Poetry Educates Prose

 

 

 

A thing of beauty is a joy forever.
Its loveliness increases; it will never
pass into nothingness …
~John Keats

 

Poet or novelist, one, the other or both — one grows into the other almost instinctively to develop the ideal creative state.

 

Writing improves with consistency and ongoing learning of the essentials of the craft. The art of writing expands the imagination and bulks the creative muscle by triggering the desire to know more, to research, to read, to push boundaries, and feel joy — a perpetual quest of the writer.

 

Voracious reading of all forms and more particularly poetry, the fine art of saying much with an economy of words, is a skill worth learning to enhance prose writing skills. Poetry as a literary form is laden with layered sensory imagery, conveying pain and joy, the state of the human condition and a celebration of nature which when emulated in prose fiction, is the lyricism in narration or the cadence of poetic storytelling.

 

 

 

 

‘And above all, poetry is compacted metaphor or simile’ ~ Ray Bradbury, Zen in the Art of Writing

 

The habit of reading poetry grows the writer’s ability to choose appropriate/effective language or specific words that says it all with brevity. We live in an era where attention span is brief, access is quick, and impatience governs desires.

 

Saying it all in four lines:

Hear it, See it, Feel it, Believe it…

 

Spring Song

Hark, I hear a robin calling!
List, the wind is from the south!
And the orchard-bloom is falling
Sweet as kisses on the mouth

~Lucy Maud Montgomery

 

 

 

 

   Little bursts remain to sustain…

 

 

Invictus
It matters not how strait the gate,
      How charged with punishments the scroll,
I am the master of my fate,
      I am the captain of my soul
 ~ William Ernest Henley

 

 

There is an intensely intimate, mindful experience apparent in poetry,  a purity that makes it more personal where prose is more social, and when married with a sensitivity to both forms, the reader benefits from the writer’s authenticity.

 

As a teacher, evidence points to incremental learning leading to lifelong knowledge. Piecemeal understanding is committed to memory in meaningful short bursts of information whereas lengthy mindless memorisation disappears after the moment of recall.

 

Poetry speaks in the rhythm and profundity of its brief lines, a boon in holding the attention of the reader.

 

Poetry read before sitting down to write prose or read as the last activity before sleep, sharpens the ability to borrow from the poetic form and style for precise, well-formed ideas that touch with the depth and clarity that poetry engenders.

 

If writing in a particular genre or establishing an emotion in a prose scene, turn to poetry that’s appropriate in that instant and feel the passion and power of the words and those left unsaid, then a deepening of thought processes emerge to heighten the imagination. Reading poetry written in any period has the inspirational ability to enhance overall writing.

 

Crafting poems for creative leisure or publication is beneficial as self-directed editing of what works and what requires reworking. Poetry cannot hide intention and purpose, it’s stark, it’s true, a visual and emotive painting through words. This skill shapes brilliance in prose writing.

 

Poetry and prose are close cousins of the writing family. Read as many novels as you would poems, or more to capture that sweet spot of simple, short, stunning sentences, one after the other, until a story is born.

 

How many poetry books are there on your bookshelf? The internet is a valuable source, but there’s much to be said on having a book in your hand as you read, delight in, make note of,  absorb and contemplate.

 

For aspiring writers: Write a poem today on any topic, let it tumble freely onto the page, then try your hand at prose. Watch the magic unfold. An open mind is necessary to attain this joy, and brilliance in prose writing.

 

Happy Reading. Happy Writing.

 

Share your thoughts on the benefit of poetry in prose writing.

 

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Creative Mindfulness

 

The mind is a powerful seat of creativity — when nutritiously fed, it leads to abundance in creative output and a mood of positivity.

Creativity blends, binds and benefits humanity. The practice of conscience mindfulness is essential for inner and outer harmony. A calm state is conducive to creative thought when mind and emotions are in sync.

Dwelling on the positive elicits the creative mindset through meditation, listening to inspirational or relaxing music, motivational talks, and reading, listening to or writing poetry. This creates an enhanced feeling of joy and general wellbeing. Consciously choosing what we give our attention to is either of benefit or dismantles our equilibrium. The choice rests within. Daily Flow Practice Inspiration Meditation enhances my day, bringing inner calm to invite the muse or conscious mindfulness to create new worlds and people that have a message to share.

 

Consciously choosing what we give our attention to is the act of mindfulness

 

 

To foster the creative state, a mental and emotional journey has to be undertaken, nurtured internally. Pain can be turned into positive creative energy by daily writing about the pain, the angst we feel. Keep a daily journal or diary at your bedside or on your desk and write to diminish the gravitas of the struggle — this conscious decluttering allows freshness or the sunlight of positive energy to seep in.

 

 

Turn pain into positive creative energy

 

 

Climbing a mountain takes sheer physical effort and stamina to reach the summit, so too is harnessing positive energy — it needs work. Who we engage with and how we engage is as important as what we read, write and listen to. Surround yourself with the company of positive people. Choosing what we eat has an impact on physical wellbeing, and if neglected it erodes wellness, clouds judgement and infiltrates every aspect of life. Equally choose how you will interact with life by rewarding yourself with what you enjoy, taking in a movie, buying yourself flowers or picking a bunch from your garden. The simple things yield profound benefit for body, mind and soul.

 

 

Elevating the mind can also be as easy as taking a walk in a park or alongside a river. For me the ocean brings peace. Walking along a shoreline cleanses my mind and frees my soul. Reading poetry is as beneficial as taking a walk in nature when poetry speaks to the spirit. Take time out to seek the simple pleasures of life. We don’t have to climb a mountain to prove how strong we are.

 

 

I have been losing myself in the delight of reading Allowing Now – A Book of Mindfulness Poetry by Orna Ross, launched on Friday 25 October. If you’re looking to soothe your soul or settle a disquieted mind look no further for mindful inspiration.

 

 

See into the delights of nature…

 

 

Look around you and see into the delights of nature — leaves dancing in the breeze, a beam of light peeking through clouds, the silver ripple blinking on a river or the gentle unfurling swish of a wave on a shore. The musical twitter of birds at first light is a celebration of life, a new day and a clear mind.

 

 

Make positivity your journey to a creative state by writing a positive thought, your wish for your day upon rising, and a thought on what you are grateful for before turning to sleep to return refreshed for another creative day.

 

Happy reading. Find your joy by choosing that which fuels your passion, creates wellness and makes your soul sing.

 

Please share, comment and spread the spirit of creative mindfulness.

 

 

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Bundled to Go!

 

We thrive on the continuous feed of a series and the pace, the desire to know more — the adrenaline rush and thrill of the unexpected. Emotionally we are hooked when we pursue more with the fervent desire that it won’t end.

Bundled books/boxsets continue to be what readers want in instantaneously following through on a story in the heat of the action, or to know now with the next flick of the digital page rather than later, not wanting to wait months or years for a sequel or the tenth in series.

 

 

 

Sequels/Trilogies/Series

Trilogies and sequels are good takeaways when on a long haul flight or the daily train or bus commute to work.
Writers often write a trilogy or series with two or more ready to be released in quick succession to fulfil the reader’s need to have the next in series ready to go.

I have been writing novels one at a time with each book reading as a standalone novel, and when the second book is released with some marketing and social media awareness created, the next book is picked up by readers — either by the same readers who read the first in the trilogy or others who pick up the second or third. Either way, it is a win situation as the books are being read, regardless at which stage of the collection — this is every writer’s joy.

A writer will create ( I avoid saying ‘produce’ as it implies a mechanical rather than a creative process) at their pace, and use personalized strategies to generate interest. There’s much to be gained from listening to podcasts and Facebook live presentations on how writing and marketing work best for some. The key is to follow, listen and learn to educate oneself on the modus operandi that works for you.

