Category: Writing - Page 3 - Mala Naidoo’s Book World

Writer’s Connect: Spotlight: Author Vash Karuppa

Today I turn the spotlight on South African Author Vash Karuppa whose debut novel DESTINY FOR LOVE ARRANGED is a favourite among readers in South Africa and abroad. Her novel captures the cultural significance of life, and the command and necessity of love in a voice that connects the reader to place and culture and the understanding that the heart is not entirely self-directed.

Synopsis: Destiny for Love Arranged:

Destiny for Love Arranged is a contemporary, gripping and angsty, second chance Indian romance that reveals the love of family and friendship bonds during trying times. All protagonists are of South African Indian origin.

The story revolves around Aariyan Ranjan, a highly successful CEO of a Hotel Empire and Varini Iyengar, an Oncologist, both are forced into a temporary marriage of convenience to help them resolve personal dilemmas.

Not because it had anything to do with his heart he thought stoically…, but because it suited his purposes…

While Aariyan is determined to treat their marriage as he would any other business deal, love rarely listens to logic, and what follows is anything but business. On the other hand, Varini soon finds herself gravitating toward and rejoicing in the love she thought lost forever with a hidden hope that their marriage of convenience will end in a union of everlasting love. The story is embedded with cultural anecdotes familiar to any family of Indian origin. It takes their family, friends and a life-threatening situation to show them the love they lost is worth fighting for.

In short, this is a story about family, friendship, and starting over, as Aariyan and Varini embark on a journey toward a second chance at love. You will get to share in their moments as they discover that vulnerability can be their strength and the most perplexing problems can be overcome with the support and resourcefulness of a loving family and faithful friends. This is Book 1 of a trilogy.

About the Author

Vash is a South African author of Indian origin who has been a bookaholic from about the age of five. Her addiction for books grows exponentially daily, so after spending years concentrating on her role as a corporate executive and a short stint as an entrepreneur, she decided to unleash her number one desire i.e. a passion for writing. Whilst books of most genres interest her, it was romance that captured her soul. Her writing portrays the lives and drama of ordinary people who readers can easily relate to. The crux of her stories celebrates the power of true love coupled with the timeless bonds that exist between family and friends while capturing the true essence of diverse cultures.

Vash Karuppa is a member of the Romance Writers Organisation of South Africa (ROSA)

What inspired you to write Destiny for Love Arranged?

For many years I have read articles around the call for diverse romance novels that incorporate multi-cultural aspects into a traditional romance plot. In addition, I’m a hopeless romantic myself and always had a plot in my head around a story that integrates family and friendship bonds (which I have been blessed to have throughout my life) together with a typical romance story.

When I eventually decided to put pen to paper, it all just naturally came together, giving birth to Destiny for Love Arranged. Finally, I am aware there aren’t many novels written which share intricacies of the South Indian culture and I was determined to write about it. Looking at the feedback received thus far from readers, it was well-received.

Have you always wanted to be a writer? How long did it take you to write your novel?

Being a passionate romantic and voracious bookaholic, reading was a drug to which I had an instant addiction, one that only grew with time. While books in all genres interest me, it was romance that I was drawn to. From as early as my pre-teen years, I loved the ‘happily ever after (HEA)’ syndrome hence my love with any book in the romance genre, and later as a teenager with a dream of writing my own HEA story.

Writing a novel has always been part of my bucket list, so, after spending years concentrating on my role as a corporate executive, I eventually unleashed my number one desire and passion for writing with Destiny for Love Arranged

I didn’t really plan on publishing my work though, because I started writing for my own fulfilment. However, when a few of my friends read the script, they encouraged me to consider publication and so it happened….

The hardest part of completing the story was not knowing how to stop. I had so much more to tell but owing to publishing rules on limited word count and reader expectation of the length of books I had to cut out a lot from the original script.

What’s your typical writing day like?

Owing to a “day job”, I tend to confine my writing to nights for at least 2 hours a day in the week and whatever time I can hijack on the weekend.

My best writing is done in a quiet space in my little apartment directly next to a window where I can have the warmth of the sun and sounds of chirping birds to keep me company while writing.

Who is your greatest source of inspiration?

My 92-year-old maternal grandfather has undoubtedly been the inspiration behind my love for writing. He taught me how to read and then introduced me to the word of writing through the books he wrote and is still writing might I add.

What are your future writing plans?

Books 2 and 3 of the Keshavam Industries trilogy is almost complete and will be released between December 2019 and February 2020.

I have a new series planned for the rest of 2020.

Destiny for Love Arranged is on Amazon for your reading pleasure.

You can engage with Vash Karuppa on:

Happy Reading! Happy Writing! Happy Publishing!

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Poetry Educates Prose

A thing of beauty is a joy forever.
Its loveliness increases; it will never
pass into nothingness …
~John Keats

Poet or novelist, one, the other or both — one grows into the other almost instinctively to develop the ideal creative state.

Writing improves with consistency and ongoing learning of the essentials of the craft. The art of writing expands the imagination and bulks the creative muscle by triggering the desire to know more, to research, to read, to push boundaries, and feel joy — a perpetual quest of the writer.

Voracious reading of all forms and more particularly poetry, the fine art of saying much with an economy of words, is a skill worth learning to enhance prose writing skills. Poetry as a literary form is laden with layered sensory imagery, conveying pain and joy, the state of the human condition and a celebration of nature which when emulated in prose fiction, is the lyricism in narration or the cadence of poetic storytelling.

‘And above all, poetry is compacted metaphor or simile’ ~ Ray Bradbury, Zen in the Art of Writing

The habit of reading poetry grows the writer’s ability to choose appropriate/effective language or specific words that says it all with brevity. We live in an era where attention span is brief, access is quick, and impatience governs desires.

Saying it all in four lines:

Hear it, See it, Feel it, Believe it…

Spring Song

Hark, I hear a robin calling!
List, the wind is from the south!
And the orchard-bloom is falling
Sweet as kisses on the mouth

~Lucy Maud Montgomery

Little bursts remain to sustain…

Invictus

It matters not how strait the gate,

How charged with punishments the scroll,

I am the master of my fate,

I am the captain of my soul

~ William Ernest Henley

There is an intensely intimate, mindful experience apparent in poetry, a purity that makes it more personal where prose is more social, and when married with a sensitivity to both forms, the reader benefits from the writer’s authenticity.

As a teacher, evidence points to incremental learning leading to lifelong knowledge. Piecemeal understanding is committed to memory in meaningful short bursts of information whereas lengthy mindless memorisation disappears after the moment of recall.

Poetry speaks in the rhythm and profundity of its brief lines, a boon in holding the attention of the reader.

Poetry read before sitting down to write prose or read as the last activity before sleep, sharpens the ability to borrow from the poetic form and style for precise, well-formed ideas that touch with the depth and clarity that poetry engenders.

If writing in a particular genre or establishing an emotion in a prose scene, turn to poetry that’s appropriate in that instant and feel the passion and power of the words and those left unsaid, then a deepening of thought processes emerge to heighten the imagination. Reading poetry written in any period has the inspirational ability to enhance overall writing.

Crafting poems for creative leisure or publication is beneficial as self-directed editing of what works and what requires reworking. Poetry cannot hide intention and purpose, it’s stark, it’s true, a visual and emotive painting through words. This skill shapes brilliance in prose writing.

