Category: Inspiration - Page 2 - Mala Naidoo’s Book World

Story-Telling… greater the art of ending

Writing is fun, art, a visceral experience.

A story crafted from bone to flesh takes many months, or years of vested time where emotional attachment is difficult to relinquish.

There comes a time in every delightful story where the writer cedes the pen (for a while before the editing clean-up).

Knowing where to start is as important as knowing when to stop.

Writing sequels, trilogies and series is a long-term relationship between the writer and manuscript. Characters become real when they consume sleeping and waking thoughts. A character wanting a bigger space on the pages of a story holds the writer to ransom.

Endings must be free of padding or info-dumping that feed the writer’s attachment to the tale, people or place, serving no express purpose to the story. Readers will thank the writer for avoiding the stuffing.

The original plan for the story veers off when a character wanting to be acknowledged calls out the loudest. Such a character is allowed a voice that directs the action on a different path. This is a natural part of the process, but rogue characters must be reeled in and put under a microscope to assess their primary role—is the character essential to the plot, does the character add an exciting plot twist or are they unnecessary?

A benevolent muse is the one to thank for all that arrive to prod the writer. If the voice/story/scene are ignored, they find a way into somebody else’s story. Lady Muse is a perpetual huntress.

Heed the call we must!

Writing is joyful, hard work. It takes committed diligence to keep going until the story is over. It will only ever be over when the writer is convinced it is time to stop. Soliciting advice from a trusted other, The Reader, is a good way to ensure that it is indeed the right point to type in ‘The End’.

Well-written stories will entertain audiences long after the writer’s time has passed.

When it feels right to end it — do it! If it is deemed not right later down the editing track — change it or add in a few subtle changes. To ignore that gnawing feeling that something is not right, but not worth the trouble to rectify it, is a mistake that comes back to haunt the writer.

Great is the art of beginning, but greater the art of ending ~ Henry Wadsworth Longfellow, American poet, educator, linguist.

Structure in a story is important, but the creative does not adhere to structure alone at the sacrifice of something unique that has the potential to hold the reader’s attention.

Should the ending resolve all issues?

Are all life’s issues resolved?

Fiction entertains but should mirror life to connect with readers on the universality of our fundamental humanity.

Walking in the shoes of the reader is a good way to access whether a story crafted over a length of time, the writer’s blood on the page, has value for the reader.

A story begins with action or change, and everything follows on from there, and it may end with change, the character’s growth or downfall, but ultimately it must guarantee reader satisfaction. If not, then a sequel or epilogue might do the trick, or leave it open to interpretation, but keep the element of surprise.

Tie up loose ends without deliberating over them

Would you write the ending first? This might be a sure-fire way to lead the scenes throughout the process of the first draft.

Please share the endings of some of your favourite books in the comment box below.

Happy Reading and Writing!

Stay Safe!

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Creative Self-Care

A creative life brings much joy and excitement where it’s easy to forget that it is work. And as with all work, the mind and body tire when passion pushes on in a hedonistic surge, and more so when creating new worlds peopled with exciting characters doing extraordinary things or making the ordinary quite exciting.

Putting the foot on the brake when exhaustion sets in does not send the creative muse into permanent banishment—quite the opposite. A brief pause, a day or perhaps two, refuels the creative well with the elixir needed to push to the next level of creative intentions. It is only the physical act of doing that is on a temporary hiatus to clear the mind to absorb new inspiration, the sights, sounds, movements, to see the everyday and old with refreshed eyes.

The pause could be time spent to catch up on much needed relaxed reading, beach walks, feeling the outdoors, meandering in a museum, taking in a movie, going to the theatre, or out to breakfast or dinner with yourself. Me time invigorates the creative mind and spirit. Although most creatives work in solitude and might crave company, it is elected carefree time alone, whether in a crowd or on a private beach, that eases mental exhaustion generated by passionate overwork.

It is the creative’s passion that invests extensive time, and intense hard work to produce a work of art, be it a manuscript, painting, a sculpture, or music. The ultimate piece, the artwork outside the physical form has its own story to tell as one of sheer commitment for the love and euphoria generated by creating—early mornings before the world wakes, late nights, and oftentimes all night, fobbing off distractions and knowing when to say no to external demands irrespective of who makes the demand.

Only the creative knows what matters most.

Allow the self to enjoy one’s own company away from the work to fine tune the energy and inner wellness of the mind and body without the noise of mental chatter. The creative soul needs that one-on-one with the self. Decide if this one-on-one with the self should be a weekly, fortnightly or monthly date. Go out for coffee with yourself. Take a walk on the beach alone. Human gregariousness is always there to pick up when the time is right.

Work and life…life and work are indistinguishable for the dedicated creative

Have you ever set a date with yourself? Go to your favourite place once a week, alone, for a month and journal your thoughts and feelings. Something that might surprise you is that you will return after each date teeming with ideas for a new project. Time out is beneficial for productivity—the energy and freshness ignite thinking outside the four walls of a writing/creative/workplace space.

Fill the creative well with some time out.

Never be afraid, or think it selfish to enjoy your own company—you are your own best friend, number one in your tribe.

Just as we free-write in our journals every day, that private time with intimate words on a page—quite a different energy to drafting a manuscript—in the same vein, getting out of a regular creative space be it in an office at home, or elsewhere, is a self-made retreat for the creative spirit. Going AWOL for a day is liberating for creative energy, for all energy! Try it!

Make a date with number one. Enjoy your own company and return blessed and refreshed.

Happy Creative Rest!

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Author Spotlight: Keshni Washington

It is with great joy today that I travel on the blog from Sydney to Washington to feature the inspirational Keshni Washington who I met through an introduction from a respected and trusted mutual acquaintance. I have had the privilege of attending a virtual screening of ‘Immigrant Story Telling Night’ with Keshni Washington and speakers on the night who shared their honest, authentic, lived experiences as immigrants.

Regardless of where we reside in the world, the connection is palpable.

Author – Keshni Washington

My ten questions introduce Keshni’s life and work in Washington DC as a writer and compassionate person, living, working, and contributing to DC society with a strong connection to her South African roots.

1.What is your most vivid memory of South Africa?

I miss those perfect hot dry Joburg summer evenings, the smoke of a braai (bbq) with friends and the clear skies and stars. Along with this memory, I also miss the taste of Koo baked beans and South African mayo potato salad.

2. Did you move to Washington for work?

Yes, I was recruited from South Africa to work for an international non-profit that is based in Washington DC. I had never been to the USA before coming through for the interviews. I worked there for 8 years but have been trying my hand at being an entrepreneur for the past year.

3. When did you realize you wanted to be a writer?

I can remember composing the opening to my first book when I was 11 on the walk to and from school in Chatsworth, Durban. But I was soon discouraged and advised to do something more financially rewarding that would secure my future – I grew up in an apartheid segregated neighborhood and so being able to support yourself and others financially was a natural priority. I put away the dream until decades later in life. Coming back to it about 5 years ago, reaffirmed the feeling inside me, that this is what I was meant to do, and I know I will be telling stories for the rest of my life. I have been learning and honing my skills and now have two draft novels.

