear.
The most memorable characters in literature are often those who remain indelible for their villainous acts, making them timeless scoundrels of literature!








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