Poetry and prose are close cousins of the writing family. Read as many novels as you would poems, or more to capture that sweet spot of simple, short, stunning sentences, one after the other, until a story is born.

How many poetry books are there on your bookshelf? The internet is a valuable source, but there’s much to be said on having a book in your hand as you read, delight in, make note of, absorb and contemplate.

For aspiring writers: Write a poem today on any topic, let it tumble freely onto the page, then try your hand at prose. Watch the magic unfold. An open mind is necessary to attain this joy, and brilliance in prose writing.

Happy Reading. Happy Writing.

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Shake It Up!

Most fiction and particularly thriller fiction feeds off suspense created by secrets, fear, challenges, and the element of surprise. Lies, deception and the battle for truth keep readers on the edge of their reading seats. Compelling characters extract emotional responses. Do we love or hate a character?

Beginnings

Beginning a chapter with suspense is good when it cranks up what happened in the preceding chapter. Here’s an opening from Across Time and Space:

Meryl awoke for the second time that night aware that she was alone in this vast villa beside the olive grove. She saw a faint strip of light under her door. With a tight knot in her stomach, she tip-toed to the window and peered out — all she saw was the same inky blackness.

Endings

Ending a chapter on a cliff hanger creates the suspense desired to make the reader turn the page. This can lead from dialogue or stylistic narration. Here’s a closing line from Across Time and Space:

Sirens blared, shattering the earlier deafening quiet that had unnerved Meryl – police vehicles approached from the main road which led to the house.

Red and blue flashing lights appeared in the haze of diminishing light.

Across time and Space, three significant men in her life converged… two looking on… the third, a mystery.

Secrets

In Souls of Her Daughters, Dr Grace Sharvin harbours what she considers a shameful secret. Who is Boetie Arendse and how does he know Grace?

At midnight while Felicity and Patience slept, she slipped
out into the storm. Dressed in a pair of black pants and a white
t-shirt, she held her face up to the lashing wind and rain. She
yelled with as much force as she could muster, ‘out, out you
demons! I want to feel whole again!’

Surprise

In Chosen Lives, the reality of characters past traumas is revealed in the Mission’s personal testimony sessions as the reason for their chosen career paths. Audra’s arrogant disposition takes a turn when she reveals her identity after a terrifying ordeal with her boyfriend.

My name was Sophia, I am Audra because that is what Ramón called me during our year together, he said I reminded him of Audrey Hepburn, in the movies Romina watched, but he liked to call me Audra. I run the Audra House Foundation in Florida for abused teenage girls.

Suspense

The shooting of Andre Malakov unfolds through a series of court hearings in Vindication Across Time and unexpected relationships appear, to confound the reader, the witnesses and the legal team. Here is a line pre-empting Ana’s testimony in Vindication Across Time

What Ana was about to reveal left all, including Gildo Mondo, in a state of confused disbelief.

Minutes, hours or days…

Timing must be strategic to drip feed the reader before the heavens come crashing down on unexpected realisations. The pressure of time for the desired outcome cranks up the adrenalin on hope or despair depending on the situations that arise. Better yet is toying with the reader leaving them believing they think they saw a situation coming but could not be sure. Add in the puzzles, give some carefully chosen clues, but not enough to take away from the story being a page-turner.

First-Person

First-person narration creates riveting suspense and equally, authorial narration creates suspense by, for instance, keeping the villain elusive. This draws the reader towards the villain/protagonist in search of who he or she might be and what they might be pursuing. These lines are from the story, Wandering the Earth, in the short story collection, Life’s Seasons.

I feel impending dread in knowing I will be forty in six months.

My life has been strange and wonderful. I cannot say for how much longer, I will withstand being witness to the atrocities of the world. It leaves my days in anxious anticipation of what next and how much more…

I have not been at rest for a long time.

Dramatic irony

Make the reader feel empowered, the dramatic irony borrowed from Shakespeare is a great technique to keep the protagonist ignorant, but the reader informed. How can we forget that ‘honest Iago’ was not that at all, or ‘the glib and oily art,’ of Goneril and Reagan, King Lear’s conniving daughters were signs of their clawing, callous natures? Show the reader a truth or two while the protagonist is blissfully ignorant. Cruel but necessary to crank up the heat.

Challenges

Add in a few challenges, give the protagonist a few dilemmas that will invite consideration, or a veering away from held values and morals, to do the right thing for the greater good. Throw in a new character, one who might have information on the villain or perhaps have witnessed a crime.

Fear

Fear heats up things, something unnatural, bizarre, or psychic confirms that reason alone cannot halt nor control the situation — that creeping to the edge of the reading seat with that pounding heart feeling. Grab it at the right point in the story for maximum effect. Exploit the senses, sight, smell, hearing and touch. The sudden arrival of a heavy gust of wind that pushes a door open — that cold air swishing over you as if somebody was hurrying past you — you look up and there’s no one but you in the room!

When readers are vested in the life/lives of the characters they are more likely to spread the word that a book ‘must be read’ because…

A reader wants to be moved, not by tears alone. They want to be afraid, they want to hope, they want to understand pain, and all the while supporting favourite characters from the side, or throwing mental daggers at those they loathe.

What fictional book have you read lately that has ‘moved’ you and left you with an unforgettable memory?

Happy Reading, Happy Writing!

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Author Proficiency and Professionalism

Author professionalism is not negotiable in a world where access to all we say, do and create is out in the world with a click.

It costs nothing to be supportive of aspiring authors and accept that there are oceans of experienced, seasoned authors out there who act as mentors and are deserving of respect and acknowledgement. Blog about the work others do put yourself out there to be blogged about and while you find your way to being noticed as a writer, notice others in a personable, professional manner.

The publishing landscape is rich and diverse with an ever-growing space for all. Collaboration is vital as learning is never exhausted. As a teacher, this lesson was all too clear with constant syllabus changes or when students challenged an idea and a new wave of thought was born. Like classrooms without borders, learning is a two-way process, and so too is the writing, and publishing world.

Pride and ego waste creative energy—aiming towards excellence is a humble, hardworking process. No one person is gifted in the craft without commitment and extensive effort in being worthy to be viewed as a mentor/master of the craft.

Being proficient is ensuring great covers clothe your labour of creative love, and that they appeal to the genre and audiences’ interest. Having your work edited is an important step in the writing process to rise to professional standards in the industry. (although creativity is not an industry for me—a labour of love for sure!) Publishing services come with a price tag if it’s quality that matters. With quality, the stamp of professionalism is assured.

Never compromise your values…

Professionalism as an author like any walk of life is also about expressing thanks and appreciation without the ‘I’m the artist’ big-headed attitude. Collectively a professional outlook makes success a possibility. Professionalism can be challenged when confronted by unethical practices in the publishing ecosystem but as always it’s best to walk away, let it be, there are plenty more avenues out there to pursue, that might well be a better fit for you. Like any job, if the fit is not good, move on to greener pastures, or create your own. As a writer, you steer the vessel on the path you choose to take.

Alliance of Independent Authors /

Authors are among some of the most exploited people if unaware of the pitfalls. The way to armour yourself is to sign up for authentic associations, register for webinars and Facebook live sessions, attend conferences, network, to educate yourself in knowing that the allure of being published comes with ethical responsibility. Read, research and find your way with the confidence that you are proficient and professional.

Writing is a solitary process but being an author is a collaborative role. Aspiring writers, you are not alone. Pick who you follow, to wisely ensure you are protecting your craft and practice.