4. Tell us about your ‘Signal Fire Series’ podcast and what motivated you to do it.

I wanted to fuel my own fires of inspiration by talking to some of the people that inspire me about their journeys and glean some of their wisdom. I realized quickly that these conversations could do the same for others out there, whatever their passion. Since I have deep roots in South Africa, I decided to host conversations with both Americans and people from my first home. It has been an expansive experience, in which I have found a new admiration for every single person’s journey, whether they pursue their passion in their spare time or full time. It’s my offering, and I hope the person who needs it will find their connection and inspiration.

5. Please share your recent publishing success and writing motivation.

Published in Yellow Arrow Literary Journal

I have recently had short pieces/essays published in American literary journals: Yellow Arrow Literary Journal, Mer Vox Quarterly and Pen-in-Hand Literary Journal. I have also been fortunate to attend two writing workshop intensives – VONA (Voices of Our Nations Arts Foundation) with author Daniel Jose Older and Tin House Writing Workshop with author Alaya Dawn Johnson.

Keshni Washington’s favorite writing spaces where a cup of South African Rooibos tea is served at the Jamaican Tea Shop in DC.

6. What genre do you enjoying reading the most?

This is hard to narrow down as I read just about everything. When I was young, I was obsessed with science fiction. When I got older, I gravitated to literary fiction and poetry. Over the past year, I have been reading a lot of YA as my latest novel is a YA novel, which has been a ton of fun.

7. Tell us about Tin House, and the experience you have gained/are gaining.

Tin House is an American publisher of award-winning books of literary fiction, nonfiction, and poetry; home to a renowned workshop and seminar series; and partner of a critically acclaimed podcast, Tin House champions writing that is artful, dynamic, and original.

The writing workshop consists of a series of small classes of no more than eight writers per class, so spots are limited. I got to work with the amazing Alaya Dawn Johnson. As part of the selection process, I submitted the first three chapters of my book, and these chapters were critiqued during the workshop by both my classmates and my workshop leader. All my classmates were critiqued this way. It was an invaluable opportunity for feedback and discussion. I had one-on-one meetings with Alaya and a literary agent who gave me feedback on my query letter. There were many amazing craft lectures by the faculty, generative exercises, and discussions about the publishing industry. We had the opportunity to do a reading from our work and mingled with other amazing writers attending and teaching at the workshop. It was an intense but invaluable experience.

8. When did KAMA DC start and what is your role at KAMA DC?

I first found Kama DC when I signed up to participate in their Immigrant Story-Telling Night. (where immigrants share a five-minute story from their experience on the theme of the night.) I have since stayed with Kama DC as a volunteer – part of the Storytelling team. Kama DC is a nonprofit in the DC area, run by volunteers, whose mission is to build community through immigrant-led experiences, providing a platform for immigrants to teach classes, share stories and their skills and passions to foster awareness, understanding and community. I also inaugurated and now run the @immigrantsOftheDMV Instagram feed, which is similar to Humans of New York in that we invite immigrants on the DC, Maryland, and Virginia area to do a takeover – hold the handle and share a bit about their story, home country, and experiences in the USA. It is a wonderful group of people and I am immensely proud to be a part of this mission.

9. What has been most inspirational about your semester of Creative Writing at GW?

During this semester we get to learn from published author Cutter Wood. It is focused on creative non-fiction aka essays, and how to write our true stories. As my self-study has been focused on fiction and novel writing for many years it’s wonderful to develop this different writer muscle. It is a small class of 13 people. We write a new piece every week, so I have to dig around in my memories and experiences and create something on a schedule. And the best part is sharing in class and getting to grow through the experiences and creations of the wonderful writers in my class.

10. If there is one piece of advice that you would share with young aspiring writers, what would it be?

To just start. Just write. Whether you think it’s imperfect or feel you are not ready. Just write. Put your fingers to the keyboard, or your pen to paper today, start journaling today. You are not too young nor too old. Just write. You will get better by doing, I guarantee this. But you must start, the world needs your stories.

With gratitude and best wishes to the inspirational Keshni Washington for sharing her creative journey, life and work in Washington DC.

Connect with Keshni here:

Website

The Signal First Series Podcast

Instagram

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Creative Courage

The past year of profound change where retreating was not a choice but a necessity, turned the eye inward in this time of social incarceration—a springboard for creative pursuits.

Poetry, stories, art, music, new skills in any area of the vastness of possibilities, bring courage to those who stand in the shadows, voiceless and afraid to be seen or heard.

With the external locked out to preserve life, the inner voice raises its head, looks around and mulls over hidden possibilities. Heed the message. We need action to claim the creative possibility within grasp.

Embrace the stillness to find what a fast-paced life has stymied. With materialistic desires placed on the back-burner, an almost magical transformation emerges.

Simplicity grows courage and innovativeness

We learn from our forebears who with flintstones created fire, almost two million years ago. Today we have so much more at our fingertips.

Complacency kills creativity

Learn More

The past spent bemoaning being time-poor is a state of mind. Creating space, both in time and place, waters the creative spirit with a thirst to innovate—encourage the spirit, and mind to seek something new.

Tip in a toe, test the waters by reading more and much more, find your tribe to encourage confidence, dive in, one stroke at a time! Feel the warmth of submersion generated from praise and acknowledgement.

Creativity requires the courage to let go of certainties ~ Erich Fromm

Planning is paramount and being flexible with the plan is equally important. Creativity flows freely when intentions are set, then the ground-work seeps in. Like the earth requires conditions to grow—sun, soil, and water, so too the creative prepares the way forward, add in basic equipment needed, one step at a time.

The indisputable thing with creativity is that once begun, ink, paint or music flows in generous abundance if invited in.

In a time of retreating from global, awaken the creative spirit by the choices made.

What will we let go to allow the creative muse to take up residence with us?

Know our passions, doggedly pursue them, and find the healing in creative pursuits.

May 2021 be the year of finding or growing and deepening our creative wells.

Happy Creating.

Stay Safe.

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What are your thoughts on inviting creative space into our lives?

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Creative Risks

Dare you should—damned if you don’t

Writing might simmer in the novice writer’s subconscious, afraid to put words on a page, or perhaps a manuscript sits half-written or complete, but safely locked in a desk drawer or tucked away in the garage under a heap of stuff.

Are you that person?

Risk 1: Creative Exhilaration

Taking the first creative risk is writing the story or poem that dwells in the mind’s hinterland.

Then pursuing the idea through to completion is the time risk invested to get to ‘the end.’ This is the honeymoon period. Bliss reigns as a generous muse massages words

Risk 2: New Eyes on the Page

The most daunting risk is getting an extra pair of eyes to read those beloved, private words. This could go horribly wrong if fresh eyes are inclined to be super critical about EVERYTHING.

The novice writer is a sensitive soul in need of validation. A poor selection of new eyes could end a potentially stellar career. Then again, choosing new eyes as your significant other, carries the risk ramifications that over validates, or liberally criticises, and possibly risks ‘the end’ to the union!

New eyes on new words should be benevolent in first congratulating the timid scribe on getting that far, then comment on the story, and throw in a few suggestions, expectations, and gently draw attention to plot holes that might exist.

Risk 3: Who will edit?

Choosing an editor who is the right fit for a novice writer has its risks that could go either way. Choose wisely, ask and check out vetted individuals through organisations such as ALLi, or trusted fellow authors in finding the right match that assures writing longevity.

