Category: creative dreams into reality - Mala Naidoo’s Book World

7 Practical Suggestions on Creating a Compelling Sense of Place – Part 3

Writing a compelling sense of place means making the setting feel alive—not just where the story happens, but how it feels to be there in the moment during a significant event or situation, and why it matters. Here are some practical suggestions on ways to do it

Engage more than sight

Strong settings use multiple senses.

Sound:distant traffic, buzzing insects, echoing halls
Smell:rain on a grassy patch after a hot day, old books, salt in the air
Touch:gritty sand, humid air sticking to skin, cold metal
Taste (limit use) :dust in the mouth, bitterness of smoke

Example:

The fan creaked and groaned as if knowing it faced a losing battle against the summer heat.

Filter the place through the character

The setting should reflect who is experiencing it. Two characters in the same place will notice different things.

Consider:

What would thischaracter care about here?
What makes them edgy, angry, or nostalgic?

Example:

The summer heat made Moira faint, the infernal sun created a cremation site in their backyard. Her cousin, energetic and unaware of the rivers of sweat dripping off him, kicked the ball around the yard multiple times.

Choose specific, concrete details

Make a place believable. Avoid generic words like nice, busy, or beautiful.

Food carts hissed with steam while cyclists threaded through stalled taxis, bells ringing in sharp bursts.

Rather than, ‘it was a busy street.’

Let setting interact with action

Weave the story into what’s happening.

Example:

He shoved the door open, and warm bar air spilled onto the cold sidewalk, carrying laughter and the smell of fried onions.

Use setting to support mood and theme

The place should reinforce the emotional tone of the scene.

Tension → narrow spaces, harsh light, noise
Calm → open spaces, steady rhythms, soft textures, natural romantic landscapes
Isolation → emptiness, distance, silence, derelict buildings

Example:

The field stretched empty in every direction, the sky so wide it made her feel smaller with every step.

Don’t over describe

A few strong details are more powerful than a full inventory.

Rule of thumb:

1–3 vivid details per paragraph is usually enough
Let the reader’s imagination do the rest

Make place matter to the story

Ask yourself:

Would this scene work just as well somewhere else?
If yes, the setting might not be pulling its weight.

Ways to make it matter:

The place creates obstacles
The place holds history or memories
The place mirrors change in the character

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The Inner Child – The Artist

Have you ever wondered why some of your most brilliant ideas come not when you’re trying hard, but when you’re simply daydreaming, or letting your mind wander? That spark—that unfiltered, unashamed burst of originality—comes from a source we often forget: the inner child.

In a world that prizes productivity and perfection, the inner child can seem frivolous or even inconvenient. But for the artist—for anyone who seeks to create—this part of us holds the key to boundless imagination, raw emotion, and fearless experimentation.

The Fearless Inner Child

The inner child is the part of our psyche that retains the wonder, vulnerability, joy, and spontaneity of childhood. It’s not just nostalgia or memory; it’s an active presence within us that remembers how it felt to draw without worrying whether it was “good,” to sing loudly without caring who was listening, or to invent imaginary worlds without limits.

When we reconnect with our inner child, we tap into a part of ourselves that’s naturally curious, intuitive, and brave. This is the energy art demands.

The Creative Inner Child

Does not fear failure
The inner child isn’t worried about reviews, likes, book launches, or gallery shows. It, sings out of tune, draws stick figures, and writes stories with angels and dragons harmoniously coexisting. The creative inner child creates to see what happens, to imagine a world into existence, on a page, canvas, as a musical score or song.
Lives in the now
True creativity flows from being present, playing in the now, experimenting without expectation.
Sees magic everywhere
A puddle becomes a sea. A walk to the park is an adventure. Reframing the ordinary into the extraordinary is at the heart of artistic vision.
Feels deeply
Emotions are unshackled. The inner child loves fiercely cries loudly, laughs uncontrollably. The inner child basks in the light and colours of life’s prism to create art that resonates.

Ways to Reconnect with Your Inner Artist-Child

Play

Do something creative just for the fun of it. Paint with your non-dominant hand. Dance like a maniac. Make up nonsense poems. The goal is not quality—it’s freedom.

Journal Wonder

Every day, write down three things that amazed or delighted you. An ancestral face in a cloud, a child’s or elder’s honest or wise question. Work on seeing the world with fresh eyes.

Revisit Childhood Joys

Think back to what you loved as a five or ten year old. Was it playing hide-and-seek? Was it peeling an orange while sitting in the sun in your backyard? Recalling childhood activities carries the magic to rekindle your most authentic creative energy.