Happy Writing/Creating and Publishing.

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Short Stories – Imagined or True Life?

As writers, it goes with the territory that autobiographical bits of ourselves will slip into our writing. A creative project, the creative process is emotion-driven, its passion on a page — bleeding…
My collection of short stories, out this week, Life’s Seasons into the digital and print worlds is a diverse collection that emanates from my visions of life and some from a generous muse — or perhaps a subconscious memory on history or culture of different times and places.

Launch Video

Here’s a little teaser on some of the stories:

The book cover is drawn from a story set at a picturesque beach resort when an incident occurs to disturb the world of the observer. Final View is both dark and lighthearted through the voice of an aging mortician — her take on why she serves the way she does. Now, I don’t know any morticians, personally, but this story found me. Those Were the Days, is part autobiographical and part imagined on life as a university student. Ancient cultures fascinate me, hence in, Moving On, the life choice of young Anqui emerged to represent the clash of the old and the new. Crime fiction is a passion and a particularly enjoyable teaching experience so The Call of the Outback was born with Inspector Donovan out and about during his early retirement days when a crime finds him, not your typical crime fiction story, but my spin on how things find you where your passion lies.
Then a story about a writer in search of her muse, set on the ocean aboard a luxury cruise ship stems from my love of the ocean although the story is far from peaceful, akin to the symbolism of a turbulent ocean. And there’s more in Stilled Heart, a University Professor struggling with not knowing what happened to his family during an air raid, and meeting a young, hopeful writer who shares the same sense of loss. A secret from the past is revealed by Jacob, a messenger of dreams in Wandering The Earth. And there’s Mai in Adrift, hiding her past on how she arrived in a new country. The shame apartheid enforced in my world is a trigger for Mai’s tale.

Haruki Murakami’s view on the writing of short stories captures the essence of pouring the self into what we write.

My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and every one of them, and how I felt when I did. Short stories are like guideposts to my heart...
― Haruki Murakami

Without a doubt, the voices and visions of a writer’s world seep into the stories we tell, dressed in different clothes, stretched through the imagination with colour, light and shade, and not forgetting what the muse wills, and so stories are born.

Launch day this week is 22/8/19 for the ebook and 29/8/19 for the Print editions in hardback and paperback. For more on each story you are invited to go these links for the full description:

Amazon (print and ebook)
Kobo
B&N
Apple Books

Loot South Africa (print)

Other Select Retail Stores

Happy Reading, Happy Writing.

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Whenever Wherever

As writer’s, we have our unique quirks on what works for us and what is not good for our creative energy.

Time:

The alarm screams, reluctant eyes peer at the bedside clock, it’s an icy Sydney winter morning – characters whisper, ‘let me out, I need some fun, you left me in a dark and terrible place, remember?’ You heed the call, it’s your passion, your people, your joy, your story, your everything!

When we write is as important as how we write. I am a crack of dawn writer, rising at 4 am and writing from around 5-6 am up to 8 am and if a generous muse should pop by later, I resume writing in the afternoon. The morning is the pattern, the afternoon depends on work, the muse and other commitments. Then there are writers, like F. Scott Fitzgerald who picked up the pen at midnight and worked through into the wee hours of the morning. Individual biorhythms determine optimum brain functionality.

Consistency is key, to allow the energy to find you, to invest the time if you have a passion for writing. With a busy teaching schedule, long gaps prevented timely completion of a project started. Lots of stories sat abandoned on hard drives and usbs. Being able to pull back allows time for creative headspace and naturally hails the muse for assistance.

And there are writers who snatch a bit of time during a daily commute to work, or during a lunch break. The time is dedicated to achieving what the soul desires.

Place:

A sense of where we write is as important as, the bed we sleep in. Some like solitude away from the presence of others, that is my quirk, I need to be at my desk for deep writing. Stephen King in On Writing says, ‘most of us do our best in a place of our own.’ Although ideas can emerge at any time, and in any place – carparks, doctor’s waiting room, at these times a handy notebook/journal stashed in a handbag with a pencil at the ready is a godsend.

Some can do intense writing in a crowded café with headphones in place – listening to white noise for a few hours of solid writing. Such public places would gladly have the writer in their space ordering endless cups of coffee and perhaps a slice or two of banana bread, or a friand or other sugary delight.

If writing in a home with lots of distractions – children needing attention, wanting to play, or visitors popping in, then a neat garden shed with all the creature comforts a writer would need is an option. A Writer’s Wendy Workhouse, (although writing hardly feels like work) a place to call your own, for needed headspace and entry allowed to ONE visitor, the divine muse!

Some may write with the television on in a room filled with activity because they have the wonderful ability to switch off and become an un-listening shape in the room. On a personal note, this is not conducive for creative energy in my world. I can read and mark a paper in a crowded room, just not go deep into the writing process. I wrote a short story titled, Romantic Recreation where the aspiring writer had her writing desk in the garden shed because she needed to be close to nature, to hear the rain and perhaps feel it, in a space that had a corrugated roof inviting amplified sounds – birds strutting on the roof, a cat scuttling across, big drops of rain pelting down, or the deafening hammer of hailstones.

Equally the twitter of birds, flickering shafts of sunlight, the smell of earth and flora after a storm enlivens the senses if one is tucked away in a garden shed at the furthermost end of the backyard. Some writers rent a space to have privacy/seclusion to do their deep writing. Stephen King says the writing place should be humble, something I’ve followed through on his advice is to have a room with a door you can shut to make, ‘a serious commitment to write… to walk the walk as well as talk the talk.’ There are different views on whether the room should have a view or not – I like a window although some prefer facing a wall to minimise distractions. Jane Austen preferred writing at a window in the dining room.

Whatever the choice, tell the story, only you can tell, whenever and wherever.

A private writing space is a heavenly home away from home ~ MN

What’s your dream writing or reading space?

Happy writing, happy reading!

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Tripartite Character Connection

Quick access and the desire to know more, allow novel/film/ trilogies and series to thrive.
Writing a trilogy is planned either before Book 1 is written or while the first book is being written, but in my case, it emerged as the first book ended. Films such as ‘Mission Impossible,’ ‘Pirates of the Caribbean,’ ‘Spider-Man,’— to name a few, and novels: ‘Century Trilogy Series’ by Ken Follet, ‘Border Trilogy by Cormac McCarthy,’ ‘African Trilogy’ by Chinua Achebe, and ‘Hunger Games’ by Suzanne Collins — and so many more… have stood the test of time.

Being more of a pantser is probably the reason why Book 2 emerged after Book 1 was completed, thereafter a plan was mapped for each book which morphed along the way as characters spoke about their lives/situations. What is originally envisioned does not really end up as expected — this is my experience. With Souls of Her Daughters, each book that follows may be read as a standalone book or in combination as a trilogy.

In writing Souls of her Daughters, Chosen Lives and What Change May Come two arcs are included through the lives of sisters Grace and Patience, first as sisters, and then as professional women. Felicity Cassano, friend and associate to both sisters is the third arm in the tripartite connection. There is also the suggestion that Andrew Lang, young, handsome intern at City Hospital could be the third connection — ultimately the reader will pick a favourite for a host of reasons — tragic childhood or unrequited love, the emotional hook shapes preference.