Nobody’s perfect

If a novice is averse to professional feedback then the red flag goes up, and it’s best to consider whether the risks taken to get this far will be worth risking much more, or if it’s time to hand in the pen.

To be a successful writer, lock ego in the desk drawer or stash it under the rubbish in the garage, or better still, scrub it out of existence.

It is imperative to observe and listen to the safe, knowledgeable advice of those who do it well and successfully so. This applies to anything in life. In publishing, it is necessary to do so.

Be authentic, be unique, but know the ropes.

Take risks with an open mind. Push boundaries but know when to ponder the road ahead.

The journey is not over yet, there is the risk of whether the general reading public will love or loathe a close to the heart piece of literature.

When fear is overcome, it steels the novice (for a while – NB creatives are sensitive beings) to continue dipping a toe into the world of writing and publishing.

Risk 4: Publishing

There are many ways to get your words out into the world, so carefully consider the risk of giving up all the rights of a creative endeavour that spanned many days and nights, the ultimate sacrifices made to get to the grand finale before the decision to hand over blood, sweat, tears, and other emotional hooks.

Protect your rights, know your rights.

Risk you must, for unheard stories to be told, leave your legacy — stories have value, but choose your tribe wisely.

George Orwell in his essay, Why I Write:

‘In our time, political speech and writing are largely the defense of the indefensible.’

Best wishes, always!

Happy Reading, Happy Writing!

Where are you now in your writing dreams?

Please share, and leave a comment to help a fearful novice step out in the right writing shoes.

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Patience and Perseverance

As creatives, we are flexible in what we do if we are steering the vessel.

A sense of place and time is important to the creative, but in the unpredictability of current times, adapting to everything that comes our way is daunting.

Patience is the ultimate virtue in a creative life. Nothing happens overnight, now more than ever, with all that blew in with 2020.

It is the slow burn that needs a tender mind, hand and heart

Amidst waiting for the right time, there is the desire for the energy of the muse to enlighten the artist on how much, when, and what will be written/created. This wait is underpinned by the bend and twist of the tide of change that tests adaptability.

Shifting an established creative routine generates a splurge of musings when the noise and demands of new daily expectations receive attention.

A daily meeting with oneself in morning reflections on what is and is not working facilitates the coming to terms with how to create a new routine.

Reflection is the art of patience that sharpens the creative pen.

The writing muse happily visits if the mind is willing.

Patience takes hard work; it sits on the back of perseverance — one without the other is a no go.

To cultivate the art of patience, look at reactions/behaviours to situations outside of creativity, learn from it and readjust the behaviour. While patience is a virtue, it is also a personal inner medic, keeping creative work in check by allowing the body and mind to process situations without elevating stress levels.

Finding what calms and settles the creative is the best way to grow in being patient rather than becoming a patient.

The writing world is competitive enough without adding layers of undue stress — the art of writing is profoundly therapeutic.

After writing a scene or chapter, the sense of exhilaration that follows such achievement is remarkable. Journal these moments to refresh a reflective morning that needs a reminder about why we do what we do.

To be a writer, requires barrel-loads of patience in how to nurture a story from seed to flower, chip back words and scenes, polish to refine the story and then publish.

Patience, perseverance, and adaptability are the keys to creating more stories and poems as is refining before a book/product hits retail shelves.

Step back, let time and place do the work, relax overthinking and communication to create valuable space to refine the manuscript. This aspect of the creative zone has the potential for success, abundant success if that is the desire.

Be gentle and patient with yourself, persevere with your creative goals and adapt to the ever-changing demands of a writing and publishing life.

Go well in all your endeavours.

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Creativity: Flex and Extend

Routine is necessary to accomplish a finished product. The creative benefits from a routine that maximises goals and intentions.

Rote, however, harms creative growth when curiosity is denied in favour of robotic daily ‘doing’ that limits the capacity and capabilities of the mind. Rote erodes enjoyment, takes the fun out of creativity if allowed to fester in mindlessness.

Once we relinquish the act of questioning, debating, and learning alternative ways, the creative quest goes down the rabbit-hole

Open to what others are doing successfully in their creative pursuits. Debate with the self, first, to test how to improve our creative patterns and when we observe or flex to alternative methods, before embracing them, then we are on the route to extending the creative mind.

What we read is as significant as what we write. As a fiction writer, it is essential for me to move beyond restricting myself to only reading fiction.

Get out of the box – mind the bog

It is imperative that we read judiciously selected, respected successful forerunners of the craft of fiction—past and present—for inspiration on the ways in which we can flex the mind. Engaging with the information gathered is the actual flexing—then question what does not sit well. Argue why this is so, look for alternatives to the arguments that have surfaced. Never ignore your internal unrest without asking why and how. Why am I unsettled by this? How should I address why I feel this way? We learn to flex and extend our skills from observing first and then listening to what is around us. The inner well is deep, but testing the waters from the ocean of talent available deepens and brightens the path ahead.

The choice to extend ourselves is within our grasp to refresh or radicalise how we create. Flex to invite minor changes, analyse what is working for you, and incrementally extend to achieve more.

Like muscles that face a new physical challenge which is overcome by gradual flexing and extending, achieved through the art/act of trying—not rote, but being open to challenging the self, so too, the creative mind grows.

Photo Credit: My Life Through a Lens (Unsplash)

Creative and Critical

As creatives, we ought to be critical thinking beings—not cynical but critical. Herein is the source for debate to generate fresh waves of thinking and doing.

Watching a documentary, for example, on an unfamiliar topic that holds some interest is beneficial for starting the mindset extension with exposure to new knowledge. This opens inner and external debates that arise from the observation phase to grow the knowledge base and experience on the subject/topic.

Extend listening skills to enhance creative growth without visual distractions by listening to podcasts that present new knowledge to stimulate thinking without the bias of the visual effect. The brain rain received generates novel ways of thinking or questioning how we can reinvent old patterns.

Never stop asking why, how or what can I gain from this?

As fiction writers, we should seek to understand the values that differ from our own to invite creative ideas to emerge from this openness to what lies outside of our inner workings.

I ground my novels in, in our angst and joy we are one under the sky of humanity.’ Inclusivity is my pre-wired emotional mindset because I have lived my formative years under South Africa’s apartheid regime’s divisive rule.

Suggested Reading

Try reading all or extracts from the following non-fiction books to open new vistas of understanding, or to deepen your understanding of human relations, justice, and politics, if this is of interest.

Essays – George Orwell

The Source of Self-Regard– Toni Morrison

The End of Imagination – Arundhati Roy

Caste – The lies that Divide Us – Isabel Wilkinson

Pick up, or do something different—something you have never read or done before and observe, reflect and note by writing what it stirs within. Get past the initial discomfort then decide if you want to extend what you do and how you do it.

When we flex the mind in a new direction, there’s discomfort at first, when extended, it fuels passion and ignites creativity

How do you flex and extend the mind in your creative pursuits?

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Creative Mojo

Being a people-pleaser often impedes the writing deadline.
Some perceive writing as not a regular day, serious job, and expectations are that the writer is always available, because the writer is self-employed, locked in the head of imagination that does not,(by choice of some), demand a fixed workspace.