 

Retail Platforms

In signing up for a Draft to Digital webinar I picked up that boxsets or book bundles do well on that platform. Amazon’s KDP Select allows readers to grab the boxsets/book bundles for future reading and has the benefit of price countdowns as strategic marketing. When the downloaded, saved books are read, the author accrues higher royalties and with Kindle Unlimited, there is the page-per-read royalty scheme. In the active ALLi and SPF FB groups, much is to be gained from interacting with or reading posts on the latest publication trends and experiences.

Trial and error, like all good lessons in life, allow for the best decisions on how to market your book.

 

 

Timing

If considering doing a boxset consider when is the appropriate publishing stage for your books. I did a sequel boxset a year later and trilogy boxset six months after the third book was published — all books may read as standalone novels so the boxset/bundling offers another price point and convenience of access on the go.

 

Digital Requirements

A boxset requires a separate ISBN to be identified as a new collective publication. As far as book covers go, the 3D image is most suited to Amazon and flat covers for Apple Books, Kobo, or D2D as your platforms of choice.

Across Time                                 Souls

 

A backlist, if not a series, can be offered as an omnibus collection or if teaming up with other authors writing in a similar genre as you are, makes this another avenue for book bundles at competitive price points to best serve the reader. The royalty split must be legally agreed upon for equity and professionalism to prevail.

Happy writing, Happy publishing, Happy Book Bundling!

 

Please share your ideas on box sets or book bundles in the comment box below.

 

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Shake It Up!

 

 

Most fiction and particularly thriller fiction feeds off suspense created by secrets, fear, challenges, and the element of surprise. Lies, deception and the battle for truth keep readers on the edge of their reading seats. Compelling characters extract emotional responses. Do we love or hate a character?

 

Beginnings

Beginning a chapter with suspense is good when it cranks up what happened in the preceding chapter. Here’s an opening from Across Time and Space:

 

 

Meryl awoke for the second time that night aware that she was alone in this vast villa beside the olive grove. She saw a faint strip of light under her door. With a tight knot in her stomach, she tip-toed to the window and peered out  — all she saw was the same inky blackness.

 

Endings

Ending a chapter on a cliff hanger creates the suspense desired to make the reader turn the page. This can lead from dialogue or stylistic narration. Here’s a closing line from Across Time and Space:

Sirens blared, shattering the earlier deafening quiet that had unnerved Meryl – police vehicles approached from the main road which led to the house.

Red and blue flashing lights appeared in the haze of diminishing light.

 

Across time and Space, three significant men in her life converged… two looking on… the third, a mystery.

 

 

Secrets

In Souls of Her Daughters, Dr Grace Sharvin harbours what she considers a shameful secret. Who is Boetie Arendse and how does he know Grace?

At midnight while Felicity and Patience slept, she slipped
out into the storm. Dressed in a pair of black pants and a white
t-shirt, she held her face up to the lashing wind and rain. She
yelled with as much force as she could muster, ‘out, out you
demons! I want to feel whole again!’

 

Surprise

In Chosen Lives,  the reality of characters past traumas is revealed in the Mission’s personal testimony sessions as the reason for their chosen career paths. Audra’s arrogant disposition takes a turn when she reveals her identity after a terrifying ordeal with her boyfriend.

My name was Sophia, I am Audra because that is what Ramón called me during our year together, he said I reminded him of Audrey Hepburn, in the movies Romina watched, but he liked to call me Audra. I run the Audra House Foundation in Florida for abused teenage girls.

 


Suspense

The shooting of Andre Malakov unfolds through a series of court hearings in Vindication Across Time and unexpected relationships appear, to confound the reader, the witnesses and the legal team. Here is a line pre-empting Ana’s testimony in Vindication Across Time

What Ana was about to reveal left all, including Gildo Mondo, in a state of confused disbelief.

 

 

 

 


Minutes, hours or days…

Timing must be strategic to drip feed the reader before the heavens come crashing down on unexpected realisations. The pressure of time for the desired outcome cranks up the adrenalin on hope or despair depending on the situations that arise. Better yet is toying with the reader leaving them believing they think they saw a situation coming but could not be sure. Add in the puzzles, give some carefully chosen clues, but not enough to take away from the story being a page-turner.

 

 

 

First-Person

First-person narration creates riveting suspense and equally, authorial narration creates suspense by, for instance, keeping the villain elusive. This draws the reader towards the villain/protagonist in search of who he or she might be and what they might be pursuing. These lines are from the story, Wandering the Earth, in the short story collection, Life’s Seasons.

I feel impending dread in knowing I will be forty in six months.

My life has been strange and wonderful. I cannot say for how much longer, I will withstand being witness to the atrocities of the world. It leaves my days in anxious anticipation of what next and how much more…

I have not been at rest for a long time.

 

 

 

Dramatic irony

Make the reader feel empowered, the dramatic irony borrowed from Shakespeare is a great technique to keep the protagonist ignorant, but the reader informed. How can we forget that ‘honest Iago’ was not that at all, or ‘the glib and oily art,’ of Goneril and Reagan, King Lear’s conniving daughters were signs of their clawing, callous natures? Show the reader a truth or two while the protagonist is blissfully ignorant. Cruel but necessary to crank up the heat.

 

 

Challenges

Add in a few challenges, give the protagonist a few dilemmas that will invite consideration, or a veering away from held values and morals, to do the right thing for the greater good. Throw in a new character, one who might have information on the villain or perhaps have witnessed a crime.

 

 

Fear

Fear heats up things, something unnatural, bizarre, or psychic confirms that reason alone cannot halt nor control the situation — that creeping to the edge of the reading seat with that pounding heart feeling. Grab it at the right point in the story for maximum effect. Exploit the senses, sight, smell, hearing and touch. The sudden arrival of a heavy gust of wind that pushes a door open — that cold air swishing over you as if somebody was hurrying past you — you look up and there’s no one but you in the room!

When readers are vested in the life/lives of the characters they are more likely to spread the word that a book ‘must be read’ because…

A reader wants to be moved, not by tears alone. They want to be afraid, they want to hope, they want to understand pain, and all the while supporting favourite characters from the side, or throwing mental daggers at those they loathe.

 

What fictional book have you read lately that has ‘moved’ you and left you with an unforgettable memory?

 

Happy Reading, Happy Writing!

 

 

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Writing Through Adversity

 

Writing has been well documented as having therapeutic value. Do you keep a personal diary, or a journal to record moments that are significant to you?  Would you write a memoir or autobiography? Have you tried poetry writing?

 

Fiction is an avenue that has therapeutic benefit when writing about angst through fiction or poetry. This has value in reaching readers who might face a similar situation. Receiving a reader’s comment on connecting with a character or situation makes writing move from the realm of fictional entertainment to enhancing life, creating a sense of belonging through the power of story/words that whisper,  ‘there are people who go through this, you are not alone, it’s not you…’

 

Human difficulties like our joys are universal and part of our shared humanity regardless of demography or any divisive label. We learn from each other, we share with each other — altruism is part of our human ‘feel good’ makeup. We feel good or secure in knowing that challenges are not unique. This is where fiction like a memoir/autobiography/biography and poetry has the ability to say, ‘I see you, I hear you, I feel your situation.’

 

‘In our angst and joy we are one under the sky of humanity’

 

Oftentimes something heard, something seen, or read triggers the imagination to create a story/poem — these seeds have their origin in human experience. Everything in life has imaginative storytelling potential. Historical fiction is a genre whereby much from history or literature is reimagined to suit a particular context adding timelessness to a story. 