Trilogies allow the inclusion of a range of characters to enter and intersect with the main arcs. Book 2, Chosen Lives, sees the entry of Ming, Audra, Masuyo and Zuri. This adds intrigue and colour to the lives of each character in their growth and development through the three books. The beginnings of a love story in Book 1, develops in Book 2, faces challenges in Book 3 adding more drama and intrigue in the rocky life of Grace with her beau Keefe Daly. Patience’s social justice initiative in creating safe houses for women of abuse in Australia sees her traveling to different places and finding commonality of the human spirit in any geographic location. Multicultural representations feature in all my books as an expression of a world where difference is of no consequence, professionally and personally.

Additionally, characters that attract negative attention for their human flaws in Book 1 can transition in Book 2 or Book 3. Such is the situation with Felicity Cassano, the legal eagle with good intentions that go awry in her sharp-tongued impulsive criticism of Grace, a medical practitioner she believes is somewhat faint-hearted.

We are voyagers, discoverers of the not-known… we have no map ~ (from HD – Hilda Doolittle’s – Trilogy- Tribute to the Angels)

Trilogies have value for both readers and writers — readers immerse themselves in the lives of fictional characters by finding limitless connections to their own worlds, and the writer relishes the depth of creative expression in fleshing out lives and situations that leave the reader wanting more.

What are your favourite trilogies? Drop a comment in the box below.

Happy Reading! Happy Creating!

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Writing: Historical Memories Recalled

Historical fiction entertains and feeds memory. I remember teaching, Jackie French’s Hitler’s Daughter, and noted students’ curiosity on whether Hitler did indeed have a daughter. Research flourished and wonderful creative writing emerged.

Some of my favourite historical reads are, Charles Dickens, Tale of Two Cities with London and Paris during the French Revolution, Margaret Mitchell’s Gone With the Wind, a tale of the American South during the Civil War, Salman Rushdie’s, Midnight Children, a story of children born at the time of India’s independence from Britain.
The lists are endless and as diverse as the world we inhabit.
Currently, I’m reading Orna Ross’, Her Secret Rose (The Yeats-Gonne Trilogy 1) cited as a ‘delicate balance of fact and fiction…’ (bookbag UK)

Writing drawn from history emerges as an unconscious process in some of my books. The experience of apartheid atrocities comes through in Across Time and Space and Vindication Across Time and underpins leaving South Africa in Souls of Her Daughters. History might be more explicit in some and more subtle in others but it emerges from the deep well of the subconscious – the unforgotten seat of memory.
‘…sit down at a typewriter and bleed,’ as Ernest Hemingway aptly stated is where authentic stories emanate from – that space of creative intensity.

Today marks a significant day in South Africa’s history, country of my birth. June 16, 1976, was the Soweto Uprising that changed the socio-political landscape. It was a day when police fired at peaceful demonstrating students – the images of this brutality surged international revulsion. From this dark history, the most soulful artists emerged, creating music and poetry that stirs the soul to this day. The seat of struggle and suffering creates indelible timeless stories.

As a fiction writer and teacher, histories of the world find their way into some of my stories. The responsibility rests with the writer to present the accuracy of the histories chosen, not in a textbook rendition, but through selective and extensive research to create believable nuances of character, place and situations for palpable connections to the past.

The joy in reading historical fiction is in being transported to a time and place as an observer of significant moments, or better still, experiencing an era through brilliant writing.

What’s your favourite historical fiction?

Happy Reading, Happy Writing!

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Fiction: History, Culture, Truth

Every voice like every story has its place in the world. A niche audience might be readers of a particular history, people and culture of forgotten voices.
In an era that has in so many ways moved leaps and bounds forward, the opposite is true of human tolerance. Everywhere we dare to look, the capacity of the human spirit for evil outweighs the good around us, often overshadowing a multitude of voices and actions for common good.

Stories, fictional stories, even if thematically dark demonstrates the human capacity for change.
Fiction has had and continues to have the rite of passage to dismantle oppressive notions of the wicked side of human nature.

At the Sydney Writer’s Festival last week, the festival theme, ‘Lie To Me,’ resonated with memories, of the apartheid era where race and power/powerlessness named and played the game, and understanding of the impact of assimilation on the stolen generation.
An evening of storytelling affirmed the need to keep telling our societies’ truths to dispel the mistruths in the media, in politics and the use of social media as a tool to denigrate.

Forgetting past atrocities in no way heals the human condition. It’s a double-edged sword — remembering keeps the pain alive, but alive in recall that has the potential to thwart such heinous future acts. To quote Descartes, ‘I think therefore I am,’ is significant, but must be married to, ‘I feel therefore I am,’ and what better way than through a fictional story that ensures that the movement towards human value for all lives, does indeed matter.

Those who cannot remember the past are condemned to repeat it. ~ George Santayana

Cultural stories of forgotten people hold them in conscious thought, remembered as life lessons to pass on to the next generation. While such stories might have a micro niche audience because they tell of the far-flung corners of history, they must be told.

Lines from Vindication Across Time sees the character Marcia Ntuli telling Michael Morrissey, a human rights lawyer about her mother’s hardship as a single mother under the apartheid regime.

Mama Dolores…the police would barge into our home and drag her to the police station for questioning. They were rough with her, they broke things in the house… kicking her in the back, calling her an evil kaffir. It was horrible. ~ Vindication Across Time.

Michael walks in Marcia’s and Mama Dolores’s shoes to gain an understanding of what preceded democracy in a troubled land. His theoretical basis on what constitutes human rights has a ‘live’ life lesson in a recount of the terror Marcia’s mother endured at the hands of the district police. This, in turn, opens the depth of understanding on what might have been misreported in historically written and spoken accounts of this era. The voices of men/women struggling on the fringes of society are left forgotten if not told through story, to entertain and awaken compassion that a history forgotten is dangerous — it lurks in the dark corners of the mind ready to be unleashed in the terrors we experience today.

The storyteller has the power to dispel untruths by telling stories that make us uncomfortable, those stories that some publishers are reluctant to put out into the world, so why wait, when a world of empowerment, without gatekeepers, awaits the telling of unheard stories.

Go tell those stories today. Keep an underrepresented history alive, in the minds and hearts of a niche audience in engaging fictional stories -stories that tell of truths that have been swept under a forgotten, tattered rug.

Share your reading that has inspired a new wave of thinking in the comment box below.

Happy Reading, Happy Writing.

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Fiction: Perfection in Imperfection

Perfection is too exhausting. It’s not true to who we really are as individuals, communities, and societies.

Fictional characters echo this representation of imperfection without necessarily being labelled Shakespeare’s Iagos of the world – they do exist – the first page of the daily newspaper or the first news item on the evening television news reveals that Iago exists in politics, education, the corporate world, and other dark corners.

Nobody is as good as gold…

My tag line, Perfection in Imperfection, the themes in my novels, and short stories, and essentially most novels, illustrate that life is just that – a mix of the good, the bad and the ugly. Nothing is perfect nor is anything entirely imperfect – there is always a reason for the apparent ‘imperfection,’ the interpretation of which is dependent on one’s value system in either accepting or rejecting a perceived ‘imperfection’. The psychological benefit of understanding that ‘perfection,’ as defined by ‘particular’ standards, is not the norm, invites the greatest learning in appreciation, understanding and compassion which is born from trial and error or walking in the shoes of others.

Perfection bores, it disconnects the reader from the lack of reality evident in the world around. A saintly character who holds pious thoughts and performs selfless acts through the duration of a story might offer some inspiration, but insufficient entertainment value for the reader. Give that saintly character’s perfection a dent or two and they are endearing as human after all.