Write as a free-flowing creative. Be the rigid business manager

If we do not rectify this thinking, impositions on the writer’s free time could seriously hinder writing progress to the point of murdering the writing mojo.

Know when to say No

The writing mojo is temperamental and disappears if there’s no plan, the time and process wind up bending to the noise and demands that soon override it.

Being flexible is paramount to the creative

If the writing mojo is showing signs of being at risk — set down a plan and stick to it as far as possible. Achieve at least 80% of your daily or weekly goals with consistency to make a writing life productive.

A writing life incorporates many facets and significant among them is audience/reader engagement. To flourish in this career, and a career it is, if given every opportunity of serious intention, then it becomes that sweet spot of primary income or multiple streams of writing income – a way of life.

Turn off the phone – block the internet

Creating blocks of time to have regular hours that are not sidelined by the daily demands of life happens if there is a set plan.

Here are a few pointers to keep the writing mojo on an upswing.

• create a routine and stick to it as you would any day job
• set the clock – have several /number of words per session/chapter a day goals
• take your working day coffee and lunch breaks – remember ONE coffee break in the morning and ONE in the afternoon.
• choose your most creative part of the day to get your words on the page.
• leave your phone in another room, muted to avoid its cradle cry.
• get some exercise – a walk outdoors for half an hour should get the mojo back on track
• track monthly, weekly and daily productivity.
• note potential distractions and cut them out.
• the space you write in must be free of distractions – • no internet – no television – no phone.
• have water and a healthy snack close by
• learn to say: writing is my work life.
• begin your day with a writing reflection, FREE Writing (Free, Raw, Exact and Easy) as Orna Ross, Founder of The Alliance of Independent Authors, teaches or writing morning pages as Julia Cameron advises in, The Artist’s Way – clear the cobwebs to open the creative path to your writing day.

Now, what is holding you back?
Get to it with a further nudge from these inspirational lines:

If I waited for perfection, I would never write a word – Margaret Atwood

Without great solitude, no serious work is possible – Picasso

Like an ability or muscle, hearing your inner wisdom is strengthened by doing it – Robbie Gass

Inspiration may be a form of super consciousness, or perhaps of subconsciousness — I wouldn’t know. But I am sure it is the antithesis of self-consciousness – Aaron Copeland

Happy Writing, Happy Reading!

Best wishes.

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Creating in a Challenging World

We have read it and heard it repeated everywhere we look and listen.

Change is — has been — will impact all facets of life. The current global change that has claimed 2020 has challenged the ‘do I dare?’ mindset of the creative. The muse is a sensitive soul. She feels the angst as deeply as the joy — inspiration is derived and mined from this seat — gold mined!

Health crisis, economic crisis, the uncertainty of life, the fear of not so much the outdoors but whether we can trust that everybody is doing the right thing.

For how long must we entertain fear as it enslaves us by forfeiting joy?

The creative forges on to leave the carbon footprint of these challenging times.

Dare and dare again and the muse shall heed the call.

The creative day, if allowed to slide, is a difficult one to recover but is possible with the determination of, ‘I will dare.’

TS Eliot’s poem, The Lovesong of J Alfred Prufrock. conveys the uncertainty of modern times where ‘normal’ becomes unusual. Images of desolation pervade his poem:

Like a patient etherized upon a table/Let us go, through certain half-deserted streets,/The muttering retreats

This echoes the current emotional and scientific uncertainty we face.

The yellow fog that rubs its back upon the window-panes,

The yellow smoke that rubs its muzzle on the window-panes

Eliot’s raw emotions capture the universal angst of his time where rapid economic and technological advancement changed his perceptions of life. And the yellow fog of uncertainty seeps into 2020 rising, falling …

The natural outcome is to be perplexed but navigation to the new normal through introspection is vital.

The pen is the mighty memory of our time, of all times, and writing must go on as must art and music and all creative pursuits.

In the making as creatives, writers, artists, we share a universal experience in that it is normal to be afraid, and it is brave to dare by creating new worlds that either mirror the present or transport us to worlds we dream of. In dreaming we bring those hopeful worlds into the conscious mind of the reader/audience who in turn subconsciously works towards making that dreamed, hopeful world, a new reality.

The writer’s pen will never dry or fade — words speak into the future from the past bringing meaning and understanding that this too shall pass.

The human condition is live with the possibility for new stories to be told, poems to be written, songs to be sung and paintings to be created to articulate and quell all fear.

Do I dare, and do I dare, — oh yes, we must, to make this life the best life we have had the courage to dream into our reality!

Today step forward — leave the fences and backyards of your mind and speak of your fears, insecurity, and uncertainty through artistic expression.

Take a chance. Live your passion.

This is a time for you to be YOU in all that you do without the fear of judgement.

Happy writing. Happy creating. Happy daring to channel your way forward for a life free of angst with the promise of joy.

What’s your creative plan?

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Doing Thinking Creating

A creative life calls for a balancing of our daily demands for a true representation of talent and untapped possibilities.

Too much doing becomes a mindless mission – routine for the sake of routine.

We rise – we shower – we go to work – we return home – dine – go to bed – and do the same thing the next day.

Thinking and overthinking generates zero doing as we are suspended in thoughts playing over, and over again – a scratched vinyl turning the whys in a dizzying circular dance until bitterness creeps in and a stony countenance is set to stay.

The quest for wonderment in everything around us generates positive energy but wait a minute, too much leaves a rose-tinted view of life. Floating through life this way might be an enjoyable ride until reality bites knocking the air out of the bubble and the fall could be a crushing blow.

Mindset balance in a creative life is essential to achieve an outcome both in the accomplishment of the product and a sense of self-satisfaction. This balance preserves the self.

Creativity involves breaking out of established patterns in order to look at things in a different way ~ Edward de Bono

Doing is vital to finish what has been started. The danger is when doing is obsessive. Unhappiness seeps in as exhaustion from too much doing consumes body and mind.

Thinking is the main ingredient, but overthinking can spiral out of control and have the opposite effect on creativity by becoming judgemental and critical of self, society and soon everything about life, leading to mental decline. The mind can heal you or kill you harks at how dire balance is.

The chief enemy of creativity is good sense ~ Pablo Picasso

In a creative life being driven by passion requires the ability to know when to shift the dial. Enjoying the creative process is as important as doing the slog to get to THE END. No good work is created without the slog. But the balance between work and play results in a far more fulfilling outcome with the bonus of a healthy body, mind and the spirit of joy for the long haul.

This birthday that is the resolution for my older self, but in this order — think, learn, create, and enjoy. Revise new ways and start over.

May you find your creative balance. Too much of one thing denies the joy of many missed aspects of life that have the potential for new ideas and new ways of thinking.

Here are some inspirational lines to prompt a quest for a creative life.

Go forward in your balanced creative life.

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Women Who Inspire

Often the women around us, those we interact with, those who do not ask for acknowledgement and serve their life’s calling with unstinting passion, must be noted to celebrate them and say thank you for who they are and what they have shared and continue to share.

Today amid the chaos in the world, from social isolation to global issues that divide nations, let us not forget the women who leave a timeless legacy of fortitude, forbearance, and selfless service to humankind.