 

Poems and stories, when turned inward, create… growth… healing… self-awareness

 

Shakespeare’s The Tempest reimagined by Margaret Atwood in her novel, Hag-Seed is an example.  Prospero becomes Felix a theatre director in a present-day context —  he is grieving the deaths of his wife and daughter and has been backstabbed by an aspirational colleague. His vulnerability is an evocative point of connection with the reader. Professional or workplace strife present timeless human dilemmas, but when tastefully explored as a novel’s premise or ideas, it has the potential to speak to many isolated, lonely individuals — there is no shame in being vulnerable. Shame sits on the shoulders of those who abuse vulnerability. The most endearing people, in reality, are those who have experienced hardship, financially, in grief or loss, abuse or ill-health — having walked in the shoes of many with struggles, wires empathy — as human experience should be if we hope to coexist in peace and harmony.

Fiction can remind us why it is essential to be true to who we are in our expressions of self and in our interactions with each other. 

 

 

In Souls of Her Daughters, Dr Grace Sharvin who heads a busy medical ER has unimaginable frailties but her strength is in her capacity to reach out to others while fighting her own demons. 

 

Life’s lessons come from the adversarial people met, and they become the basis upon which writers craft their villains. A little bit of this and a little bit of that blended in a cauldron and hey presto! The (im)perfect villain is born! The good people we meet shape perspectives on why adversarial individuals have no place in a shared world.

Timeless heart-warming and gut-wrenching stories on life’s challenges and celebrations.

 

 

 

Literature is a luxury, Fiction is a necessity — GK Chesterton

 

 

and

Albert Camus said,  Fiction is the lie through which we tell the truth.

 

Who can argue with such pearls of truth now? 

 

Life, literature, news of the day, and history portray human experiences that provide inroads to new fictional stories and evocative poetry that connect rather than divide by exposing, celebrating, loving, grieving and understanding what it really means to be human. We all, whether real or fictional are indeed not alone in adversity. 

Which novels and poems would you recommend to readers on overcoming adversity? Have you read A Spark of Hope?

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Author Proficiency and Professionalism

 

 

Author professionalism is not negotiable in a world where access to all we say, do and create is out in the world with a click.

It costs nothing to be supportive of aspiring authors and accept that there are oceans of experienced, seasoned authors out there who act as mentors and are deserving of respect and acknowledgement. Blog about the work others do put yourself out there to be blogged about and while you find your way to being noticed as a writer, notice others in a personable, professional manner.

The publishing landscape is rich and diverse with an ever-growing space for all. Collaboration is vital as learning is never exhausted. As a teacher, this lesson was all too clear with constant syllabus changes or when students challenged an idea and a new wave of thought was born. Like classrooms without borders, learning is a two-way process, and so too is the writing, and publishing world.

 

Pride and ego waste creative energy—aiming towards excellence is a humble, hardworking process. No one person is gifted in the craft without commitment and extensive effort in being worthy to be viewed as a mentor/master of the craft.

 

 

 

 

 

Being proficient is ensuring great covers clothe your labour of creative love, and that they appeal to the genre and audiences’ interest. Having your work edited is an important step in the writing process to rise to professional standards in the industry. (although creativity is not an industry for me—a labour of love for sure!) Publishing services come with a price tag if it’s quality that matters. With quality, the stamp of professionalism is assured.

 

 

Never compromise your values…

 

 

Professionalism as an author like any walk of life is also about expressing thanks and appreciation without the ‘I’m the artist’ big-headed attitude. Collectively a professional outlook makes success a possibility. Professionalism can be challenged when confronted by unethical practices in the publishing ecosystem but as always it’s best to walk away, let it be, there are plenty more avenues out there to pursue, that might well be a better fit for you. Like any job, if the fit is not good, move on to greener pastures, or create your own. As a writer, you steer the vessel on the path you choose to take.

 

Alliance of Independent Authors /

 

 

Authors are among some of the most exploited people if unaware of the pitfalls. The way to armour yourself is to sign up for authentic associations, register for webinars and Facebook live sessions, attend conferences, network, to educate yourself in knowing that the allure of being published comes with ethical responsibility. Read, research and find your way with the confidence that you are proficient and professional.

 

 

 

Writing is a solitary process but being an author is a collaborative role. Aspiring writers, you are not alone. Pick who you follow, to wisely ensure you are protecting your craft and practice.

 

 

 

Happy Writing/Creating and Publishing.

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Short Stories – Imagined or True Life?

 

As writers, it goes with the territory that autobiographical bits of ourselves will slip into our writing. A creative project, the creative process is emotion-driven, its passion on a page — bleeding…
My collection of short stories, out this week,  Life’s Seasons into the digital and print worlds is a diverse collection that emanates from my visions of life and some from a generous muse — or perhaps a subconscious memory on history or culture of different times and places.

 

 

 

Launch Video

 

Here’s a little teaser on some of the stories:

The book cover is drawn from a story set at a picturesque beach resort when an incident occurs to disturb the world of the observer. Final View is both dark and lighthearted through the voice of an aging mortician — her take on why she serves the way she does. Now, I don’t know any morticians, personally, but this story found me. Those Were the Days, is part autobiographical and part imagined on life as a university student. Ancient cultures fascinate me, hence in, Moving On, the life choice of young Anqui emerged to represent the clash of the old and the new. Crime fiction is a passion and a particularly enjoyable teaching experience so The Call of the Outback was born with Inspector Donovan out and about during his early retirement days when a crime finds him, not your typical crime fiction story, but my spin on how things find you where your passion lies.
Then a story about a writer in search of her muse, set on the ocean aboard a luxury cruise ship stems from my love of the ocean although the story is far from peaceful, akin to the symbolism of a turbulent ocean. And there’s more in Stilled Heart, a University Professor struggling with not knowing what happened to his family during an air raid, and meeting a young, hopeful writer who shares the same sense of loss. A secret from the past is revealed by Jacob, a messenger of dreams in Wandering The Earth. And there’s Mai in Adrift, hiding her past on how she arrived in a new country. The shame apartheid enforced in my world is a trigger for Mai’s tale.

Haruki Murakami’s view on the writing of short stories captures the essence of pouring the self into what we write.

My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and every one of them, and how I felt when I did. Short stories are like guideposts to my heart...
― Haruki Murakami

Without a doubt, the voices and visions of a writer’s world seep into the stories we tell, dressed in different clothes, stretched through the imagination with colour, light and shade, and not forgetting what the muse wills, and so stories are born.

Launch day this week is 22/8/19 for the ebook and 29/8/19 for the Print editions in hardback and paperback. For more on each story you are invited to go these links for the full description:

 

Amazon (print and ebook)
Kobo
B&N
Apple Books

Loot South Africa (print)

Other Select Retail Stores

 

Happy Reading, Happy Writing.

 

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Word Rhythm – some time… somehow

 

 

People ask, ‘so how does one complete a novel?’ The simple response is, ‘write every day.’

Fifty words on a page are better than a blank page.

Consistency is key and if for whatever reason writing is impossible on a day, double up the output in the next writing session. Perhaps not all in one go, divide the writing time to two sessions if possible, on a given day that fits in with what is already on your plate.

 

 

Carpe Diem!

Writing more is by showing up, at a regular time, bottom on the seat, minimal distractions or no distractions at all. Commit to a solid ninety-minutes, then change the activity, but if the juice is still flowing go back for another session.

Blocks of time, free of distractions is essential to see a creative project to completion.

 

Ways in which to maximise creative time is to have a notepad/journal at the ready wherever you are. I have A5 journals in my handbag, workbag and pencils stashed in every pocket. Sitting in the doctor’s or dentist’s waiting room, or with colour in your hair at the hairdresser, or as I do, while sitting in the car at the car wash, scribble a few lines to keep the momentum of your story going. Watching soap suds gyrate in a splash of colour stirs the imagination! Back at your desk, if that’s where you prefer to write, draw those mini journal creative thoughts into your WIP manuscript.