The socially moral cop with a particular weakness, perhaps peeling bags of onions, eating tubs of ice cream, or engaging in a ‘monkey-ish’ tossing of almonds into his/her mouth, or some such habit, when a case is in a deadlock or about be nailed, is either loved, creates amusement, or is despised. Inspector Aldo in Vindication Across Time, a man who controls the media and women, particularly the rich, widowed, and lonely like, Ana Kutnetsov, a housekeeper with a big heart, and a secret past, grates on every character’s nerves. He is enigmatically dark – a looming manifestation of Iago.

Literary heroines such as Tolstoy’s, Anna Karenina, illustrate this point, and Margaret Atwood’s speech, Spotty-Handed Villainesses, on the good-bad women of literature highlight the fallacy of crafting perfect female characters as unrealistically flawless or insanely bad. Flaws might engender empathy in the reader when weaknesses or vulnerabilities are exposed, not the overt Jekyll and Hyde associations – which exist, depending on the genre of the tale.

Nuanced human foibles draw connections and acceptance, that to err is human. From Count Dracula, Robin Hood, Ned Kelly, to Portia and Desdemona – it’s the yin and yang, the balancing between the scales of imperfection and perfection that makes them timeless characters through reader held values, and the emotions elicited.

Perfection in the natural world is not assured, periods of drought, fires, snow and floods, etc, strengthen human and animal reactions or behaviour to changeability.

As What Change May Come is released this week, my heroes and heroines are both weak and strong. Even the selfless character Patience has her weaknesses much to the embarrassment of her sister Grace. While there are consistencies of characterisation across the three novels, Souls of Her Daughters, Chosen Lives, and What Change May Come, there are times when change elicits or decrees an unexpected behaviour in the character. They are all human after all and aren’t we all?

Happy Writing, Happy Reading!

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Fiction: Women and Culture

Every writer has a unique voice drawn from culture and values. Even when one opts to write a ‘different’ tale with ‘different’ people, the authentic self seeps into some aspects of the writing process.

Having been raised in South Africa my psyche is wired to the spirit of the people. I remember older women as the stalwarts in the home – stalwarts with hearts of sheer gold. Writing this infuses me with warmth and tenderness. This is the reason for the crafting of Mama Elsie, in Souls of Her Daughters, Mama Thembu in Vindication Across Time and Grace’s mother Varuna whom Patience lovingly refers to as ‘Mama Varuna.’ Each of these women epitomises the significance of a mother in the home which accords them profound respect for the hardships they endure in a country that negates their existence.

The character Marcia Ntuli has the strength of character that her mother, an activist for women’s rights, exudes. Yet in seeking a new life, in a new country, she is subjected to professional racism until she is forced to give up her passion with a rapidly declining sense of self-worth. It’s only when Michael Morrissey, a human rights lawyer helps her through her dark days of self-doubt is she able to pick up the pieces of her shattered life. It is not the act of racism that is showcased but rather the resilience of the women and men who help victims find their way through inhuman situations.

In offering a lesson on how to uplift the human condition, it is men like Michael, Andrei, Brad, Keefe, Petros and Andrew who cherish the broken souls of my African women characters. A multicultural cast adds colour to the worlds of these women as the way of the world – as it should be.

I learned to appreciate this after having lived in segregation under apartheid. My premise will always remain that in our angst and joy we are one under the sky of humanity. Idealistic, perhaps, but hope has to be pursued to make a difference in how people perceive and engage with each other.

In The Rain – A Collection of Short Stories Thuli in the title story is a young, strong village woman who will do anything to keep her family together.

The song she sings to her children, a lullaby, Thula Thula Baba as she waits for the storm to end, is one I remember hearing from the cradle. It moves me to this day in its sweet, yet haunting sounds and meaning.

I give you Thula Thula Baba– a lullaby sung by mothers to calm their fretful babies while their husbands went into the cities to find work.

What Change May Come presents the coping strategies of sisters Grace and Patience in their struggle with irreversible change. Here the notion of perfection is challenged when one woman has motivations that clash with Patience’s perception of what it means to be human.

If stories open vistas of understanding and bring a lesson while entertaining – that is the footprint needed for a better today and even better tomorrow.

Go in peace.

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The Art of Conversation in Stories

We enjoy a good yarn, some more than others. The reticent and the chatter-box are encountered as part of our daily social interactions. How much is enough or too much in the stories we create?

Dialogue works:

 To move the story forward
 To give information
 Contribute to characterisation
 Gives the character their ‘own’ voice, makes the character seem real or ‘alive’
 Creates a basis for understanding the thoughts and values of the character
 Shapes understanding for some of the actions a character engages in
 Aids understanding of the relationships between and among characters

Consider When Constructing Dialogue:

 How much to include: It depends on the role the character plays- is it a significant or minor role in relation to the plot
 Is the conversation a distraction or diversion for a particular reason?
 Intersperse dialogue, pace it with some narration by describing the character’s mood or emotions through their actions- clearing the throat or twirling a strand of hair, tapping on the table, humming a particular note, etc- this connects the reader to the emotional state of the character
 Consider carefully whether you should use dialect in your speech- will it confuse your reader or will it create a connection to your reader- this must be based on your familiarity with your audience.
 Avoid unnecessary or stilted dialogue, this fills white space and will bore the reader eg :

– ‘What’s the time Jill?’
-‘Ten o’ clock Jack.’
-‘What time should we leave?’
-‘I don’t know, maybe 11 or 12, what time do you think is best?’

An awkward conversation in Jane Austen’s Sense and Sensibility. This draws us in, the voyeur craves more- tease in subtle politeness if you must, at first, then reveal all.

Then there is the embarrassing conversation moment: Eliza Doolittle’s ‘The new small talk.’

 Make it realistic- people do not socially speak to each other in one continuous block (beware the chatter-box! They do exist!) there should be some stops and starts, fillers and shifts depending on where your characters are conversing with each other- Is it in a coffee shop? On the telephone? In a doctor’s waiting room? On the bus or train? – Fillers and distractions could be drawn from what is happening in the coffee shop, on the bus or train etc. Additionally, the formal or informal tone of the conversation depends on who the character is speaking to.
 The relationship between characters in conversation is significant to guide how comfortable or strained the conversation might be.
 Do not include endless pages of dialogue – your characters must interact with the environment to avoid them becoming ‘talking heads’ or disembodied from the setting.
 Use the five senses to pace your dialogue- what does the character see, smell, taste, touch or hear.
 Example: ‘I was worried that Jill would be upset with the plans and called several times but she did not pick up.’ Her voice trailed off with the whisper of trouble in the air.
This might engage the reader to pay careful attention to this subtle warning.

 From Dead Poet’s Society: ‘But poetry, beauty, romance, love… these are what we stay alive for.’ – a favourite line!

Happy Reading! Happy Writing!

I write from real life. I am an unrepentant eavesdropper and collector of stories. I record bits of overheard dialogue. ~ Chimamanda Ngozi Adichie, author of ‘Americanah’

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The Valentine in YOU!

The creative well is endless if you’re in it for the long haul. Writing eBooks, print books, creating audio books, working with editors, cover designers, and marketing your books – no publisher will do the marketing for you! An abundance of creative energy soon leads to mental exhaustion a type of brain drain that can potentially dry the creative well. Act on helping your creative self to sustain energy and wellness for the long haul.