Quietening the mind away from the noise of life has heightened my appreciation for the women who inspire and have inspired many lives. As a writer of thriller fiction, historical fiction and contemporary women’s fiction, it is befitting that I pay homage to the women who have impacted my world.

From the justice department and corporate world, health care, writing and publishing. Here are three women I salute today.

Kalyani Pillay (Entrepreneur) (1962-2026)

Former CEO, of SABRIC, (South African Banking Risk Information Centre) Kalyani Pillay resides in Sandton, South Africa. Kalyani has inspired many in her passion for instituting protocols for the elimination of bank fraud. A job that entailed being a globetrotter spreading innovative ideas on how to protect ourselves from financial scams, and as an advisor to large corporations, particularly banks. Kalyani Pillay has been head-hunted for presentations at international conferences in her relentless fight against fraud. She has worked as a lawyer, State Attorney for Gauteng, and Special Advisor to the Head of the National Prosecuting Authority in South Africa before she joined the ranks of SABRIC as CEO. Her resilience, dedication, optimism, and integrity are qualities that inspire for as long as I can remember.

Here is Kalyani Pillay’s inspiring interview with, Dudu Msomi on her show, ‘WisdomPersonified’ to illustrate the passion, courage, determination, and humility of a woman of note.

Queenie Naidoo (Health Care Professional) – (1936-2024)

Retired South African nurse, residing in Australia, Queenie Naidoo, in her eighties today, is passionate about healing as she ever was. She served the poor and destitute, the ill and dying with devotion. She was fondly known to many as, ‘Sister Queenie.’ She garnered the support of local doctors in the town of Pietermaritzburg, South Africa, to donate medication which she dispensed at the free medical community clinic she steadfastly ran, for many years, on Sunday mornings, to serve those who were unable to access medical treatment. Her home was a haven to the ill, depressed, and ailing hearts. Her sense of humour and maternal warmth drew many to her. Her lifetime commitment to healing and supporting the physical and mental health of her patients resonates today with the selfless and potentially dangerous work of health care professionals during this global pandemic we currently face. Added to Queenie Naidoo’s inspirational credit is her creative talent in having produced a theatrical performance, God the Last Refuge, staged at the King Street Theatre in Newtown, Sydney, in 2014 as part of the Vedanta Society of NSW, initiative. Queenie has inspired me from the cradle as my loving, caring, mother and continues to do so to this day.

Forbearance is a great virtue; there is no other like it

~Holy Mother, Sri Sarada Devi

Brenda Mohammed (Author/Poet)

Trinidadian author and Founder of the How to Write for Success Group, a rapidly growing literary group. Brenda Mohammed promotes rising stars in literature, and assists in expanding the repertoire of existing, established authors with selfless commitment through collaborative writing of anthologies in the prevention of suicide and against domestic abuse. She is a noteworthy multi-award-winning novelist and poet. As a former banker and seasoned traveller she exudes a resilient spirit as a cancer survivor, depicted in her memoir I am Cancer Free, and one who has the Midas touch in creating bestsellers. These attributes make Brenda Mohammed an inspirational woman as my peer and mentor in the role I occupied as an administrator in the HTWFS group. Brenda’s book How to Write for Success offers nuggets of wisdom on writing and publishing, serving as a handbook for writers of any genre. Her warmth and generous nature in promoting the love for reading in children is evident in her contributions and interactions with schools in Trinidad. Brenda Mohammed is highly respected and valued by her administrators and followers in the How to Write for Success group.

It isn’t where you came from. It’s where you’re going that counts.

~Ella Fitzgerald

We never stop learning and growing with each passing day, hence inspirational individuals are the heartbeat of the societies we inhabit.

I have handpicked three inspirational women, there are countless more who inspire us every day. Please share the valued lives and messages of inspirational women in your world in the comment box below.

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Proficiency and Professionalism

Author professionalism is not negotiable in a world where access to all we say, do and create is out in the world with a click.

It costs nothing to be supportive of aspiring authors and accept that there are oceans of experienced, seasoned authors out there who act as mentors and are deserving of respect and acknowledgement. Blog about the work others do put yourself out there to be blogged about and while you find your way to being noticed as a writer, notice others in a personable, professional manner.

The publishing landscape is rich and diverse with an ever-growing space for all. Collaboration is vital as learning is never exhausted. As a teacher, this lesson was all too clear with constant syllabus changes or when students challenged an idea and a new wave of thought was born. Like classrooms without borders, learning is a two-way process, and so too is the writing, and publishing world.

Pride and ego waste creative energy—aiming towards excellence is a humble, hardworking process. No one person is gifted in the craft without commitment and extensive effort in being worthy to be viewed as a mentor/master of the craft.

Being proficient is ensuring great covers clothe your labour of creative love, and that they appeal to the genre and audiences’ interest. Having your work edited is an important step in the writing process to rise to professional standards in the industry. (although creativity is not an industry for me—a labour of love for sure!) Publishing services come with a price tag if it’s quality that matters. With quality, the stamp of professionalism is assured.

Never compromise your values…

Professionalism as an author like any walk of life is also about expressing thanks and appreciation without the ‘I’m the artist’ big-headed attitude. Collectively a professional outlook makes success a possibility. Professionalism can be challenged when confronted by unethical practices in the publishing ecosystem but as always it’s best to walk away, let it be, there are plenty more avenues out there to pursue, that might well be a better fit for you. Like any job, if the fit is not good, move on to greener pastures, or create your own. As a writer, you steer the vessel on the path you choose to take.

Authors are among some of the most exploited people if unaware of the pitfalls. The way to armour yourself is to sign up for authentic associations, register for webinars and Facebook live sessions, attend conferences, network, to educate yourself in knowing that the allure of being published comes with ethical responsibility. Read, research and find your way with the confidence that you are proficient and professional.

Writing is a solitary process but being an author is a collaborative role. Aspiring writers, you are not alone. Pick who you follow, to wisely ensure you are protecting your craft and practice.

Happy Writing/Creating and Publishing.

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Word Rhythm – some time… somehow

People ask, ‘so how does one complete a novel?’ The simple response is, ‘write every day.’

Fifty words on a page are better than a blank page.

Consistency is key and if for whatever reason writing is impossible on a day, double up the output in the next writing session. Perhaps not all in one go, divide the writing time to two sessions if possible, on a given day that fits in with what is already on your plate.

Writing more is by showing up, at a regular time, bottom on the seat, minimal distractions or no distractions at all. Commit to a solid ninety-minutes, then change the activity, but if the juice is still flowing go back for another session.

Blocks of time, free of distractions is essential to see a creative project to completion.

Ways in which to maximise creative time is to have a notepad/journal at the ready wherever you are. I have A5 journals in my handbag, workbag and pencils stashed in every pocket. Sitting in the doctor’s or dentist’s waiting room, or with colour in your hair at the hairdresser, or as I do, while sitting in the car at the car wash, scribble a few lines to keep the momentum of your story going. Watching soap suds gyrate in a splash of colour stirs the imagination! Back at your desk, if that’s where you prefer to write, draw those mini journal creative thoughts into your WIP manuscript.

Having word count goals helps to hold one accountable. My target is to finish a chapter at each writing session, if possible, or to leave a trigger sentence for the next writing session, to pick up the pace, action and momentum.