Having word count goals helps to hold one accountable. My target is to finish a chapter at each writing session,  if possible, or to leave a trigger sentence for the next writing session, to pick up the pace, action and momentum.

Caught in a roadblock? Pull out a notepad and write, if you can’t take your eyes off the road, audio record your verbal musings — now traffic cops, I dare to say, have not come up with traffic fines for the some time… somehow writer at a standstill in a roadblock, NOT in moving traffic, I must add – that is a massive NO-NO! Anything that will hinder the imagination is a blaring siren and flashing lights… although a fictional high-speed chase adds adrenaline to a thriller… let me add that… to my…

Like we need our zzzz’s,  we need our number of words down on the page each day.

Some like holding themselves accountable through a writing group and others prefer to create their own deadlines. Either way, commitment matters to take your draft from a manuscript to an actual book.

 

Courage is the commitment to begin without any guarantee of success ~ Wolfgang Von Goethe

 

Some have a few writing days set aside in the week and commit like it’s a job they go to for five or six hours a day. If these are the only days available, the habit is cultivated and creative productivity soars on those days.
Roads trips, as long as you’re not doing the driving, is another great way to nab some writing hours, the imagination will be stimulated as you travel through various locations.

My next some time… somehow is to jump on a train and go to the furthest end of the line and back while writing. I am a desk-bound writer so this is an adventure that might or might not yield a new result. Let’s hope nobody throws me off the train for wearing heavily shaded sunglasses, a cap and seen to be furtively writing some secretive lines, perhaps on the comings and goings on each platform?

Get on that train, write at the car wash, whatever you do, do create space for your book!

Happy Writing, Happy Musing!

Carpe Diem!

Please share your some time… somehow to help others maximise writing outcomes.

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Whenever Wherever

 

 

As writer’s, we have our unique quirks on what works for us and what is not good for our creative energy.

Time:

The alarm screams,  reluctant eyes peer at the bedside clock, it’s an icy Sydney winter morning – characters whisper, ‘let me out, I need some fun, you left me in a dark and terrible place, remember?’ You heed the call, it’s your passion, your people, your joy, your story, your everything!

When we write is as important as how we write. I am a crack of dawn writer, rising at 4 am and writing from around 5-6 am up to 8 am and if a generous muse should pop by later, I resume writing in the afternoon. The morning is the pattern, the afternoon depends on work, the muse and other commitments. Then there are writers, like F. Scott Fitzgerald who picked up the pen at midnight and worked through into the wee hours of the morning. Individual biorhythms determine optimum brain functionality.

Consistency is key, to allow the energy to find you, to invest the time if you have a passion for writing. With a busy teaching schedule, long gaps prevented timely completion of a project started. Lots of stories sat abandoned on hard drives and usbs.  Being able to pull back allows time for creative headspace and naturally hails the muse for assistance.

And there are writers who snatch a bit of time during a daily commute to work, or during a lunch break. The time is dedicated to achieving what the soul desires.

 

 

Place:

A sense of where we write is as important as, the bed we sleep in. Some like solitude away from the presence of others, that is my quirk, I need to be at my desk for deep writing.  Stephen King in On Writing says, ‘most of us do our best in a place of our own.’ Although ideas can emerge at any time, and in any place – carparks, doctor’s waiting room, at these times a handy notebook/journal stashed in a handbag with a pencil at the ready is a godsend.

Some can do intense writing in a crowded café with headphones in place – listening to white noise for a few hours of solid writing. Such public places would gladly have the writer in their space ordering endless cups of coffee and perhaps a slice or two of banana bread, or a friand or other sugary delight.

If writing in a home with lots of distractions – children needing attention, wanting to play, or visitors popping in, then a neat garden shed with all the creature comforts a writer would need is an option. A Writer’s Wendy Workhouse, (although writing hardly feels like work) a place to call your own, for needed headspace and entry allowed to ONE visitor, the divine muse!

 

Some may write with the television on in a room filled with activity because they have the wonderful ability to switch off and become an un-listening shape in the room. On a personal note, this is not conducive for creative energy in my world.  I can read and mark a paper in a crowded room, just not go deep into the writing process. I wrote a short story titled, Romantic Recreation where the aspiring writer had her writing desk in the garden shed because she needed to be close to nature, to hear the rain and perhaps feel it, in a space that had a corrugated roof inviting amplified sounds – birds strutting on the roof, a cat scuttling across, big drops of rain pelting down, or the deafening hammer of hailstones.

 

Equally the twitter of birds, flickering shafts of sunlight, the smell of earth and flora after a storm enlivens the senses if one is tucked away in a garden shed at the furthermost end of the backyard. Some writers rent a space to have privacy/seclusion to do their deep writing. Stephen King says the writing place should be humble, something I’ve followed through on his advice is to have a room with a door you can shut to make, ‘a serious commitment to write… to walk the walk as well as talk the talk.’ There are different views on whether the room should have a view or not – I like a window although some prefer facing a wall to minimise distractions. Jane Austen preferred writing at a window in the dining room.

Whatever the choice, tell the story, only you can tell, whenever and wherever.

 

A private writing space is a heavenly home away from home ~ MN

 

 

What’s your dream writing or reading space?

 

Happy writing, happy reading!

 

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Tripartite Character Connection

 

Quick access and the desire to know more, allow novel/film/ trilogies and series to thrive.
Writing a trilogy is planned either before Book 1 is written or while the first book is being written, but in my case, it emerged as the first book ended. Films such as ‘Mission Impossible,’ ‘Pirates of the Caribbean,’Spider-Man,’— to name a few, and novels: ‘Century Trilogy Series’ by Ken Follet, ‘Border Trilogy by Cormac McCarthy,’ ‘African Trilogy’ by Chinua Achebe, and ‘Hunger Games’ by Suzanne Collins — and so many more… have stood the test of time.

Being more of a pantser is probably the reason why Book 2 emerged after Book 1 was completed, thereafter a plan was mapped for each book which morphed along the way as characters spoke about their lives/situations. What is originally envisioned does not really end up as expected —  this is my experience.   With Souls of Her Daughters, each book that follows may be read as a standalone book or in combination as a trilogy.

 

In writing Souls of her Daughters, Chosen Lives and What Change May Come  two arcs are included through the lives of sisters Grace and Patience, first as sisters, and then as professional women. Felicity Cassano, friend and associate to both sisters is the third arm in the tripartite connection.  There is also the suggestion that Andrew Lang, young, handsome intern at City Hospital could be the third connection — ultimately the reader will pick a favourite for a host of reasons — tragic childhood or unrequited love, the emotional hook shapes preference.

Trilogies allow the inclusion of a range of characters to enter and intersect with the main arcs. Book 2, Chosen Lives, sees the entry of Ming, Audra, Masuyo and Zuri. This adds intrigue and colour to the lives of each character in their growth and development through the three books. The beginnings of a love story in Book 1, develops in Book 2, faces challenges in Book 3 adding more drama and intrigue in the rocky life of Grace with her beau Keefe Daly. Patience’s social justice initiative in creating safe houses for women of abuse in Australia sees her traveling to different places and finding commonality of the human spirit in any geographic location. Multicultural representations feature in all my books as an expression of a world where difference is of no consequence, professionally and personally.

 

 

 

Additionally, characters that attract negative attention for their human flaws in Book 1 can transition in Book 2 or Book 3. Such is the situation with Felicity Cassano, the legal eagle with good intentions that go awry in her sharp-tongued impulsive criticism of Grace, a medical practitioner she believes is somewhat faint-hearted.

 

We are voyagers, discoverers of the not-known… we have no map ~ (from HD – Hilda Doolittle’s – Trilogy- Tribute to the Angels) 

 

 

Trilogies have value for both readers and writers — readers immerse themselves in the lives of fictional characters by finding limitless connections to their own worlds, and the writer relishes the depth of creative expression in fleshing out lives and situations that leave the reader wanting more.