Love and care for YOUR creative self keeps the muse in your orbit.

Some Tips for Love and Self-Care for YOUR Creative Self

To keep the creative juice flowing you must show the artist in you, some love.

How do we do this?
Replenish the source of your well by carving space in YOUR day:

• Meditate in your day preferably in the morning before you begin writing for perhaps half an hour, or in shorter bursts throughout the day

• Listen to soothing calming, theta sounds when you take a break between planning or writing scenes

• Take a walk outdoors – if you can take a walk on the beach, or in a park, this will be great to listen to the sounds of nature with the double benefit of rest and awakening the senses

• Sing no matter how out of you might be or strum a guitar if you have one around – the therapeutic value is giving yourself some love

You’ve gotta dance like there’s nobody watching… ~ William W Purkey

• Read something inspirational before you sleep – a poem or a prayer

• Write when your energy is at an optimum level, if it’s the morning for you, then market your brand/books in the afternoon

• Talk to an optimistic person, perhaps one who loves your work, then reach out – positive energy ignites creativity

These are but a few ways to keep that well pumping out the creative energy that brings your fabulous work of art into the world. Begin with one thing at a time to ease exhaustion – creativity is fresh, passionate, and lively, so be sure to get in enough zzz’s. The number of hours will depend on your personal make-up, work-day etc. Anything less than 6 hours is risking exhaustion during your creative hours.

Beautiful sounds feed LOVE FOR THE CREATIVE YOU:

Theta Sounds

I hope you have an amazing Valentine’s Day!

Happy Writing, Happy Creative Love!

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Writing Life: Looking Back

Time and technology have propelled us through 2018 at the speed of light. While the end is nigh, it’s nostalgic as memorable, or a year quickly fading and forgotten.

A nostalgic or forgotten year? What’s your choice?

It has been an incredible year on the writing and publishing front with changes appearing at every corner. While embracing change is the way forward, it has been challenging keeping pace with the rapidity of change in the publishing landscape.
Keeping informed and grounded is paramount to keep creative energy buoyant and abundant. Associations with professional writing bodies, tuning in to the wise and wonderful is essential.

After three publications this year:

•Souls of Her Daughters – March 2018
•The Rain – A Collection of Short Stories – July 2018
•Chosen Lives – October 2018

the year certainly sped by in a haze of complete joy and heady energy.

The Rain, A Collection of Short Stories, an unplanned visitation that appeared between resting a novel draft before editing, took hold with an unstoppable fire, in the middle of the Australian winter, warming my heart and heating my hands, for a July 2018 publication.

The joy of writing is soulful, delightful and inspiring and brings to mind the memory of the amazing Aretha Franklin’s timeless, universal words breaking the wall to being voiceless, to find the necessary space through writing/music/painting that is unshackled by difference when it ignites, consumes, connects, offers hope, and entertains – surely that is the meaning of life!

It has been a year of connecting with writers near and far, the lovely Queensland author, Rhonda Forrest in the post, Australian Voices, and reading her novel, The Shack By the Bay, that invites the reader into the stunning North Queensland setting. Meeting online, award-winning, inspirational, Trinidadian author, Brenda Mohammed, author of How To Write For Success, a non-fiction book, and the famed fictional Zeeka Chronicles, and many more.

Valuable inspiration is drawn from ALLi’s Director and Founder, Orna Ross, poet and author, on the creative process and the creative business mindset, essential for authors/artists. Joanna Penn’s The Creative Penn podcast provides up to date inspiration and information on publishing trends, and Mark Dawson’s SPF podcasts and courses are valuable resources for all writers. Online inspiration is abundantly available from well-informed, forerunners who selflessly share their experience in supporting aspiring and new authors.

Receiving readers’ comments on what they enjoyed or how they connected to your books is the sheer joy of knowing it has moved someone. It’s the validation needed to go on. Equally, it’s accepting that one learns something new every day, to improve, to become the best at what we do.

Looking back is undoubtedly encouraging the way forward to 2019, to reach out, share, connect and create.

Moving ahead, onwards and upwards is what matters the most, by networking in a shared global, writing community.

May the new year usher in abundant creative energy and books galore!

Happy NEW YEAR!

Happy writing, Happy reading.

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How do you name them?

An interesting question recently from a reader prompted this post on whether the names of my characters were people I knew. As a writer I could say, yes, I do know my characters between the pages of my books, and fiction mirrors life as the angst, joy and foibles of individuals.

Meanings behind names have always intrigued me.

I choose names for some characters that befit their personalities and behaviour or represent the opposite of what they are. In Souls of Her Daughters, Grace and Patience are indomitable women in the face of the catastrophes that befall them. Grace’s mother, Varuna, has her name taken from the Sanskrit equivalent that attests to her strength as one who embraces all, hence she is the embodiment of the god of water and the celestial ocean surrounding the world. Her inner strength and capacity in how she copes with the murder of her devoted, humble husband, and subsequent chastisement and ostracisation by her extended family does not alter her essential goodness. Grace, Varuna’s biological daughter, and Patience, her adopted daughter endure horrific persecution, of a cultural and tribal nature – Varuna will stop at nothing to ensure her family is reunited, while she continues being a person for others in her neighbourhood.

In the sequel to Souls of Her Daughters, Chosen Lives sees the introduction of new characters, who are named in a similar vein, sometimes with demographic relevance, or drawn from Greek mythology – Xandria, defender of humankind, much the same as Alexis – helper or defender. Zuri, a Swahili derivative, means inspirational, beautiful, truth-seeker, and more. The head of the mission in Chosen Lives, an underground movement for a new world of women leaders, is named Masuyo, which means to profit or benefit the world. A mission recruit, running a school for women in India is Akanya, meaning peace and humility which she exemplifies in her interactions with others.

On the other hand, the character, Felicity, family friend and colleague to Patience, is far from what her name suggests, given her difficult childhood – her razor-sharp mind is admirable. The Arabic name, Azmil, means light, given to a young man who lost both his parents at the hands of rebel forces in Pakistan. The work he does, at the Well Study Centre, makes him the light to many orphaned young women. The snatched memory of his mother fosters his commitment to young women in his community.

The character, Audra, has a childhood of neglect by affluent parents, her name as explained in her testimony, is a celebration of the beauty of Audrey Hepburn. As she says, ‘to my Ramon, I was Audra.’

A multi-cultural cast of characters representing diversity in harmony

The third part of this trilogy, being written, will follow through with similar thought for new characters that emerge. Each of the three novels is a standalone read, too.

In my debut novel, Across Time and Space, and the sequel Vindication Across Time, Keres Bathory is a name drawn from a combination of Greek mythology and a historical character – a combination of one who disturbs the universe.

On her quest for her writing holy grail, what will Meryl sacrifice?

Aspects of a character’s behaviour might be drawn from observation which is married with imagination to serve the role they play in novels.

What’s your fascination with names in stories or the people you meet?

Add your comment in the box below.

Happy reading, Happy writing!

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Australian Voices

So many voices, so many stories in a country as diverse as Australia, each sharing a connection to people and place.

Today on the blog we have Rhonda Forrest, a high school teacher, from beautiful, sunny Queensland. Rhonda began writing under the pen name ‘Lea Davey’. Her first two novels, Silkworm Secrets and The Shack by the Bay were published under the pen name, Lea Davey, however her latest novel, Two Heartbeats, published October 2018 has been published under her real name, Rhonda Forrest. Having always lived in Queensland, the vast Australian Outback and the pristine Whitsundays feature strongly in her stories. Rhonda Forrest shares her story and tells us more about her writing journey.