‘Perfection in Imperfection’

Perfectionism silences the inner child. Shut out criticism and grow curiosity. Bury the inner critic that whispers, ‘I could have done this better,’ by focusing on, ‘Let me celebrate the multiple possibilities this holds.’

The Artist is a Forever Child

Great art doesn’t come from the intellect alone. It comes from the melding of experience and innocence, discipline and play. As Picasso once said, “Every child is an artist. The problem is how to remain an artist once we grow up.”

Invite your inner child to the table and observe how the magic unfolds.

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Trust the Process

When you begin writing a story that has whispered for a period, and then hauls you in—you have no idea how far you will go, or how many stories you will create in your lifetime. The process must be trusted and aided by dedicating time and space to allow the story to emerge.

Anything and everything is possible when you trust the calling first, then the process.

You may begin with a plan, an outline, and flesh out characters, but soon the story magically grows with you the writer, as the vessel, guided by a force you cannot quite describe. Some call it a ‘voice’ others call it a compulsion, or their divine muse that lays out the game plan drawn from the seed of imagination. The writer as a scribe leaves each writing session either exhilarated or surprised that a character has chosen to embolden their voice.

Once this arises, all thinking dwells on the place and society you are creating. The heart’s longing cannot be denied. The brain might test resilience, and negative emotions might slip in, depending on who is invited into your inner circle. Those external voices of doom and gloom, which might be your own if you allow it, kill inspiration. Shut them all out—regardless of who they are or what they have to say. It is YOUR story. Own it. Let the editors and ARC readers speak later in the publication process. Writing your raw story is your lone venture.

The heart’s longing cannot be denied.

You are never truly alone. Your main character will step up to lead you by the hand, and your secondary characters will vie for your attention, urging you to consider their point of view.

When many voices clamber for recognition, step back and surrender to a higher consciousness. Meditate for guidance on the next step. Clarity allows the selection of a voice that will be meaningful for readers now and years down the track.
Once the writer’s imagination and emotions blend with skilful writing, a great story is born.

The process is magical once you have plunged into the waters of creativity!

As Ray Bradbury said in, Zen in the Art of Writing, ‘…but one thing always remains the same: the fever, the ardour, the delight. Because I wanted to, I did.’

Allow the process to unfold, and above all, trust it. One idea at a time, one story at a time builds your body of work.

Happy writing, happy publishing, and happy reading.

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Creative Equanimity

After a frenzied holiday season with the comings and goings and the excessiveness of all things gustatory, it takes a few days, or longer, if there’s a dalliance that thwarts getting back in flow. Restoring equanimity invites the sweet melody of the creative muse again. This requires diligent commitment.

Slow it down to get back behind the creative wheel

When one’s attention veers in directions that divert from the words on a page, it is easy to remain in that mode beyond the holidays. If one does not challenge or coerce oneself to empower a creative mood, there is the risk of it not returning.

Equanimity is the balance, the serenity of mind that ceases all noisy thinking to allow voices from unfinished stories or new stories seeking creative attention to emerge.

Moments of equanimity increase with practice

Morning flow practice, or at any time of the day, invites the creative zone. Added to flow practice is what Orna Ross, Irish poet, author, and founder of The Alliance of Independent Authors, coined as F.R.E. E (Fast, Raw, Exact, Easy) writing, and Julia Cameron, American teacher, author, artist, poet, playwright, novelist, filmmaker, best known for her book, The Artist’s Way, as Morning pages. This is the cathartic clearing of mind clutter by unleashing baggage that has infiltrated mind space.

Handwrite whatever arrives for the deliberate act of decluttering. This makes perfect sense when we toss noisy, disruptive thoughts to allow spaciousness for creative energy to flow. To restore equanimity, flow practice, and F.R.E. E writing, or Morning Pages are necessary to kick start the creative process.

Start slow, in bite-size time allocations, fifteen to thirty minutes at a time. Take a walk outdoors or play soothing music, sounds of nature, or cool jazz as I choose, to get back to the writing session as soon as possible.

Avoid reacting to situations that trigger negative emotions and let the self slide into a mode of quiet acceptance to heighten creative energy. Being still, open, and present in one’s immediate environment has the benefit of opening the door to creative space. Light a candle, or incense stick, open a door for a breeze to waft in and allow whatever comes to mind without resisting or judging its arrival.

Everything in life requires practice and commitment…

Find your daily routine. It is a ritual. It takes time and effort. Surround yourself with that which brings inner calm, including the people you invite into your space, and watch creative magic unfold.

May 2023 be the year in which the vastness of your creative potential arises and remains afloat.

Happy Reading, Happy Creating.

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Experience and Writing

Does life experience matter for writing a book?

There are two answers to this question (In my book, anyway).