 

What are your favourite trilogies? Drop a comment in the box below.

 

Happy Reading! Happy Creating!

 

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Writing: Historical Memories Recalled

 

Historical fiction entertains and feeds memory. I remember teaching, Jackie French’s Hitler’s Daughter, and noted students’ curiosity on whether Hitler did indeed have a daughter. Research flourished and wonderful creative writing emerged.

Some of my favourite historical reads are, Charles Dickens, Tale of Two Cities with London and Paris during the French Revolution, Margaret Mitchell’s Gone With the Wind, a tale of the American South during the Civil War, Salman Rushdie’s, Midnight Children, a story of children born at the time of India’s independence from Britain.
The lists are endless and as diverse as the world we inhabit.
Currently, I’m reading Orna Ross’, Her Secret Rose (The Yeats-Gonne Trilogy 1) cited as a ‘delicate balance of fact and fiction…’ (bookbag UK)

 

Writing drawn from history emerges as an unconscious process in some of my books. The experience of apartheid atrocities comes through in Across Time and Space and Vindication Across Time and underpins leaving South Africa in Souls of Her Daughters. History might be more explicit in some and more subtle in others but it emerges from the deep well of the subconscious – the unforgotten seat of memory.
‘…sit down at a typewriter and bleed,’ as Ernest Hemingway aptly stated is where authentic stories emanate from – that space of creative intensity.

Today marks a significant day in South Africa’s history, country of my birth. June 16, 1976, was the Soweto Uprising that changed the socio-political landscape. It was a day when police fired at peaceful demonstrating students – the images of this brutality surged international revulsion. From this dark history, the most soulful artists emerged, creating music and poetry that stirs the soul to this day. The seat of struggle and suffering creates indelible timeless stories.

As a fiction writer and teacher, histories of the world find their way into some of my stories. The responsibility rests with the writer to present the accuracy of the histories chosen, not in a textbook rendition, but through selective and extensive research to create believable nuances of character, place and situations for palpable connections to the past.

The joy in reading historical fiction is in being transported to a time and place as an observer of significant moments, or better still, experiencing an era through brilliant writing.

 

What’s your favourite historical fiction?

 

Happy Reading, Happy Writing!

 

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Fiction: History, Culture, Truth

Every voice like every story has its place in the world. A niche audience might be readers of a particular history, people and culture of forgotten voices.
In an era that has in so many ways moved leaps and bounds forward, the opposite is true of human tolerance. Everywhere we dare to look, the capacity of the human spirit for evil outweighs the good around us, often overshadowing a multitude of voices and actions for common good.

Stories, fictional stories, even if thematically dark demonstrates the human capacity for change.
Fiction has had and continues to have the rite of passage to dismantle oppressive notions of the wicked side of human nature.

 

At the Sydney Writer’s Festival last week, the festival theme, ‘Lie To Me,’ resonated with memories, of the apartheid era where race and power/powerlessness named and played the game, and understanding of the impact of assimilation on the stolen generation.
An evening of storytelling affirmed the need to keep telling our societies’ truths to dispel the mistruths in the media, in politics and the use of social media as a tool to denigrate.

Forgetting past atrocities in no way heals the human condition. It’s a double-edged sword — remembering keeps the pain alive, but alive in recall that has the potential to thwart such heinous future acts. To quote Descartes, ‘I think therefore I am,’ is significant, but must be married to, ‘I feel therefore I am,’ and what better way than through a fictional story that ensures that the movement towards human value for all lives, does indeed matter.

Those who cannot remember the past are condemned to repeat it. ~ George Santayana

Cultural stories of forgotten people hold them in conscious thought, remembered as life lessons to pass on to the next generation. While such stories might have a micro niche audience because they tell of the far-flung corners of history, they must be told.

Lines from Vindication Across Time sees the character Marcia Ntuli telling Michael Morrissey, a human rights lawyer about her mother’s hardship as a single mother under the apartheid regime.

Mama Dolores…the police would barge into our home and drag her to the police station for questioning. They were rough with her, they broke things in the house… kicking her in the back, calling her an evil kaffir. It was horrible. ~ Vindication Across Time.

Michael walks in Marcia’s and Mama Dolores’s shoes to gain an understanding of what preceded democracy in a troubled land. His theoretical basis on what constitutes human rights has a ‘live’ life lesson in a recount of the terror Marcia’s mother endured at the hands of the district police. This, in turn, opens the depth of understanding on what might have been misreported in historically written and spoken accounts of this era. The voices of men/women struggling on the fringes of society are left forgotten if not told through story, to entertain and awaken compassion that a history forgotten is dangerous — it lurks in the dark corners of the mind ready to be unleashed in the terrors we experience today.

The storyteller has the power to dispel untruths by telling stories that make us uncomfortable, those stories that some publishers are reluctant to put out into the world, so why wait, when a world of empowerment, without gatekeepers, awaits the telling of unheard stories.

Go tell those stories today. Keep an underrepresented history alive, in the minds and hearts of a niche audience in engaging fictional stories -stories that tell of truths that have been swept under a forgotten, tattered rug.

Share your reading that has inspired a new wave of thinking in the comment box below.

Happy Reading, Happy Writing.

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Fiction: Perfection in Imperfection

Perfection is too exhausting. It’s not true to who we really are as individuals, communities, and societies.

Fictional characters echo this representation of imperfection without necessarily being labelled Shakespeare’s Iagos of the world –  they do exist – the first page of the daily newspaper or the first news item on the evening television news reveals that Iago exists in politics, education, the corporate world, and other dark corners.

Nobody is as good as gold…

My tag line, Perfection in Imperfection, the themes in my novels, and short stories, and essentially most novels, illustrate that life is just that – a mix of the good, the bad and the ugly. Nothing is perfect nor is anything entirely imperfect – there is always a reason for the apparent ‘imperfection,’ the interpretation of which is dependent on one’s value system in either accepting or rejecting a perceived ‘imperfection’. The psychological benefit of understanding that ‘perfection,’ as defined by ‘particular’ standards,  is not the norm, invites the greatest learning in appreciation, understanding and compassion which is born from trial and error or walking in the shoes of others.

 

 

Perfection bores, it disconnects the reader from the lack of reality evident in the world around. A saintly character who holds pious thoughts and performs selfless acts through the duration of a story might offer some inspiration, but insufficient entertainment value for the reader. Give that saintly character’s perfection a dent or two and they are endearing as human after all.

The socially moral cop with a particular weakness, perhaps peeling bags of onions, eating tubs of ice cream, or engaging in a ‘monkey-ish’ tossing of almonds into his/her mouth, or some such habit, when a case is in a deadlock or about be nailed, is either loved, creates amusement, or is despised. Inspector Aldo in Vindication Across Time, a man who controls the media and women, particularly the rich, widowed, and lonely like, Ana Kutnetsov, a housekeeper with a big heart, and a secret past, grates on every character’s nerves. He is enigmatically dark – a looming manifestation of Iago.

Literary heroines such as Tolstoy’s, Anna Karenina, illustrate this point, and Margaret Atwood’s speech, Spotty-Handed Villainesses, on the good-bad women of literature highlight the fallacy of crafting perfect female characters as unrealistically flawless or insanely bad. Flaws might engender empathy in the reader when weaknesses or vulnerabilities are exposed, not the overt Jekyll and Hyde associations – which exist, depending on the genre of the tale.

Nuanced human foibles draw connections and acceptance, that to err is human. From Count Dracula, Robin Hood, Ned Kelly, to Portia and Desdemona – it’s the yin and yang, the balancing between the scales of imperfection and perfection that makes them timeless characters through reader held values, and the emotions elicited.