Caught in a roadblock? Pull out a notepad and write, if you can’t take your eyes off the road, audio record your verbal musings — now traffic cops, I dare to say, have not come up with traffic fines for the some time… somehow writer at a standstill in a roadblock, NOT in moving traffic, I must add – that is a massive NO-NO! Anything that will hinder the imagination is a blaring siren and flashing lights… although a fictional high-speed chase adds adrenaline to a thriller… let me add that… to my…

Like we need our zzzz’s, we need our number of words down on the page each day.

Some like holding themselves accountable through a writing group and others prefer to create their own deadlines. Either way, commitment matters to take your draft from a manuscript to an actual book.

Courage is the commitment to begin without any guarantee of success ~ Wolfgang Von Goethe

Some have a few writing days set aside in the week and commit like it’s a job they go to for five or six hours a day. If these are the only days available, the habit is cultivated and creative productivity soars on those days.
Roads trips, as long as you’re not doing the driving, is another great way to nab some writing hours, the imagination will be stimulated as you travel through various locations.

My next some time… somehow is to jump on a train and go to the furthest end of the line and back while writing. I am a desk-bound writer so this is an adventure that might or might not yield a new result. Let’s hope nobody throws me off the train for wearing heavily shaded sunglasses, a cap and seen to be furtively writing some secretive lines, perhaps on the comings and goings on each platform?

Get on that train, write at the car wash, whatever you do, do create space for your book!

Happy Writing, Happy Musing!

Carpe Diem!

Please share your some time… somehow to help others maximise writing outcomes.

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The Valentine in YOU!

The creative well is endless if you’re in it for the long haul. Writing eBooks, print books, creating audio books, working with editors, cover designers, and marketing your books – no publisher will do the marketing for you! An abundance of creative energy soon leads to mental exhaustion a type of brain drain that can potentially dry the creative well. Act on helping your creative self to sustain energy and wellness for the long haul.

Love and care for YOUR creative self keeps the muse in your orbit.

Some Tips for Love and Self-Care for YOUR Creative Self

To keep the creative juice flowing you must show the artist in you, some love.

How do we do this?
Replenish the source of your well by carving space in YOUR day:

• Meditate in your day preferably in the morning before you begin writing for perhaps half an hour, or in shorter bursts throughout the day

• Listen to soothing calming, theta sounds when you take a break between planning or writing scenes

• Take a walk outdoors – if you can take a walk on the beach, or in a park, this will be great to listen to the sounds of nature with the double benefit of rest and awakening the senses

• Sing no matter how out of you might be or strum a guitar if you have one around – the therapeutic value is giving yourself some love

You’ve gotta dance like there’s nobody watching… ~ William W Purkey

• Read something inspirational before you sleep – a poem or a prayer

• Write when your energy is at an optimum level, if it’s the morning for you, then market your brand/books in the afternoon

• Talk to an optimistic person, perhaps one who loves your work, then reach out – positive energy ignites creativity

These are but a few ways to keep that well pumping out the creative energy that brings your fabulous work of art into the world. Begin with one thing at a time to ease exhaustion – creativity is fresh, passionate, and lively, so be sure to get in enough zzz’s. The number of hours will depend on your personal make-up, work-day etc. Anything less than 6 hours is risking exhaustion during your creative hours.

Beautiful sounds feed LOVE FOR THE CREATIVE YOU:

Theta Sounds

I hope you have an amazing Valentine’s Day!

Happy Writing, Happy Creative Love!

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Editing Tips

The End! A joyous moment in finishing a novel after many months or years of getting up at the crack of dawn or staying up late into the night, writing the story that has burned within, but, it is only finished after the professional edit.

A product in hand created from the imagination in a fictional story is a proud moment. Now the editing process looms. No book ever goes out into the world without this step or rather several takes of this step.

I’ll share a few pointers that might be what you’re looking for, or perhaps you have another way of approaching the first round of editing.

Let the manuscript sit for a week before you look at it. Some say leave it for a longer period, perhaps six weeks before revisiting the composition with new eyes. Whatever works for you, ensure you have somewhat removed yourself from the emotional hooks of the work – this break allows the gaps, errors and omissions to come to light.

Print out the draft and run through the hard copy with several sharpened pencils, an eraser, and highlighter while correcting or adding in notes for a reconsideration of scenes etc. Scanning through a few chapters a day, when most energetic and lucid, perhaps over a two-week period, is an initial step towards removing redundancies, adding in omissions and checking spelling and other inconsistencies that arose during the feverish days of writing.

The second step is to read the draft out loud and record the reading. This highlights the flow or lack of it in dialogue and the unfolding of the story arc. This is followed by revisiting what needs to be rectified on pace, plot and character. Often at this stage, while characters might be developed, plot holes might be discovered.

After this is cleaned up, I usually format the draft as an Ebook and copy it to Kindle or iBooks and read it again on my device. Things that were missed in the last round of checks, pop in this new format and so the next round of corrections begin. This takes two rounds of Ebook checks. Reading chapters backwards has the benefit of noting errors that slip past the eye, as the mind sees and reads what is not there when following the sequence and ‘sense’ of the story.

Then a proof-reader is engaged for what the emotionally-hooked eye might have missed during the abovementioned process. All this occurs before the professional edit – a positive step towards getting advanced feedback on what could be improved upon to make the story sing. Ultimately, it’s up to the writer in what is accepted or rejected as plot, pace or character change.

Let the manuscript rest before revisiting it with ‘new eyes’

Some suggested pointers on key areas to work through during the self-editing of a manuscript.

Astound the Reader

Think about what intrigue is set up. How will the reader be surprised by an event or situation? Will there be a sudden revelation that the reader did not anticipate? The trick is to keep the reader turning every page in expectation of the next scene. Astounding the reader improves with each book written. The imagination is like a muscle, once taken to uncharted waters, it grows and develops. How is this achieved? ‘Read, read, read,’ the works of other successful writers, or be curious by turning to non-fiction books on the craft of writing. Become a life-long student of the craft.

Cut-out excess

In this fast-paced existence we lead, being superfluous kills the reader’s interest. In composing the first draft, write as much as possible – get all the ideas down in whatever fashion they emerge but be prepared to cull a lot during the editing phase.

Become a surgeon or a skilled chef of words, cutting away the disease or layers of fat that serve no purpose other than to make the story sluggish. This is referred to as ‘killing your darlings’ – the crutch words that we depend on are the unconscious gremlins that creep in.

Try not to include a back-story or contextual details that serve no purpose to the story – this is info-dumping that fills white space on the page to no effect in engaging the reader. Here, reading the manuscript out loud assists with discerning where the info-dump might be sitting with unnecessary details that steal from creating a more in-depth representation of an idea/character. Don’t give it all away too soon.

Make the Prose Sing

Style – choice of language and the general flow of the narration is an ongoing development of the writer’s craft that is enhanced with every piece written. The reader wants to see, feel, and be moved by the story. The use of metaphors, symbolism, imagery etc – bring music to the language of the story. This is what it means to ‘show, don’t tell.’

Additionally, look at how chapters end, are they leaving the reader with something that makes it difficult to put the book down? Keep it subtle and suggestive leaving the reader craving for more.