Meet the Author

Biography – I was born in Brisbane and grew up in Rochedale, which at the time was a rural farming area. It was a fabulous place to grow up and as kids, we spent our time playing in the bush, riding horses and living in a community where everyone knew each other. I married at the age of 21 and my husband and I moved to acreage at Bannockburn where we lived for thirty years. Along with a menagerie of animals it was here that we brought up our three daughters and made life-long friends with many of our neighbours. At the age of 40, after a multitude of different jobs and running my own business, I decided to study. After 4 years of full-time study, I graduated as a high school teacher of History and English. Recently we have moved to Tamborine Mountain and live between the mountain and a 100-year-old cottage with a rambling garden up in the Whitsundays. Both places are quiet and idyllic places to live and write.

Writing Journey – As a child, I loved reading and was surrounded by books. My mother who is 90, still to this day reads every day and as a teenager, she always handed me her books after she had finished them. Nothing was off-limits and I vividly remember being enthralled by books written by Harold Robbins, James Michener, Wilbur Smith and Jackie Collins. I used to always think that one day I would write a book, however, it wasn’t until about five years ago that I had time to seriously think about pursuing my writing. Long hours spent out on a tinnie in the middle of the ocean fishing, allowed plenty of time for daydreaming and the story of, The Shack by the Bay began rolling around in my head. Once I started writing the words flowed easily and I knew that I had found a new passion in my life – writing!

Genre – All of my books are different. The Shack by the Bay is contemporary historical fiction, Silkworm Secrets is contemporary fiction and Two Heartbeats is Romance. My favourite genre is historical fiction although I also love to read true-life stories.

Motivation – If you want to do something you should just have a go at it. I don’t think I ever considered failing, actually I don’t think about the end result that much, I just go for it. Really you have nothing to lose and once I start writing it’s hard to stop until the story is finished. The editing and parts that come after the actual writing for me are the hardest parts and I would love just to be able to write and to have someone else do the rest for me. But when this is not possible I stay motivated, buoyed along by the lovely reviews and comments I get from readers. With writing, it is not about the money that you make (because that is limited) but rather the motivation that comes from readers who love your books. One of the most exciting things is to look on the Brisbane library website and see that all 5 copies of your book are being borrowed!

Influencers – Probably the biggest influence for me in relation to my writing was the Australian author Coleen McCulloch. It was after I read her book, The Thorn Birds, in 1977, that I decided I would write a book. It took 40 years to have time to do that, but eventually, it happened.

Favourite Books – Just recently I read Boy Swallows Universe which is set in Brisbane so lots of familiar places and just a fabulous entertaining read. My Instagram page has a countdown of my top 50 books and these range from Mao’s Last Dancer to All the Light We Cannot See as well as, The Old Man and the Sea and Australian classics, The Cattle King and My Place. I have so many favourite books, but I do love historical fiction. The Garden of Evening Mists, A Good Muslim Boy and The Space Between Us are also some of my favourites.

If you want to do something you should just have a go at it

Continue reading “Australian Voices”

Are You Visible?

Starting out as a writer is daunting. The joy comes from creating ideas, one word at a time from sentence to paragraph, page, chapter, and finally a book is born after months, or years of hard work… your heart on a page, your passion in words.

Where to from here?

Being published is not the final destination. The hard work is about to begin.You are a closed book if you stay in the shadows, expecting to have books fly off the shelves, or have a noble algorithm shoot your visibility through the internet roof.

On Marketing

Marketing your books brings writer visibility. How you do this depends on where, and to whom you offer invitations into your world of books.

Paying for advertising as a new writer can incur huge financial costs, without the certainty of sales. However, if you are prepared to stretch the budget then Facebook Ads, AMS Ads, Bookbub ads, etc might be the first point of reach to get the word out there to reader world. My listing of three ways to do this is not all you have available, there are a host of other services that you can turn to. Just check out their credentials first before you break the bank.

More Ways To Visibility

Another way to gain visibility is to join reputable writers’ organisations, writers’ groups, either genre focused or an advice network. Posts on Facebook, with a book cover and book description generates interest and brings attention to your space. Twitter, Instagram, and Pinterest spread your reach. These social media sites won’t put you out-of-pocket, as you build an audience. Author organisations require a yearly fee for membership, but it’s worth the spend with the writing advice, publishing updates, free publications, and support that comes with the membership package. Notably, ALLi offers an ethical service with an experienced body of advisors and authors who are successful entrepreneurs, managing multiple facets of the author creative and business world.

Networking is a surefire way to gain visibility.

Creating an author network on-line or in your local area is effective in growing awareness around your writing life. Having an author Facebook page brings like-minded people into your fold. Promote each other’s books, and avail yourself to speak at book clubs, local libraries, schools etc. to present the face, passion, and expertise behind your words. Readers enjoy the connection with the author they are reading, or might begin reading, after hearing you speak at an event, no matter the size nor place. If you don’t enjoy public speaking or need assistance getting this off the ground, there are many online coaches to turn to, such as AmondaRose Igor (Speaking Success Strategist) on Facebook.

Other ways might include teaming up with a local weekend event, a market, where you can share a table with a writer/s, or get your own table to sell and promote your author brand and books. Have a business card or a flyer at the ready to hand out. Provide buy one get one half-price strategies. Offer special rates to educational institutions, and bulk-buying to independent booksellers to get yourself out there, to be noticed. Sometimes a small output of funds aids gaining recognition/visibility, and soon pays for itself.

Whether traditionally or independently published, creating author visibility and promoting sales is solely the writers’ responsibility, unless you are lucky enough to have someone volunteer to do it all for you.

Here are a few recommended podcasts to guide your marketing choices.

Reach out and you will be noticed.

Go grab your space in the world of books, stand up and be counted, find your niche, invite your readers in.

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On Creating Characters – The Outlier

There are numerous defining aspects to what makes a character in a novel or short story, an outlier.

This is shaped by societal and cultural values, or more directly by prejudice. Size, race, ‘foreign’ origins are just some elements that create the outlier fence.
This deepens when layers of social and professional barriers are erected making the outlier, who ascribes to individual ways of expression, an ‘outsider’ rather than a unique contributor to society.

Regardless of the category/label attached to the outlier, it’s divisive, destructive, and a living death for the character experiencing the hell of being (mis) treated as such.

The outlier syndrome is growing in society, slouching back to outdated values, and emerging new forms of prejudice in how individuals treat each other. Literature should mirror life in all its ugliness, hopes and dreams. While we read to lose ourselves in the pages of a good book, what is the experience worth if it does not linger with the ills evident in society, and the hope that we have the capacity to be change agents? Writing purely on the prejudice of life without the yardstick or suggestion on how this ‘disease’ can be overcome, would be remiss on my part, in particular, in any story I tell. Writers are change makers by opening our minds and voices to what needs rectifying. This is the beauty and at times the daunting reality of being a writer.

Hardship is a fact of life for the majority of the worlds’ population. This is not defined by financial issues alone. My novels capture these issues from death, parting relationships, loneliness, cultural pressures, past psychological and physical traumas, and more.
In each situation, an individual or character is an outlier by choice or societal prejudice.