Perfection in the natural world is not assured, periods of drought, fires, snow and floods, etc, strengthen human and animal reactions or behaviour to changeability.

 

As What Change May Come is released this week, my heroes and heroines are both weak and strong. Even the selfless character Patience has her weaknesses much to the embarrassment of her sister Grace. While there are consistencies of characterisation across the three novels, Souls of Her Daughters, Chosen Lives, and What Change May Come, there are times when change elicits or decrees an unexpected behaviour in the character. They are all human after all and aren’t we all?

 

 

Happy Writing, Happy Reading!

 

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Fiction: Women and Culture

Every writer has a unique voice drawn from culture and values. Even when one opts to write a ‘different’ tale with ‘different’ people, the authentic self seeps into some aspects of the writing process.

Having been raised in South Africa my psyche is wired to the spirit of the people. I remember older women as the stalwarts in the home –  stalwarts with hearts of sheer gold. Writing this infuses me with warmth and tenderness. This is the reason for the crafting of Mama Elsie, in Souls of Her Daughters, Mama Thembu in Vindication Across Time and Grace’s mother Varuna whom Patience lovingly refers to as ‘Mama Varuna.’ Each of these women epitomises the significance of a mother in the home which accords them profound respect for the hardships they endure in a country that negates their existence.

The character Marcia Ntuli has the strength of character that her mother, an activist for women’s rights, exudes. Yet in seeking a new life, in a new country, she is subjected to professional racism until she is forced to give up her passion with a rapidly declining sense of self-worth. It’s only when Michael Morrissey, a human rights lawyer helps her through her dark days of self-doubt is she able to pick up the pieces of her shattered life. It is not the act of racism that is showcased but rather the resilience of the women and men who help victims find their way through inhuman situations.

In offering a lesson on how to uplift the human condition, it is men like Michael, Andrei, Brad, Keefe, Petros and Andrew who cherish the broken souls of my African women characters. A multicultural cast adds colour to the worlds of these women as the way of the world  – as it should be.

I learned to appreciate this after having lived in segregation under apartheid. My premise will always remain that in our angst and joy we are one under the sky of humanity. Idealistic, perhaps,  but hope has to be pursued to make a difference in how people perceive and engage with each other.

In The Rain – A Collection of Short Stories Thuli in the title story is a young, strong village woman who will do anything to keep her family together.

The song she sings to her children, a lullaby, Thula Thula Baba as she waits for the storm to end, is one I remember hearing from the cradle. It moves me to this day in its sweet, yet haunting sounds and meaning.

I give you Thula Thula Baba– a lullaby sung by mothers to calm their fretful babies while their husbands went into the cities to find work.

What Change May Come presents the coping strategies of sisters Grace and Patience in their struggle with irreversible change. Here the notion of perfection is challenged when one woman has motivations that clash with Patience’s perception of what it means to be human.

If stories open vistas of understanding and bring a lesson while entertaining – that is the footprint needed for a better today and even better tomorrow.

Go in peace.

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Food and Fiction

A good story, like good food, is an unforgettable experience.

In the creation of fictional worlds, the protagonist comes to life through his or her foibles, eccentricities, habits, relationships, hobbies, voice, mannerisms etc. While sensory details include the sounds, we hear and the images we see, through the words on the page, the degustation in a fictional novel brings the reader to the table, heightening the sensual effect in a shared meal with characters.

In my debut novel, Across Time and Space, the aging Ben loves kippers and poached eggs for breakfast. In the sequel, Vindication Across Time, while breakfast is important, especially when Ben and Meryl overhear a conversation in a tiny restaurant, on the dark history of the mysterious Professor Andrei Malakov – it’s the journey through South Africa’s gustatory delights that bring drooling joy as barbecued corn on the cob – braaied mielies, to locals, on the breathtaking beaches of the Cape, chilli pineapple in, Sweet, salty, hot and pungent collided, tantalising Michael’s tastebuds. And then who can forget the delectable Kaapse snoek! In contrast, back in Florence, Meryl consumes endless cups of coffee as the trial drains her emotional and physical strength. Her favourite chicken pasta and prawn linguini meals are left untouched as her mind swims with horrific thoughts on where her life was heading.

In the trilogy, Souls of Her Daughters, Chosen Lives, and the third book, out this April, What Change May Come, Thai Delight, a fictional place, is Patience’s favourite restaurant, but both sisters, Grace and Patience find great joy and comfort in cooking and eating their mother’s signature chicken curry – their memory of her is alive in love and food. Grilled salmon, thoughtfully prepared for an elderly neighbour is pushed aside as she perspires through, and relishes Grace’s fish curry, saying, You have your mother’s touch with the delicate spicing, what a scrumptious meal... There are wonderful Mediterranean breakfasts, turmeric lattes and cardamom chai for a full international array of gustatory heaven!

 

I need chillies to warm my soul’ ~ Patience says in Souls of Her Daughters

 

 

From the spicy to the crisp – ham and cheese croissants, in the April release of What Change May Come, complements the racy change and quick food that others bring to Grace and Patience.

 

Food and fiction are a formidable combination, setting the mood of the moment, letting the reader into a part of the character’s life that we all enjoy – eating as a necessity, or social activity, regardless of what we eat, or where we eat it.

Food will always feature in my fictional tales as comfort food, memory food, and soulful food.

 

Cheers to more, tasty, thrilling tales!

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The Art of Conversation in Stories

We enjoy a good yarn, some more than others. The reticent and the chatter-box are encountered as part of our daily social interactions. How much is enough or too much in the stories we create?

 

Dialogue works:

 To move the story forward
 To give information
 Contribute to characterisation
 Gives the character their ‘own’ voice, makes the character seem real or ‘alive’
 Creates a basis for understanding the thoughts and values of the character
 Shapes understanding for some of the actions a character engages in
 Aids understanding of the relationships between and among characters

 Consider When Constructing Dialogue:

 How much to include: It depends on the role the character plays- is it a significant or minor role in relation to the plot
 Is the conversation a distraction or diversion for a particular reason?
 Intersperse dialogue, pace it with some narration by describing the character’s mood or emotions through their actions- clearing the throat or twirling a strand of hair, tapping on the table, humming a particular note, etc- this connects the reader to the emotional state of the character
 Consider carefully whether you should use dialect in your speech- will it confuse your reader or will it create a connection to your reader- this must be based on your familiarity with your audience.
 Avoid unnecessary or stilted dialogue, this fills white space and will bore the reader eg :

– ‘What’s the time Jill?’
-‘Ten o’ clock Jack.’
-‘What time should we leave?’
-‘I don’t know, maybe 11 or 12, what time do you think is best?’

 

An awkward conversation in Jane Austen’s Sense and Sensibility.  This draws us in, the voyeur craves more- tease in subtle politeness if you must, at first, then reveal all.

Then there is the embarrassing conversation moment:  Eliza Doolittle’s ‘The new small talk.’

 

 Make it realistic- people do not socially speak to each other in one continuous block (beware the chatter-box! They do exist!) there should be some stops and starts, fillers and shifts depending on where your characters are conversing with each other- Is it in a coffee shop? On the telephone? In a doctor’s waiting room? On the bus or train? – Fillers and distractions could be drawn from what is happening in the coffee shop, on the bus or train etc. Additionally, the formal or informal tone of the conversation depends on who the character is speaking to.
 The relationship between characters in conversation is significant to guide how comfortable or strained the conversation might be.
 Do not include endless pages of dialogue – your characters must interact with the environment to avoid them becoming ‘talking heads’ or disembodied from the setting.
 Use the five senses to pace your dialogue- what does the character see, smell, taste, touch or hear.
 Example: ‘I was worried that Jill would be upset with the plans and called several times but she did not pick up.’ Her voice trailed off with the whisper of trouble in the air.
This might engage the reader to pay careful attention to this subtle warning.