‘… emotional rawness in unadorned simplicity’ is indicative that the prose is appreciated for the meaning created, as is, ‘another engaging and addictive tale…’ Read your work as a reader, to feel, find, enjoy and connect to the story, then go back to the drawing board if something is not ‘singing,’ to polish the prose for a timeless read.

Create Characters with Emotional Depth

‘No tears in the writer,

No tears in the reader,

No surprise for the writer,

No surprise for the reader.

~ Robert Frost

If a writer does not feel it, how will the reader feel it? Invite the reader into the character’s head- what do they think, feel, see, and believe? How do they demonstrate this through their words, deeds and actions? Reading a review that states, ‘…brought tears to my eyes…’ is an indication that emotional triggers achieved the desired effect. Hearing a reader say, ‘I want a character like that in my life…’ signifies that a character has the effective emotional depth to elicit such a reader response. Reader reactions in, ‘… the characters had depth and charm…’ reveals a connection with the reader.

Creating believable characters with everyday concerns allows the reader to step into a character’s life to experience their foibles, vulnerabilities, strengths and challenges.

What are your thoughts on editing the first draft before the professional edit?

Please add your comments in the box below to share your views.

Happy Writing, Careful Editing, Enjoyable Reading!

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Whose Voice is it?

Voice is the defining feature of any book we read. It is unique to the author and is often what draws readers to pick up a particular book, by a particular author.

Turning to influencers is a significant aspect of the writer’s professional development, but mimicking the voice of another, as in tone, values, the nuance of language, etc, underscores the authenticity and value that a unique voice offers. Just as our personalities differ, so too does voice – it has character, personality, and it becomes the signature of the writer/speaker/narrator.

Readers find comfort, delight, and excitement in the voice they read, in being entertained or informed, or perhaps both. The rush to ‘be like others,’ comes with the risk of losing purpose or creating a voice that is inconsistent with the message. Voice is a significant part of connecting with readers. It communicates values and visions drawn from life experience, culture, lifestyle, education, angst, joy, and more, as part of early, and ongoing socialisation. We are after all, beautifully unique.

The writer’s voice is delivered through narration, characterisation, description etc. In characterisation, the writer’s voice is distinct, based either on personal experience, research conducted, and observations of human patterns of behaviour and communicating. Tension or suspense through voice is also drawn from the writer’s observed, or experienced fears, to capture the moment with accuracy and evocative creative design. This should move the excitement/thrill to the next level, for the reader. Emotional aspects of a novel are effective in holding the reader’s attention when it comes through from an authentic/believable/unadorned voice.

We often say, ‘seeing’ is believing, but, ‘feeling’ is living the moment in a book – it might well be remembered long after the book has been put down. Now, Shakespeare’s Othello craved, ‘ocular’ proof, of his wife’s alleged infidelity, yet if he cautioned his doubting mind by embracing his deep love for her, he might have lived his happily ever after. Well, one can surmise and hope, it’s to the writer’s credit when readers are overjoyed or disappointed when the character/s either meet up to or deviate from their expectations.

The accolade is huge when readers say, I could hear your voice while reading.

Voice in graceful narration is as important as the ‘voices’ that diverse characters are given in stories. Narration, description, and dialogue are the pillars of a novel with plot guiding the platform through the author’s voice as the vehicle that intersects with the reader’s experience.

Listen to an excerpt from Morgan Freeman’s narration in The Shawshank Redemption, based on the novella written by Stephen King- reading a story, or excerpt out aloud after it has been written or during the process of writing is of tremendous value to shift and polish how meaning is created through voice. The flow, tone, and authenticity of voice become transparent when reading aloud. Record an excerpt and play it back to catch if ‘voice’ is represented as imagined during the writing phase.

Honesty or truth should ring through the writer’s voice to establish a valued connection to the reader, creating an expectation that makes the reader continue to turn the page. Voice can be frivolous, serious, angry, calm etc. depending on the type of tale being told. Hence consistency of voice, dependent on the genre/scene/story etc. is imperative to hold the reader’s attention. It makes the reader return for more. A relationship is formed between the reader and ‘voice’ for a fulfilling engagement with the book.

Whose voice is it anyway?

The writer’s unique voice does not have to be written in Jane Austen’s, Charles Dickens,’ or any favourite writer’s style, it is about reaching readers with an authentic voice regardless of the niche appeal the story might have. A writer’s voice is the ‘heard’ presence of the writer.

Listen here to Pat Schneider, author, on how nuances of voice emerge.

More food for thought:

“For last year’s words belong to last year’s language
And next year’s words await another voice.”
~ T.S. Eliot

“Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” ~ Meg Rosoff

“My aim is to put down on paper what I see and what I feel in the best and simplest way.” ~ Ernest Hemingway

Happy reading and writing in your unique voice!

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Rear to Front View

We hear and read much about goal setting with the onset of a New Year.

The rear view must be kept in sight to negotiate the lift-off to the front view, to minimise errors and risks that need refining − that backward glance reminder is significant as the new year begins

Looking back on the not so distant past year, its exit a rapidly fading memory− caught in the fanfare and fountain of eternal fireworks that kick-start the New Year− if we linger on the threshold of the New Year, we might not move forward fast enough.

With everything in life, we get better at it when we do it over with a new spin, a new attitude and a passion to achieve the best we can.

We are human after all, we can only get better with a little effort and skill.

How do we keep the rear view in focus while bolting to the front view?

Make a list of your past successes
Make a list of some past shortcomings
Match them against each other
Now decide what is worth pursuing and what should be culled.
Work at culling first and shutting down that rear mirror.
Pick up the shortcomings that need attention – make them a priority, review, add-in, refine and polish. Repeat the cycle a few times. Once this is defined as the way forward, look at the new front view, you want to see, and advance at a speed and pace that is comfortable for you.

How do we create that front view?

Itemise THREE small goals you want to achieve
Make a list of the tools you might require
Set a timeline for how you will achieve each goal
Structure the above timeline in four monthly slots
Start with the goal that is perceived as crucial to a glorious front view
Proceed with getting as close as you can as the four-monthly goal post rolls in
Move to the next goal, even if the first has not been fully realised, the first view should continue to grow as the second is being crafted
Continue with this pattern, with your eye on the long view

What if there are challenges within each new view?

Here’s the thing:

reflect-reflect-reflect
write down or voice record what happened, why it happened and what you can improve upon
without conscious acknowledgement of why the challenge arose, the risk is, it might recur, awareness through thought, guides and creates a redirection for a better view.
turn to influencers in your craft: writer, teacher, mother, father, painter, musician etc, draw inspiration from their blogs, podcasts, Facebook specific groups, face-to-face interactions and professional associations.
Ask questions, no question is too simple.

It’s a pattern− not an inflexible structure− t should be one that guides your drive through the year, a look in the rear-view mirror, as you proceed, is a worthwhile look− reduce the frequency when you reach your halfway mark.

Keep driving, keep looking ahead, and a safe and happy arrival is assured!

Happy New Year!

What’s your view on the rear view? Add your comments below.

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Want to be a Writer?

Why not?

You will enjoy the process of creating the story you have always wanted to write.

What’s holding you back?

Fear and Time?