Literature offers that connection to the outlier’s suffering and hope for redemption and redefinition. Reading is imperative, words linger and dwell deep in the readers’ psyche as a visual and emotional connection to the situations and events the outlier might experience.

Souls of her Daughters reveals that the outlier syndrome affects all regardless of professional or social position. Dr Grace Sharvin struggles with her secret, making her an outlier in her family- in her need to conceal her pain from her mother and sister. Her sister, Patience, is an outlier through interracial adoption in apartheid South Africa, forcing her to acknowledge her birth culture. Across Time and Space and the sequel Vindication Across Time unveil both Meryl Moorecroft and Marcia Ntlui as outliers in personal, cultural and professional contexts. Michael Morrissey, a human rights lawyer, becomes the outsider in his relationship with Meryl when the course of their lives change. Housekeeper, Ana Kuznetsov and Boris Malakov are outliers in their complicated families. Global landscapes invite the notion that the situations characters undergo are not isolated – shaping the universality of human angst and joy.

The Rain, a Collection of Short Stories presents this notion in the human capacity for good and evil.

Drama, crime and abduction bring high entertainment value to the reader, but beneath the layers lie the human face and soul of the outlier. The character should be carefully crafted to invite empathy or repulsion by stripping away layers that shroud the essence of human angst and joy.

The continuation of ‘Souls of Her Daughters,’ in the next saga, Chosen Lives, grows in representing the outlier theme with glimmers of a futuristic world where perfection resides in imperfection.

Let’s continue to create stories that leave a lingering message.

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The First Draft

When a story takes hold, leaving you sleepless, daydreaming… the first words trickle in, you write them, and you can’t stop going back, creeping back to your laptop or journal to write a bit more. When the writing bug bites, it’s there to stay, calling you wherever you are.
There’s an excitement, a thrill, the adventure behind closed doors… just you and your characters. With each line, you get to know more about them, then it’s almost as though the characters lead you into their stories.

The first draft is an exhilarating experience even if you have written a few books. You can’t stop thinking about it, you wake up at 3 a.m. with a jolt of inspiration, and if you don’t write it down, it’s gone… I have had a few lost… gone… but a 3 a.m. journal, a gift from my daughter, is safely ensconced on my bedside table, close to my reading lamp, capturing the late night unexpected bouts of inspiration that intrude upon restless sleep – not even a blaring alarm clock can do this on any good day!

Starting out

Starting out as a writer, I had two stories competing for attention. Thinking that this might be the one book I will write, I merged the stories, hooked them as plot and subplot. Across Time and Space pulled and tugged at intrigue, unexpected encounters, crime, romance and human rights issues.

Discovery

From that first draft of my first book to the first draft of my fourth book (locked in editing as we speak), my process has morphed along the way. While being between a plotter and pantser, I moved from laptop screen drafting to handwriting some chapters in a journal.

This sped up the drafting time, I was writing by hand with speed, more naturally than the words that filled my little laptop screen as I tapped my way forward. I then started writing in my little journal, my second arm, traveling with me wherever I went. No backspacing, just scratch and keep going… forward… ideas gushed, building up at a faster pace.

The benefit

Having a chapter crafted by hand gave me so much more to work from and editing, stage 1 began as I typed up the manuscript. I noticed the difference from those chapters that went from head to screen from a basic ‘pantser plan’ to those chapters that were handwritten – less cleaning up and more ideas emerged and flourished to grow the plot.

As each handwritten chapter was completed, the digital chapter was typed no longer than a day later. The ideas are fresh, too much of life and its distractions have not happened in twenty-four hours or less, (fingers crossed) so there’s no fear that distractions will play havoc with the handwritten chapter, all that happens is a bit more spit and polish.

Am I converted?

I can’t quite be sure on that but I have stacked up on the journals that I feel comfortable writing in – the easily portable type, the ‘anywhere journal’ when inspiration strikes, even at 3 a.m.

How about you? Do you write from head to screen or are you a paper and pen person first?

Please share your thoughts in the message box below.

Happy Reading, Happy Writing.

Tell your remarkable story today to touch a life or many lives through storytelling.

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Truth Reloaded

In telling stories, writers draw from values they either ascribe to or find abhorrent.

Are stories purely to entertain or do they serve a purpose beyond plot and characters? Grand narratives are timeless because they showcase society in all its grandeur and dismal failings.

Living today, in what is so much a constructed, fake, flawed world – fair enough perfection does not exist and my own take is perfection in imperfection, we should continue to be passionate about truth – in the books we read, the news we hear and spread. We want to read the sequel or the next book in a series because we want to know more, the truth, the outcomes…

Whether it is the writer’s intention or not, the truth is at the core of the narratives we read. In a previous post, I included thoughts on why we crave the truth.

The need to know is as necessary as the air we breathe, ignorance is bliss is a temporary state of bliss, soon, regardless the loss incurred, the truth will be pursued. The female protagonists in my novels hunt down the truth or live, at first, in a temporary state of ignorant bliss, but soon the gnawing urge to know the truth seeps in, in whatever shape or form it might appear.

For what it’s worth

One cannot be true to what one believes or to who one truly is, if being part of the zeitgeist is prioritised in life – is risking the joys of an authentic life, being comfortable in your own skin, worth the group affiliation? Narcissism guides the exclusivity individuals create while drowning a sense of what is just. A shared humanity is crushed, elitism (as in vanity, not the cha-ching) separates and invites unjust notions of difference. Prizing individuality over falling in with the clique can lead to social isolation, so is it the choice of the brave-hearted alone? – this shapes the thinking reflected in art and literature – the higher purpose in storytelling.

Perfection in Imperfection

Now back to ‘shades of truth’

The energy and time taken to justify an untruth can be used (truth be told) to benefit the lives of all around us.

Politicians and the media are often starved of a good dose of the antidote to the truth to face up to and fess up to the agendas they serve (often aligned to those who hold perceived power) and the mistruths they engender. Truth is valued over empty promises, no matter how deeply buried and ignored, it drips back wreaking havoc which could have been prevented early on, with the plain old truth, the whole truth and nothing but the truth saving the day.

Oprah Winfrey’s inspirational Commencement Speech at USC, 2018 sends a message to new graduates, (and the world at large) upcoming journalists, to accept truth as we see it, hear it and so should we report it. But is it as easy as that? What halts truth? Fear? Popularity?

Truth often pays a hefty price when the lid is lifted, it incurs cynicism and attack in the need to sweep its halo under a rug.

No matter how difficult or painful in the moment of revelation, owning up to the truth, perpetuating the truth ultimately leads to a stress-free glorious life, bringing a peaceful night’s sleep with it. Good mental health rests on truth, understanding, and compassion.

Go speak your truth, be who you truly are, nobody defines you, forget being cliquish, it destroys relationships and is often perpetuated by an egotistical leader. Meryl, Marcia, Grace, and Patience, strong fictional women in my novels, Across Time and Space, the sequel Vindication Across Time and Souls of Her Daughters with a forthcoming saga, face the truth with dignity, speak their minds and try to make the world a better place. They are flawed characters, but truth helps them grow and at times trip up. In their fictional worlds, they make art mirror life.

What’s your take on speaking your truth, standing alone, avoiding the pseudo-elitism of cliques, how will you live with truth, understanding, and compassion? We all need a good night’s sleep, right?

Be a truth seeker, tell your story, set the record straight.

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