 From Dead Poet’s Society: ‘But poetry, beauty, romance, love… these are what we stay alive for.’ – a favourite line!

 

Happy Reading! Happy Writing!

 

I write from real life. I am an unrepentant eavesdropper and collector of stories. I record bits of overheard dialogue. ~ Chimamanda Ngozi Adichie, author of ‘Americanah’

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The Valentine in YOU!

The creative well is endless if you’re in it for the long haul. Writing eBooks, print books, creating audio books, working with editors, cover designers, and marketing your books – no publisher will do the marketing for you!  An abundance of creative energy soon leads to mental exhaustion a type of brain drain that can potentially dry the creative well.  Act on helping your creative self to sustain energy and wellness for the long haul.

 

Love and care for YOUR creative self keeps the muse in your orbit.

 

Some Tips for Love and Self-Care for YOUR Creative Self

 

To keep the creative juice flowing you must show the artist in you, some love.

 

How do we do this?
Replenish the source of your well by carving space in YOUR day:

Meditate  in your day preferably in the morning before you begin writing for perhaps half an hour, or in shorter bursts throughout the day

Listen to soothing calming, theta sounds when you take a break between planning or writing scenes

Take a walk outdoors – if you can take a walk on the beach, or in a park, this will be great to listen to the sounds of nature with the double benefit of  rest and awakening the senses

Sing no matter how out of you might be or strum a guitar if you have one around – the therapeutic value is giving yourself some love

You’ve gotta dance like there’s nobody watching… ~ William W Purkey

 

Read something inspirational before you sleep – a poem or a prayer

Write when your energy is at an optimum level, if it’s the morning for you, then market your brand/books in the afternoon

Talk to an optimistic person, perhaps one who loves your work, then reach out – positive energy ignites creativity

 

Feel nature

These are but a few ways to keep that well pumping out the creative energy that brings your fabulous work of art into the world. Begin with one thing at a time to ease exhaustion – creativity is fresh, passionate, and lively, so be sure to get in enough zzz’s. The number of hours will depend on your personal make-up, work-day etc. Anything less than 6 hours is risking exhaustion during your creative hours.

 

As I Lay Dreaming

 

Beautiful sounds feed LOVE FOR THE CREATIVE YOU:

 

 

 

I hope you have an amazing Valentine’s Day!

Happy Writing, Happy Creative Love!

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Editing Ideas

The End! A joyous moment in finishing a novel after many months or years of getting up at the crack of dawn or staying up late into the night, writing the story that has burned within, but, it is only finished after the professional edit.

A product in hand created from the imagination in a fictional story is a proud moment. Now the editing process looms. No book ever goes out into the world without this step or rather several takes of this step.

 

 

I’ll share a few pointers that might be what you’re looking for, or perhaps you have another way of approaching the first round of editing.

 

 

Let the manuscript sit for a week before you look at it. Some say leave it for a longer period, perhaps six weeks before revisiting the composition with new eyes.  Whatever works for you, ensure you have somewhat removed yourself from the emotional hooks of the work – this break allows the gaps, errors and omissions to come to light.

Print out the draft and run through the hard copy with several sharpened pencils, an eraser, and highlighter while correcting or adding in notes for a reconsideration of scenes etc. Scanning through a few chapters a day, when most energetic and lucid, perhaps over a two-week period, is an initial step towards removing redundancies, adding in omissions and checking spelling and other inconsistencies that arose during the feverish days of writing.

The second step is to read the draft out loud and record the reading. This highlights the flow or lack of it in dialogue and the unfolding of the story arc.  This is followed by revisiting what needs to be rectified on pace, plot and character. Often at this stage, while characters might be developed, plot holes might be discovered.

After this is cleaned up, I usually format the draft as an Ebook and copy it to Kindle or iBooks and read it again on my device. Things that were missed in the last round of checks,  pop in this new format and so the next round of corrections begin. This takes two rounds of  Ebook checks. Reading chapters backwards has the benefit of noting errors that slip past the eye, as the mind sees and reads what is not there when following the sequence and ‘sense’ of the story.

Then a proof-reader is engaged for what the emotionally-hooked eye might have missed during the abovementioned process. All this occurs before the professional edit –  a positive step towards getting advanced feedback on what could be improved upon to make the story sing. Ultimately, it’s up to the writer in what is accepted or rejected as plot, pace or character change.

 

Let the manuscript rest before revisiting it with ‘new eyes’ 

 

Some suggested pointers on key areas to work through during the self-editing of a manuscript.

Astound the Reader

Think about what intrigue is set up. How will the reader be surprised by an event or situation?  Will there be a sudden revelation that the reader did not anticipate? The trick is to keep the reader turning every page in expectation of the next scene. Astounding the reader improves with each book written. The imagination is like a muscle, once taken to uncharted waters, it grows and develops. How is this achieved?  ‘Read, read, read,’ the works of other successful writers,  or be curious by turning to non-fiction books on the craft of writing. Become a life-long student of the craft.

Cut-out excess

In this fast-paced existence we lead, being superfluous kills the reader’s interest. In composing the first draft, write as much as possible – get all the ideas down in whatever fashion they emerge but be prepared to cull a lot during the editing phase.

Become a surgeon or a skilled chef of words, cutting away the disease or layers of fat that serve no purpose other than to make the story sluggish. This is referred to as ‘killing your darlings’  – the crutch words that we depend on are the unconscious gremlins that creep in.

Try not to include a back-story or contextual details that serve no purpose to the story – this is info-dumping that fills white space on the page to no effect in engaging the reader. Here, reading the manuscript out loud assists with discerning where the info-dump might be sitting with unnecessary details that steal from creating a more in-depth representation of an idea/character. Don’t give it all away too soon.

Make the Prose Sing

Style – choice of language and the general flow of the narration is an ongoing development of the writer’s craft that is enhanced with every piece written. The reader wants to see, feel, and be moved by the story. The use of metaphors, symbolism, imagery etc – bring music to the language of the story. This is what it means to ‘show, don’t tell.’

Additionally, look at how chapters end, are they leaving the reader with something that makes it difficult to put the book down? Keep it subtle and suggestive leaving the reader craving for more.

‘… emotional rawness in unadorned simplicity’ is indicative that the prose is appreciated for the meaning created, as is, ‘another engaging and addictive tale…’ Read your work as a reader, to feel, find, enjoy and connect to the story,  then go back to the drawing board if something is not ‘singing,’ to polish the prose for a timeless read.

 

Create Characters with Emotional Depth

‘No tears in the writer,

No tears in the reader,

No surprise for the writer,

No surprise for the reader.

~ Robert Frost

 

If a writer does not feel it, how will the reader feel it? Invite the reader into the character’s head- what do they think, feel,  see, and believe?  How do they demonstrate this through their words, deeds and actions? Reading a review that states,  ‘…brought tears to my eyes…’ is an indication that emotional triggers achieved the desired effect.  Hearing a reader say, ‘I want a character like that in my life…’ signifies that a character has the effective emotional depth to elicit such a reader response. Reader reactions in, ‘… the characters had depth and charm…’ reveals a connection with the reader.

Creating believable characters with everyday concerns allows the reader to step into a character’s life to experience their foibles, vulnerabilities, strengths and challenges.

 

What are your thoughts on editing the first draft before the professional edit?

 

Please add your comments in the box below to share your views.

Happy Writing, Careful Editing, Enjoyable Reading!

 

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Voices From Trinidad To Australia

As the New Year settles in, I’m following through on my creative intentions for 2019, to reach out, to connect in a global publishing landscape to learn and share ideas.