Counteract fear by writing the best story you can. Temper your inner critic, the belief that you’re an imposter in the craft – avoid this or you become your own worst enemy. Trust your desire to write and turn to the supportive person in your life who will allow your light to shine.

Find time in your day to get down as many words as you can. Do it consistently to keep yourself inspired to go on to complete your novel. Fifteen minutes a day is better than not writing at all.

Will you be a pantser or plotter?

Would you meticulously plan scenes, with graphs and maps etc or let your creative energy lead you with just the basics planned out for your novel? There are various schools of thought on being a pantser or plotter. I’m somewhat hybrid on that. Mental planning with a few scribbled thoughts here and there make me more a pantser than a plotter.

Challenges that could occur

Shut the door as you write, as Stephen King advises in, On Writing: A Memoir of the Craft, ( I gained the courage to finish and publish my books drawing from the advice in this book), until you are ready to tell the world.

Once you begin to tell others, be prepared for either cynicism or support. The cynics are not worth your time – leave them to their cynical worlds and do what you have to do – write the best story you can!

Writing is an emotional process that often dives into a point of long-held pain or passion. When dubious eyes, lopsided smiles, and tongues that doubt, disturb your orbit, it’s time to turn them down or off.

Consistent writing, turning to influencers of the trade and reading books on how to write well or listening to podcasts on writing and signing up for webinars on the craft is the way to pay your way forward in your growth as a writer.

No story is not worth telling if your aim is to enlighten or connect with your reader or you know what you have to say will make a difference- write that story.

And there’s more…

Writing the story is not all you have to consider, you should then research traditional and self-publishing options and find your best fit. Know your genre, research writers in the genre you want to write in and carve your approach, your own style. Once the final product, the actual book, with a professional cover, professional editing, blurb, author biography, ISBN, date, publisher, and place of publication etc are in place, the marketing of your book begins. Whether you opt for traditional or self-publishing, the onus is squarely on your shoulders to market your book.

Don’t put off writing your book. Now is the best time.

It took me several years to finally master the fear to turn to my beta reader to have a look at my work.

We need more stories, stories that speak of angst and optimism and stories that make us laugh out loud, hold us in suspense, evoke disbelief or leave us in meditative contemplation.

We need stories that remind us of our essential humanity.

Write your book today. Publish it…

Don’t you know yet? It is Your Light that lights the worlds – Rumi

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What’s In a Name?

Have you ever stopped to ask people you meet along the corridors of life, ‘what does your name mean?’ Or ‘Are you named after a family member?’

Have you ever entertained thoughts of changing your name because it hindered you in some way or are you the proud bearer of your name?

***

So what’s in a name?

A thinking, vibrant being

A giving, caring individual

A hard-working, self-sacrificing soul

A woman, a mother, a wife, a daughter

A man, a father, a husband, a son

A loving grandparent

An innocent child, given a name with love and pride

Identity

A name might have meaning behind it based on family history, heritage or culture.

Who are we to judge the person, behind a name, the name we’ve never heard before?

Such is the individual’s dilemma that some face, that we face, regardless whether the name is ethnic or western in origin.

What is judged in a name that has no western origin?

* English proficiency in speaking and writing

* Concerns regarding professionalism

* Does the person have an accent?

* Does the name bearer understand and apply the rigours of social etiquette in the place and company they find themselves in?

* Is the person intelligent?

* Does the person understand the law of their chosen homeland?

* Does the person read intellectual and philosophical texts?

* Is the person educated?

*Is the person one to be feared or mistrusted?

*Where was the person educated?

* Where does the person live?

* What’s that postcode again?

What voice does the ethnic name bearer want to be heard?

I am me.

Get to know me.

Talk to me.

Try to understand me.

I would like to get to know you and understand you.

I live in a home with civilised values.

I might have the same goals you have.

I have a history.

I respect your history.

Please don’t judge me before you know me.

I don’t judge you, I seek to understand.

I am an ethnic individual, by whose definition I might ask?

I really don’t want another moniker.

My name means rosary/meditation beads/garland of flowers.

Hello.

What’s your name?

What does your name mean? How does it define you as you see yourself and your worth, which we all have, to share in this world?

This makes me feel that I came into this world to write my nam upon the face of life with big letters.~ Khalil Gibran (1883-1931) Lebanese-American Artist, poet and writer

A name pronounced is the recognition of the individual to whom it belongs. He who can pronounce my name aright, he can call me, and is entitled to my love and service ~ Henry David Thoreau (1817-1862) American naturalist, poet and philosopher.

Be yourself, everyone else is already taken ~Oscar Wilde (1854-1900) Irish playwright, essayist, and poet

Celebrate diversity, celebrate the cultural origins of names. Value for the individual should come from what one upholds or defends to enhance the human condition.

Was there a time in your life when you wanted to change your name to extend the opportunities that might have been available to you if your name had no particular ethnic or western origin?

Please comment in the box below, a history shared opens the pathway to understanding, tolerance and acceptance for a world we can boldly, safely and respectfully traverse.

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Thank you for your response. ✨

The Jury’s out on Mr Darcy!

Being a juror is a serious civic duty for some, for others, it creates a sense of entitlement and empowerment. For a fiction writer it is a place to observe human behaviour up close for an extended period.

This recalls an experience from over a decade ago.

The early pleasantries of being a fellow juror soon diminished when baggage from past and present private worlds seeped in, threatening to stymie a just call on the evidence presented.

Evidence pointed clearly to who was guilty, but, the demography of the victim, in this case, created speculation on innocence by two jurors who seemed set for a hung jury. Every flawed, argument was presented to prove the apparent victim was the guilty one.

The judge stood strong, you’ve been a good bunch so far, go back and deliberate further, if you have to spend another week here you will have to. A verdict is imperative.

Frustration filled the deliberation room, the air was tense as heads butted, bigots surfaced, anger flared and personal issues came to the fore, those people are the worst elements in society attitude created deep-seated animosity in what began as a somewhat easy going, multicultural panel just a few days earlier. Most were committed to seeing justice served and were uncomfortable with the manipulations of two.

The legal team dropped hints during the process, too, that their client, the accused, was no Mr. Darcy – a subtle reminder to one of the jurors mooting for a hung jury, the one who casually mentioned during the early days, of affable newness, that an overseas holiday was booked and expressed the hope that jury duty should be done and dusted by then – then the reminder that the holiday booked might have to be shelved if the deliberation continued -miraculoulsy this led to a sudden turnaround from the hand in glove team of two.

Morning brought a dramatically revised attitude, the previously innocent person was now guilty as sin – all obtuse reasoning now tossed!

Mercurial!

Fodder for a piece of fiction on human behaviour!

Personal baggage weighing down the stooping shoulders of the juror should be left at the door of the jury room, just as the mobile phone is surrendered for safe keeping – to prevent external interference in the deliberation and evaluation of evidence.

Later it was revealed that the accused was being brought to court every day under tight security from prison. The accused was also under suspicion, to be tried at a later date for some other unmentionable crime! Oh what juice for story!

No Mr. Darcy indeed!

What’s your take on jury duty? Twelve Angry Men or smooth sailing? Human attitudes are fascinating to observe around a table for twelve.

Ultimately, the facts, the truth and the outcome must gel if justice is to be served!

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