Experience matters in writing to represent an authentic voice, if the story/plot pertains to a particular generation/profession/life situation etc – authenticity will draw the reader into the story. A sense of place if core to the tale, and references a real place rather than a fictional setting, the experience of having visited a place, such as a town, beach, farm, a particular building etc, will add lustre to the place described. This makes the reader feel they inhabit the fictional setting.

If life experience, in the numerical sense, is absent, the young aspiring writer will achieve as much as his or her experienced counterparts if the novice writer reads widely and writes extensively. It is universally understood that to write well, one must read widely and often. What one reads is important to add believability to a time, place, or character beyond the true-life experience of the young writer.

Both actual life experience and vicarious life experience hold value in the depth and authenticity in the stories writers create. The experience gained during and through the composing process enhances light, shade, depth, and adds colour to the prose.

Writing is not life, but I think that sometimes it can be a way back to life. ~ Stephen King, On Writing: A Memoir of the Craft.

Seasoned and aspiring generations of writers have much to gain from each other. Writing groups offer a wealth of opportunity to sharpen the ability to write through the voice of any age or place, or past life experience. Wisdom is not age/number bound, neither is the capacity to learn a new way to meet the market of readers ready to devour new releases that offer meaningful connections.

The value of experience is not in seeing much, but in seeing wisely. William Osler.

Research, like reading, broadens the ‘life experience’ of a writer. Interviewing people who are of the generation, time, and place before that of the writer is valuable for crafting a character, place and society that is alive on the page.

Mind, manners, and morals of a time before one’s own is accessible, not only via digital means, although the digital connection helps the researching writer find a genuine contact who might willingly be interviewed. To honour the sharing of memories of a time past is often rewarded by a mention in the author’s acknowledgement of sources consulted. Writers take great delight in doing this.

Similarly, when writing crime or detective fiction, visiting police stations, attending court cases, interviewing police officers, or shadowing an officer/detective on the beat is a hands-on way to gaining their work life experience.

The writer’s map has many points of entry… it comes down to individual choice ~Mala Naidoo

On another note, the broader necessary experience as a writer, the how, why, and the business of being a writer are accessible through Facebook groups, writing organisations, attending webinars, and signing up for a masterclass, as is reading a recommended book on how to write and manage a writing business. From a range of noteworthy groups, books, or organisations, the aspiring/new writer embraces and shapes what is needed to craft a unique voice/work of art.

Experience can’t be taught. Anonymous.

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Creative Time and Space

You work full time but have a raging desire to write that book buried deep inside you.

If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.’ ~ Toni Morrison

How can I make it happen?

Time and space are necessary, negotiation with your after work, home tribe is mandatory — your loved ones under the same roof need to know the rules of the ring-fence around your creative time. Tell them, the adults and children alike, that this is your scared time after dinner, and family time. It will be a stretch on your energy levels, it will erode your sleep time… but if you seriously want to, not hope to achieve your hidden dream, then lost sleep is a small sacrifice.

The space is as sacred as the time and needs a physical barrier around it to avoid little ones from tottering in to play.

Say you choose nine-thirty to eleven thirty each night, stick to it unless there is something serious that requires your attention. A no-phones-space or noise cancelling headset is all the additional equipment you need to lock in the time and space for your burst of creativity each day.

Let me live, love, and say it well in good sentences ~ Sylvia Plath

Quality, rather than quantity, counts during this spiritual time to achieve what you have set out to do. Adherence to this time space includes weekends. Be prepared for a dent in your social life. Exceptions are granted for extra special occasions—birthdays, wedding anniversaries, graduation night, etc. These are outside the prohibited norm, and you might have a special occasion not included here. Limit these to those dearest to you. Dwindling social circles are inevitable if your social tribe doesn’t appreciate what you’re doing.

That’s all it takes, but regularity, commitment and determination are the way forward to having your book in hand. And what an exhilarating moment that is!

A word after a word after a word is power ~ Margaret Atwood

As progress happens, negotiate a reduced day job working hours with your manager as you create more time and space for your creativity to flourish.

The writer also needs time and space to read, read, read, all the poetry, craft books, and novels one can fit into a busy day to enhance the craft of writing. Shorten an office lunch break, stroll outdoors and add to the daily scribblings.

And there’s connecting with creative peers for inspiration. It could be a master class or a writer’s association. This tribe is essential to avoid total isolation and to validate your passion.

Soon you will spend more time in your creative space and limited time on your day job.

Go tell that story you have harboured for so long. The world is waiting!

You never have to change anything you got up in the middle of the night to write! ~ Saul Bellow

Happy writing as you create the time and space for holy writing hours!

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