Through this shared landscape, I met and was inspired by prolific, Trinidadian author, Brenda Mohammed. She is the author of twenty-one publications, including the non-fiction book, How to Write For Success, a valuable advice book on achieving your personal best as a writer.

Brenda is also an award-winning author of Zeeka Chronicles, a Young Adult Thriller, and I am Cancer Free , a memoir, in the category Health and Fitness.
As a cancer survivor, banker, and writer, Brenda heads the rapidly growing How to Write for Success Group on Facebook for new and aspiring writers.

 

Getting To Know Brenda Mohammed

Author: Brenda Mohammed

 

Biography:

Trinidadian Brenda Mohammed is a renowned, multi-genre, award-winning author and poet who has written twenty-one books to date.
She is a former Bank Manager of a leading International Bank in Trinidad and Tobago, and holds a Diploma in Banking from the Institute of Bankers in London.
When she branched off into Insurance she obtained a Diploma in Life Underwriting from the American College, USA.

 

Achievements

In November 2018 she received two book awards from Readers Favourite International, at an Awards Ceremony at the Regency Hotel in Miami. The awards were for I am Cancer Free in the category Health and Fitness, and Zeeka Chronicles, in the category Young Adult Thriller.

Brenda is the Founder of the group How to Write for Success.

 

From the Author

Becoming an author was not on my agenda.

My plans changed drastically when in 2005 I was faced with a life-changing situation. Diagnosed with cancer and living to tell my story inspired me to help others afflicted with the disease to cope. I documented my heart-wrenching experience of being diagnosed with ovarian cancer and my long and painful journey to overcoming the death sentence. In time, the essays transitioned into a book, I am Cancer Free: A Memoir, that tells my true story as a cancer survivor.

The book was published on June 3rd, 2013, and was available on digital stores worldwide. It had been read by so many people that it won the McGrath House Indie Book Awards 2016 in the non-fiction category. It also earned a five-star review and five-star seal in February 2017 from Readers’ Favorite and won an award in the Readers’ Favorite International Book Awards 2018 in the Health and Fitness category.

Encouraged by the rave reviews, I went on to write six fascinating memoirs, a five-book science fiction series, two children’s books, four books of short stories, one self-help book, How to Write for Success, two crime fiction books, and one book of poetry.

The science-fiction futuristic thriller series Zeeka Chronicles: Revenge of Zeeka also won an award for Best Science Fiction in September 2017 from Metamorph Publishing Summer Indie Book Awards, a five-star rating and five-star seal from Readers’ Favourite, the gold award in the category of science fiction in Emagazine Readers’ Choice Awards 2018 and placed in the top ten in the Author Academy Awards. It also won the Young Adult Thriller category in the Readers’ Favourite International Book Awards 2018.

Of my other books, My Life as a Banker was awarded for Best Bio/Memoir in Metamorph Publishing Summer Indie Awards 2016 and Your Time is Now, which contains a section of inspirational poems, received the IHIBRP 5 Star Recommended Read Award Badge.

 

Motivation

Words from my brother David V. Khan before he died:

‘Your book makes very pleasant reading, and your literary expression is superb and easy to follow. You have excellent talent, and you should follow up on a leisurely basis with perhaps publishing a book of short stories. With fiction, you will have a greater opportunity to use your imagination and your undoubted descriptive ability.
You used the word “fantasize” to create a situation. This is an outstanding quality, which you should continue to use because it is imagination, which disposes of everything, coming from within you. It creates beauty, justice, and happiness, which are everything in this world.’

It creates beauty, justice, and happiness, which are everything in this world.

 

Influencers

My Father, Dr Andrew M. Khan [ Deceased] – A great Educator in Trinidad and Tobago.
My Brother, Justice Addison M. Khan [Deceased] – Former President of the Industrial Court in Trinidad and Tobago. He wrote several law books which are being used in schools and Universities. He won a National Award from the Government of Trinidad and Tobago for meritorious service.
My Brother, David V. Khan [ Deceased]– Acting Comptroller of Customs and Excise in Trinidad and Tobago. He loved Literature and encouraged me to write.
My Husband Rashiff Mohammed, a former Bank Manager and Executive in a car firm – Although he has only read one book I wrote on my father’s memoirs, he has been very supportive of all my careers – Banking, Insurance, and Writing. He was my rock when Cancer struck.

 

Favourite books

  • The Power of Positive Thinking by Norman Vincent Peale
  • Unlimited Power by Anthony Robbins

 

Where to Next?

Wherever my writing takes me.

How to Write for Success has valuable nuggets of truth for new and aspiring authors.

 

 

Follow Brenda on her  Amazon Universal Link and check out all 21 of her books.

 

Brenda is selfless in inspiring, aspiring, and new authors in that anything is possible with commitment and humility in accepting that as writers, we too, are a work in progress.

I offer my gratitude to Brenda Mohammed for sharing her amazing journey as a prolific multi-genre, multi-award-winning author.

Please start the conversation today by adding your thoughts in the comment box below on sharing, supporting and learning from a global community of writers.

Happy Reading! Happy Writing!

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Writing Life: Looking Back

Time and technology have propelled us through 2018 at the speed of light. While the end is nigh, it’s nostalgic as memorable, or a year quickly fading and forgotten.

 

A nostalgic or forgotten year? What’s your choice?

 

It has been an incredible year on the writing and publishing front with changes appearing at every corner. While embracing change is the way forward, it has been challenging keeping pace with the rapidity of change in the publishing landscape.
Keeping informed and grounded is paramount to keep creative energy buoyant and abundant. Associations with professional writing bodies, tuning in to the wise and wonderful is essential.

After three publications this year:

Souls of Her Daughters – March 2018
The Rain – A Collection of Short Stories – July 2018
Chosen Lives – October 2018

the year certainly sped by in a haze of complete joy and heady energy.

The Rain, A Collection of Short Stories,  an unplanned visitation that appeared between resting a novel draft before editing, took hold with an unstoppable fire, in the middle of the Australian winter, warming my heart and heating my hands, for a July 2018 publication.

 

The joy of writing is soulful, delightful and inspiring and brings to mind the memory of the amazing Aretha Franklin’s timeless, universal words breaking the wall to being voiceless, to find the necessary space through writing/music/painting that is unshackled by difference when it ignites, consumes, connects, offers hope, and entertains – surely that is the meaning of life!

 

 

 

 

It has been a year of connecting with writers near and far, the lovely Queensland author, Rhonda Forrest in the post, Australian Voices, and reading her novel, The Shack By the Bay, that invites the reader into the stunning North Queensland setting. Meeting online, award-winning, inspirational, Trinidadian author, Brenda Mohammed, author of How To Write For Success, a non-fiction book, and the famed fictional Zeeka Chronicles, and many more.

Valuable inspiration is drawn from  ALLi’s Director and Founder, Orna Ross, poet and author, on the creative process and the creative business mindset, essential for authors/artists. Joanna Penn’s The Creative Penn podcast provides up to date inspiration and information on publishing trends, and Mark Dawson’s SPF podcasts and courses are valuable resources for all writers.  Online inspiration is abundantly available from well-informed,  forerunners who selflessly share their experience in supporting aspiring and new authors.

Receiving readers’ comments on what they enjoyed or how they connected to your books is the sheer joy of knowing it has moved someone. It’s the validation needed to go on. Equally, it’s accepting that one learns something new every day, to improve, to become the best at what we do.

Looking back is undoubtedly encouraging the way forward to 2019, to reach out, share, connect and create.

Moving ahead, onwards and upwards is what matters the most,  by networking  in a shared global, writing community.

 

May the new year usher in abundant creative energy and books galore!

Happy NEW YEAR!

 

 

Happy writing, Happy reading.

Share your thoughts in the message box below to start a New Year conversation on your writing and reading aims for 2019.

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